This is a cityscape panorama across Sarasota Bay. To create this I took three vertical images using a 55 mm lens and then stitched them together in Autopano Giga. The reason I did that rather than use a wide angle lens is it creates a realistic view of the scene whereas wide angle lenses tend to distort the sky. Each method has its use.
My guess is that these sailboats are in a mooring field. There is another mooring field on the other side of that bridge just out of sight. That one is busy but this one seems to be long term as I’ve seen the same sailboats sit here for years.
The day was a little hazy but the clouds added an extra dimension to the sky. These types of scenes, urban panoramas across the water, represent a technique I find appealing. Sky and water frame a cityscape and create a different perspective. It’s a little like looking down from an airplane only in this case we’re looking across. I have a coffee table book I’m working on called Sea and Sky; it has a few images like this.
Another thing I like about these stitched-together panoramas is that the image is very high resolution. That’s good for two reasons; it allows the viewer to zoom in and explore the details and, it can be used to create large prints. This resolution of this image can produce a print that is six feet across without losing detail. That makes it suited for large spaces like offices or hallways.
In a few years camera sensors will capture more detail than they do today. Actually these already exist but are specialized for surveillance and mapping. However soon even landscape photographers like myself will have them. And when that happens we’ll be able to pass the time just exploring the details of a scene like this on someone’s large wall.