Ocean Drive in Miami Beach on a Monday night. And the later I stayed, the busier it got. I repeat, it was Monday.
But then I shouldn’t be surprised, because when I’m on vacation, every day is Saturday and most of the people in South Beach are on vacation. So it could be Sunday, Monday or Tuesday night and the place is still going to be full of life.
As I look at this photo, I wonder why they had two TVs set up outside? I get it with TVs in restaurants, but to set two up on the sidewalk seems a little extreme. It’s not enough that we are continually communing with our phones. I’m as guilty as anyone. But maybe it’s a good idea to get unplugged, if even for a couple of hours while we eat. Perhaps I’ll try that tonight, as long as there’s nothing important on.
On most mornings I have a routine, doing the same things I did the morning before. Once in a while, I take photos instead.
I’m a creature of habit, and if I don’t put my keys in the same place, I’d spend half my life looking for them. Habits and routines go hand in hand and can be good, or not so good. But you get my drift.
It’s a little like having an autopilot in our car. It allows us to do one thing while doing another. Again, nothing wrong with that unless we forget where we are going.
I guess my point is that it might be a good idea to step outside our comfort zone now and again to see where we are. For me, that means getting out to take photos. For you, it would be something completely different, but just as important.
Some scenes like this I keep coming back to. But since the sky is different each time it counts as a new pic. I’m not trying to justify it, I’m just saying.
I’ve posted this same scene at least three times; here, here and here. I considered not posting yet another, but I like it and so why not? It makes sense to repeat a composition over time to gauge subtle difference as your technique or gear changes.
This is the first time I used the GM lens for this scene, and so now I can take the time to notice that. I’m doing that with a few repeat scenes, and I’m enjoying the results. I usually save the GM lenses for commercial or portrait work, but I’m starting to use them for landscapes as well. Anyway, here is the latest version of the pier in Bradenton’s Riverwalk. Stay tuned for version 5.0 in about a year.
Something about the light at dusk, it can make a boring apartment building look like a million bucks.
I drive by these buildings all the time and never take a second look, but look at them now. They’re kind of attractive, now that I see them. My Instagram tagline is, “through photography, I see.” I guess this is proof of that.
I used a one-second exposure for the water on the bottom half which evens out the ripples. Usually, I use photoshop to get a similar effect but in this case, its straight out of camera (or SOOC as we say in the biz). I took this from a dock while walking my dog recently. He likes to come out here and survey the scene and sometimes I’ll bring my camera. So it was, in fact, Mr. Wiggles who selected this scene. I should probably change my tagline to, “through my dog, I see.”
For the life of me, I can’t conceive why Washington Avenue is all lit up like that at four in the morning. But then again, it is Miami.
I took this from a ship as we entered the Port of Miami. I was wide awake and recovering from the European timezone. Changes in time zones are great for photography because it makes it easy to get out at all hours of the morning or night. Days can be a little rough.
We flew to Spain and took a boat back, just a few hours drive from home. We’re lucky, most people have to fly to Florida to get on a ship, we just drive. That makes it easier to pack as well, just throw whatever in the heck we want in a big suitcase and not worry about being efficient. Maybe it’s the lazy way to go, but hey, I’m very much into that sometimes.
When I think of colors and Miami, I think of pastels. Pastel colors on the art-deco walls of South Beach. I believe these natural hues are what inspire that aesthetic.
I took this from the top deck of the ship in the port of Miami. I had already been up several hours to capture the inaugural docking of Symphony of the Seas. Now we were having breakfast and walking back to our cabin for the final time. We were ready after 12 days at sea. It was nice to be home, but it was also sad to leave.
Many of these high-rise apartment buildings are empty during the summer. They are vacation homes for people who come down in winter. Once, during summer, I stayed in a hi-rise hotel right downtown. At night I looked out from the thirty-first floor and, all I could see was empty, dark apartments. Now that it’s winter they’re all lit up and full of color.
Walking towards Plaça de Catalunya, we passed this shop. It seems Halloween is popular in Spain as well, or maybe just in retail. Nevertheless, I was dressed as a tourist.
This is Barcelona’s shopping district, and there is no shortage of things to see. The Barcelona Apple store is right next door and, man oh man is that a nice store; good thing I didn’t go in. Shopping and I don’t get along well, shopping always wins.
Speaking of which, we were headed to La Ramblas to get Crystal her Espadrilles. Whenever we return, we go to Toni Pons in the Latin Quarter to get Espadrilles. They are less expensive in Spain and, they are made locally. While she was doing that, I went to take photos. The only problem with that is that I can lose track of time, but somehow I managed to snap out of it and meet her just as she was exiting the store with a big bag of shoes.
I like renting a bike in Miami beach to get off the beaten path. I want to see how the natives live which, in reality, is exactly as I do.
For me, the challenge with urban photography is finding an angle that’s not crappy. But that’s just me, and at the same time, I love the work of photographers that show urban grittiness, like Thomas Hawk. His work is not crappy, but it shows ugly details. Nevertheless, I spend hours looking at his work on Flickr.
It comes down to what I’m comfortable with, even if I get inspiration from different styles. Anyway, this is my take on South Beach urbanism, which is more of an ideal than the reality. Because if I turned the camera just a little, you would see all the grittiness of telephone wires, parked cars, and liquor stores. But if Tomas Hawk did it, it would be okay.
Here is a shot like the one I posted last week from the central section of old Montpellier. As with that other shot, this is from the day I wandered around taking photos of people walking the narrow streets. I could do that every day if I lived in an area like this, but I don’t so I have to take a lot while I’m there.
I processed this to make it look like the shot was at night even though it was midday. Transforming it like this is a personal preference of mine, and it creates a slightly different narrative for the image. For me, these types of images are studies in mood, lighting, and effects. I do them to satisfy my curiosity as to how far I can take a picture from its original exposure.
Aside from the processing, what makes a shot like this is the combination of the narrow streets, the curve of the leading line, high walls and the people. That’s a combination that’s generally found only in Europe. That is why I really would like to get back there more often. Maybe I can work something out. <knock on wood>