Some scenes like this I keep coming back to. But since the sky is different each time it counts as a new pic. I’m not trying to justify it, I’m just saying.
I’ve posted this same scene at least three times; here, here and here. I considered not posting yet another, but I like it and so why not? It makes sense to repeat a composition over time to gauge subtle difference as your technique or gear changes.
This is the first time I used the GM lens for this scene, and so now I can take the time to notice that. I’m doing that with a few repeat scenes, and I’m enjoying the results. I usually save the GM lenses for commercial or portrait work, but I’m starting to use them for landscapes as well. Anyway, here is the latest version of the pier in Bradenton’s Riverwalk. Stay tuned for version 5.0 in about a year.
Maybe it’s of all the lights, or the mass of humanity, or the scale of it all. Whatever it is, I’m in not much use until I snap out of its initial spell. Perhaps there’s some part of our DNA that attracts us to a hive or colony or tribe. Or maybe, it just all the cool lights.
This is the back side of Bradenton Beach, the front side is, uh, a beach.
The little beach town is surrounded by water because it sits on Anna Maria Island. The back side faces the intercoastal waterway and is the place where all the boats dock. It’s also where you’ll find a lot of fun things to explore, like restaurants, galleries, and fishing piers; not to mention other little villages like Cortez.
I shot this picture at water level using a Platypod on a remarkably calm night; usually, there’s a little chop. This is also a prolonged, thirteen-second exposure, so it makes the water appear even smoother. Then I stretched the lights a little downwards to accentuate them. But at the end of the day, if you squint your eyes a little, this is exactly what you would see on most evenings along the inter-coastal waterway. But if that doesn’t float your boat, there is always the beach on the other side.
This looks out across the water from a few inches up; like what you might see if you were treading water.
For this low angle, I picked up a new gadget called a Platypod. It’s a little stand that makes it easy to take pictures from the ground. I even took it on a recent trip overseas rather than a tripod. There were a couple times I could have used a regular tripod, but the small size and versatility of the Platypod outweighed that.
This low perspective is a little less common and adds a little something extra. Raise the camera to eye level, and the scene changes completely. But down low, the water becomes a foreground element which, is a neat little trick in an of itself.
I took this the morning after arriving from the east coast. When I woke up, it was before 4:00 AM, so I went out taking photos, and this was the last place I stopped. I started at the Palace of Fine Arts and ended up here at Embarcadero.
It was early on a weekend so the streets were empty and I could get from place to place in no time. Traveling to the west coast is easy to do, going the other way is another matter entirely. That is unless you like staying up late, but I’m more of a morning person, so going west works better for me. Early to rise…, and all that stuff.
It’s been two years since I took this and looking at it now I thought it was the Golden Gate bridge. But the background doesn’t look right, and the sun doesn’t set or rise this way as far as I know. Something didn’t seem right. Fortunately, this is tagged with GPS coordinates from an app I use; just like iPhone photos, but for Sony. So I looked it up on Google maps and only then did I realized it was the Bay Bridge. Silly me.
This image shows an unusual perspective Tampa Bay’s Skyway bridge. I was standing along a seawall at a rest stop along the causeway that connects the two sides. The bridge appears small, but it’s close to 400 feet high.
I’ve been sitting on this photo because I can’t decide whether I like it or not. I overthink things, but it does have some redeeming qualities, so I guess I like it for now.
However, I do love this location on the bay because it’s one of the few places on the west coast where you can see the sunrise over a vast body of water. And now as I’m writing this, I’m deciding that I need to get up early and come back. Maybe I can try this shot again and settle once and for all if I like it.
My dog is the most patient being on the planet. Even when we go to his favorite parks, he waits for me to take my photos. Here he’s waiting to go over the bridge, but I’m busy composing. If I could paraphrase the look, he was saying, “Seriously daddy?”. I’m just saying.
Mr. Wiggles loves going to parks and exploring. I like the scenery. We have slightly different interests, but the excursion benefits us both. At the park, I have to be careful not to get too carried away. When taking photos, I need to be mindful of our surroundings. For instance, there was a small alligator in the lake on the left. It wouldn’t bother us, but the bigger ones love to snack on small pets.
The summer heat makes it difficult for Mr. Wiggles to get much exercise during daylight. Imagine walking around in ninety-percent humidity wearing a coat. So we either go out after dark or on overcast days when the sun is less harsh. When we get home, he has a long drink of water and collapses on the cold tiles. And no matter how hot it is, he still looks forward to it every single day.
Earlier this week the rain cleared out just before sunset. I jumped in my car and came here to Riverwalk in Bradenton. I had less than thirty minutes before the colors faded so I ran around to get as many pictures as I could. This image is the first one I took.
It was twenty minutes of pure awesome. When the conditions are perfect, you have to keep moving. It’s a challenge to get as many scenes as you can before the color drains from the sky. I wish it would last longer, but beggars can’t be choosers.
In fact, soft light in the sky and reflections on the ground make anything look good. I could be standing in a Wal-Mart parking lot, and it would seem remarkable. That’s the reason I prefer low light photography. It evokes an ephemeral mood that overrides the harsh realities of only a few minutes earlier. Anyway, when I left my house, I headed to the river. But perhaps I could have driven in the other direction to Wal-Mart and had just as much fun. You never know.
This is an HDR image full of fall colors that I took four years ago in New Zealand. It was the first morning of a five-day workshop with Trey Ratcliff. In the southern hemisphere, April is in Autumn so the leaves were turning.
I had recently purchased the Sony A7R and now, four years later, I’m still impressed with the images. Since that time Sony has created two new generations of that camera so I now use the third generation A7R III. Also, since that time Trey and Skylum introduced HDR software known as Aurora HDR. Now Aurora is in its second or third generation as well. As a result, I’m revisiting these old photos with the new software. The software has improved to the point that it’s very easy to make old photos look amazing.
Four years seems like such a long time, I would go back in a heartbeat. For a photographer, New Zealand is a dream. But I did take thousands of photos while I was there so even if I don’t get back right away I still have these photos to look at and enjoy.