Is it just me or does it seem like we get a lot of Supermoons? This is a picture of the last one, which is the one before the next one.
These moon photos are a bear to take. Unless you have a very long lens, like 600mm or more, the moon doesn’t look that big. Also, the composition is a little tricky because if you expose for the moon, everything else is too dark. If you expose for everything else, the moon is too light.
In the end, I created a composite with two photos. The moon exposure is combined with the bridge exposure. Despite the challenges, it’s a lot of fun, and I’ll probably plan on doing another one. With all these supermoons coming, I’ll have plenty of chances to get it right.
The new bridge at Robinson Preserve presents an open invitation to cross over to a winding trail with ponds, marshes, and wildlife on all sides.
The image I posted yesterday was not far from this spot, but the weather could not have been more different. That image was on a foggy morning, and this is at the end of the day. The light in each tells an entirely different story.
As usual, the story is mostly in our mind. With these types of landscape images, we all see the same thing, yet we fill in different details. And, as with life, we perceive in it what we want to see. I think self-projection is one of the purposes of art, to allow us to muse upon things that are reflections of ourselves.
This bridge is a commuter’s nightmare, but before dawn on the weekend, it can look pretty awesome.
It’s amazing how smooth the water looks in a long exposure. I could shoot these all morning if the sun didn’t rise. But, as the saying goes, the son also rises. Actually, that saying doesn’t apply, and I’m mixing metaphors, but we’re all friends here.
They say this bridge needs to be replaced. It’s over fifty years old and, as I mentioned, the traffic on it sucks. But, there is a bright side. Getting stuck on a bridge in Florida is not so bad; you just roll down the window, crank up the tunes, and enjoy the scenery.
I took this on that windy January weekend in Tampa Bay. Contrary to popular belief, we do get a little winter weather down here. A little.
When it gets cold in Florida, we complain about it. Basically, we feel entitled to good weather all the time. When it’s not, we get our noses out of joint. Nevermind it’s fifty degrees warmer than up north, we just can’t afford those fancy coats Y’all have. That’s not true, I have one in my closet, somewhere.
Anyway, we had a chilly January. We didn’t get frost or anything, but we did have to put on shoes and long pants. That sucks. But now it’s February and its back to sandals and shorts. See how I say that like it’s the most normal thing in the world? So, for the time being, I have nothing to complain about.
This is some early morning light coming in from the east. An overactive imagination would say those are condos from Mordor. Not that I have an overactive imagination.
I’m usually up early, but I’m busy going to the gym and getting dressed, not necessarily in that order. But often I’ll manage to look east and see some fantastic light. The problem is I’m too wrapped up in the daily routine to do anything about it, like stop and take a picture.
But this time it was a Saturday, and I met a friend, and I didn’t have to go to the gym. I’ve been sitting on this image, but now it’s starting to grow on me; if for no other reason than the light and drama it holds. And, after a week of daily routines, I could use a little drama.
This is the bridge where Lake Wakatipu ends and enters the Kawarau River. Or, at least it was. Since I took this, they built a new bridge that’s not nearly as photogenic.
I took this on my first day in New Zealand as I was walking around getting the lay of the land. The bridge was next to the hotel. I must say, that trip was probably the most fun I’ve ever had. It was a photography workshop with Trey Ratcliff, and it was a doozy. Everything, from the scenery to the food was over the top.
I’ve been looking at some of the photos I took while there and am post-processing them with the newer software. At the time I was using the A7R which was relatively new at the time and, the choice of lenses was limited. That was two generations of A7R ago, and the RAW files are holding up quite nicely. But boy, what I could do now with the newer camera. Without a doubt, I very much want to go back.
Some days the skies can be really moody, especially when everything is grey and overcast; this is a little like that.
I pulled this image out of the archives from a couple of years ago. The bridge is near my home; one I’ve taken many times. It’s the minimal aesthetic of the three elements; bridge, sky, and water that appeals to me. There’s no story here, just a scene.
The bridge is getting old. The planners say it’s at the end of its life and a new one needs to be built. I wonder what this scene will look like in five years from now. It could be very different, or not so much. However I can surely predict that the clouds and water will still be around, and on some days it will be just as moody.
Some scenes like this I keep coming back to. But since the sky is different each time it counts as a new pic. I’m not trying to justify it, I’m just saying.
I’ve posted this same scene at least three times; here, here and here. I considered not posting yet another, but I like it and so why not? It makes sense to repeat a composition over time to gauge subtle difference as your technique or gear changes.
This is the first time I used the GM lens for this scene, and so now I can take the time to notice that. I’m doing that with a few repeat scenes, and I’m enjoying the results. I usually save the GM lenses for commercial or portrait work, but I’m starting to use them for landscapes as well. Anyway, here is the latest version of the pier in Bradenton’s Riverwalk. Stay tuned for version 5.0 in about a year.
Maybe it’s of all the lights, or the mass of humanity, or the scale of it all. Whatever it is, I’m in not much use until I snap out of its initial spell. Perhaps there’s some part of our DNA that attracts us to a hive or colony or tribe. Or maybe, it just all the cool lights.
This is the back side of Bradenton Beach, the front side is, uh, a beach.
The little beach town is surrounded by water because it sits on Anna Maria Island. The back side faces the intercoastal waterway and is the place where all the boats dock. It’s also where you’ll find a lot of fun things to explore, like restaurants, galleries, and fishing piers; not to mention other little villages like Cortez.
I shot this picture at water level using a Platypod on a remarkably calm night; usually, there’s a little chop. This is also a prolonged, thirteen-second exposure, so it makes the water appear even smoother. Then I stretched the lights a little downwards to accentuate them. But at the end of the day, if you squint your eyes a little, this is exactly what you would see on most evenings along the inter-coastal waterway. But if that doesn’t float your boat, there is always the beach on the other side.