About five years ago I took a drive up the coast from Vancouver. I took this at a little community called Lions Bay.
This image has been sitting in my rejects file for a year or two. Now and then I look at the rejects and see if I should reconsider any. My perspective changes so much that, given a little time, I might change my mind.
To be clear, most of my photos deserve to be in the dust bin; they are not that interesting. I usually wait at least a week, typically much longer, to post a photo. It takes a little time to look at a picture dispassionately and decide if it rises to the level. But even then, it’s all subjective, and what makes a good photo is entirely in the eye of the beholder.
I take a lot of pictures of this bridge because it’s so close to home. It’s the biggest thing around, way bigger than a bread box.
Do people still use bread boxes these days? Whenever I buy bread, it goes in the freezer. But I digress; the bridge is the biggest thing around, so it’s the center of a lot of attention. I’m all about iconic photos close to home like this.
This photo, in particular, is a long exposure that was taken with an ND filter. The picture is 46 seconds long which is why the water appears flat. Usually, I might use Photoshop to create the same effect, but in this case, there is little, if any, Photoshop involved.
The other day I went to the beach to watch the sunset, but the beach was covered in fog; time to execute Plan B.
Plan B is to try and make lemonade out of lemons. This shot is one where a hole opened up in the sky just as some birds flew by. Photos like this in the fog have no shadows because the light is very even. I think photography in this type of soft light is more comfortable on the eyes when we look at it.
Even without the fog, some of the best landscape photos are taken when the sun was lower, and the light gets diffused by the atmosphere. Or, when there are enough clouds in the sky to diffuse the harsh sunlight. The sun is an unfathomably harsh body that can rip everything to shreds in an instant if it were not for the amazing conditions we have here on Earth. Knowing this and having the opportunity to photograph it is pretty awesome.
Whenever I leave San Francisco, I take a redeye home. That gives me time before the flight to head over to Point Lobos for a California sunset.
I’ll take luck where I can get it, and I’ve been fortunate in this area. There’s a lot of scenery around here, so it’s not that hard to get good photos. Even if it’s foggy, there’s a lot of cool stuff to see. I love taking pictures in the fog. In Florida, we only get it briefly a couple of times a year. As I write this, I’m putting San Francisco fog photos on my list.
Speaking of lists, I’m not actually a list person. Maybe I should be, it might be useful. I do make a list when I’m told to go get groceries. That’s so I don’t screw up and forget something critical, like goat milk. But when I go to the store on my own, I don’t use a list. If I screw up then and forget something, nobody ever knows. Life is easy under the radar.
I took this on that windy January weekend in Tampa Bay. Contrary to popular belief, we do get a little winter weather down here. A little.
When it gets cold in Florida, we complain about it. Basically, we feel entitled to good weather all the time. When it’s not, we get our noses out of joint. Nevermind it’s fifty degrees warmer than up north, we just can’t afford those fancy coats Y’all have. That’s not true, I have one in my closet, somewhere.
Anyway, we had a chilly January. We didn’t get frost or anything, but we did have to put on shoes and long pants. That sucks. But now it’s February and its back to sandals and shorts. See how I say that like it’s the most normal thing in the world? So, for the time being, I have nothing to complain about.
Here’s a shot that I took with my iPhone as we left Port Canaveral on the inaugural Atlantic crossing of Symphony of the Seas. Not bad for a two-and-a-half-year-old iPhone.
I was up on the top deck without my camera as we pulled out of port. I wished I had my Sony because there was a lot of hoopla surrounding the first U.S. docking of the world’s largest ship. But, as the old saying goes, the best camera in the world is the one you have with you. In my case, that means the iPhone 7 plus. I think it did a pretty good job.
Nevertheless, I processed it a little in Skylum’s Luminar, and this is how it turned out. I like this perpendicular perspective of the beach. It’s a minimalist landscape shot, but not too shabby. One of these days I’ll get around to upgrading my iPhone to a new model and get even better pictures.
Now and then, without warning, the view from a cruise ship can be over the top. This is why I like booking a room with a balcony.
The Oasis of the Seas was just leaving the dock at Cozumel, and everything came together. As the ships leave, smaller boats are returning to dock after depositing their tour groups. By six in the evening, all the ships have departed, and the little towns and villages become sleepy again. That’s why I think Cozumel is the closest thing to Margaritaville.
My apologies if this image seems overly saturated. I’ve desaturated the colors a couple of times because it doesn’t seem realistic. Every now and then that happens. More and more I pay attention to the levels of color saturation while I’m taking the picture, and sometimes it’s quite high. Then I have to tone it down in post-processing because it can look fake. This is one of those cases, but I’m still not sure if it’s enough.
Isn’t it funny how we anthropomorphize all things? Here are some defiant colors against the angry Mediterranean.
I do it all the time with animals, but between you and me, I think most animals have emotions, so it doesn’t seem like such a stretch. However, sometimes I do it for the weather or inanimate objects; then I’m surely projecting my own feelings into the world. The sea can’t really be angry, can it?
As we journeyed out into the North Atlantic, things got worse. There was a hurricane a long way off that roiled the ocean. The winds across the deck were seventy-five miles an hour, and the swells fifty feet high. At that time I looked out at sea from the comfort of a massive cruise ship and tried to imagine myself on a small ancient craft crossing the ocean in the midst of a storm. Admittedly I had feelings, but I’m pretty sure the sea had none at all. And that was maybe, just a tiny, bit, scary.
When crossing the Atlantic, we’d see these singular clouds. They’de float by like big animals casting reflections on the water.
The clouds change the color of the water surface which plays tricks on your eyes. It looks like the sea has variations of light and dark patches. However, when you’re out in the middle of the ocean, the only thing that changes is the light hitting it. That took me two days to figure out.
There’s a lot of free time on a long crossing, enough to look up and see what shapes the clouds are making. Between sitting by the pool and sitting at the bar, I did manage to have a little extra free time. In this case, I could see an elephant sitting down with his back to me. But that’s obvious, right?
A few days ago I had a bright idea to take some photos. Somehow, I managed to leave with enough time to get here and set up the shot without rushing.
I usually procrastinate and then end up dashing out the door. But once in a while, I do it the proper way, whatever that is. I am continually going between calm and panic in my photography. Kind of like life I suppose.
Lately, when I know I’m shooting into the sun, I’ve been using my high-quality Sony 24-70mm f2.8 GM lens. It’s a lot heavier than my standard travel lens, but man-o-man, the quality comes through. I notice the difference because I take and process so many photos, but most folks would never know. That’s okay because I take these landscape photos for myself. And as the saying goes, whatever makes me happy.