A few days ago I had a bright idea to take some photos. Somehow, I managed to leave with enough time to get here and set up the shot without rushing.
I usually procrastinate and then end up dashing out the door. But once in a while, I do it the proper way, whatever that is. I am continually going between calm and panic in my photography. Kind of like life I suppose.
Lately, when I know I’m shooting into the sun, I’ve been using my high-quality Sony 24-70mm f2.8 GM lens. It’s a lot heavier than my standard travel lens, but man-o-man, the quality comes through. I notice the difference because I take and process so many photos, but most folks would never know. That’s okay because I take these landscape photos for myself. And as the saying goes, whatever makes me happy.
This is a near reproduction of an image I did a few years ago. The angle is different, but the story is the same; rocks, pier, water and sky.
I’ve changed the way I take and process photos so this is perhaps the upgraded version. Everything else in life gets updated, why not pictures? I must have deleted the first one because I can’t find it. But it’s not just my imagination because I printed it and sold a few copies. But now, I prefer this version.
As time goes on, I see many more things in a photo, some good, some so-so. Much of my earlier work I would like to redo, a 2.0 gallery if you will. And eventually, I will because I keep going to the same places. And if I think about it, I’ll probably never stop doing that. Just going back to the same areas, and taking upgraded photos until we get to version X. At least that’s the theory.
This simple image is a long (one second) exposure from the side of a ship. These are swells from hurricane Oscar that was over a thousand miles away.
The captain took us south to avoid the worst of it, but for about two days we saw some impressive swells, more massive than these. Even the largest cruise ship in the world will rock in these conditions. The swells hitting the side of the boat sounded exactly like waves crashing on the shore. It was relaxing, and for two nights we slept with the balcony door open so we could hear the soothing sounds.
To make a one-second exposure in daylight, I set the aperture to f40. That’s a tiny aperture, maybe the smallest I’ve ever used. An F-stop higher than 20 does not have a lot of practical uses, but long exposures are one. One second is long enough to make an in-camera motion blur effect without resorting to photoshop tricks.
My favorite thing about the trip across the Atlantic was the open sea. For over a week there was nothing but water and clouds.
When we booked the trip, I wasn’t sure what eight days at sea would be like. Now, I would do it again in a heartbeat. The entire time we did not see land, another boat, or a plane. It was an opportunity to detach from all land-based frames of reference.
On the final day before arriving at Port Canaveral, we began to see planes in the sky and seabirds. It was the first signs that home was not far off. It’s nice to back on the ground, but at the same time, it was nice to have a glimpse of a perspective where all the familiar references were not there.
The problem with a place in Florida called Venice is that if you Google “Venice,” you’ll end up in Italy. Even if I search my website, I get Italy. Using the hashtag “#venicefl” helps sort that out.
That’s the thing about living in the new world, a lot of places get named after the old world. If you’re someone like me that was born here, its confusing as heck. (I never said I was bright.) It’s like when someone in Ontario Canada mentions London; or the poor souls in Paris Texas.
Hashtags aside, I took this with the original Sony A7R. By this time I owned it for over a year and was thoroughly happy with it. Now I’m on the third generation A7, but am going back with newer software. The updated software breaths new light into these old shots. This is processed with Aurora HDR 2019, and after looking at what it can do with these old photos, I’m going to be going back to have a second look at a few more.
Here is a shot I took last year in Sarasota. It was one of those rushed shots that I was frantically trying to capture as the sun disappeared. The windblown palms added drama to the scene which meant that a three image HDR was out of the question. Nevertheless, I was able to get this with a single exposure from that fantastic Sony sensor on the A7RII.
I took this with a super wide angle 12mm lens. I don’t use it as much as I’d like, but this is an example of what it can do. In a lot of cases, it’s too wide for my needs. But still, it’s nice to have it in the kit.
One thing it does well is to include a lot of the sky. In this case, that’s what I wanted because of the clouds and colors. But at other times it can leave a lot of empty space. Anyway, I’m happy with how it turned out with the combination of the windblown palms, leading lines and dramatic clouds.
I took this earlier in the year before the red tide came in, back then there were plenty of seabirds trolling the coast for fish. The red tide is finally decreasing so hopefully now the birds will return in more significant numbers.
Here’s an interesting photo that uses focus stacking to get the effect of both the foreground and background in focus. It’s a typical scene along the beach with the ever-present sandpiper.
To make this I took two photos, one focused on the piper and one on the people further off. Then by blending the two, they both appear in focus. This technique is not so good for scenes like this because the movement of the water complicates the blending. You can see a little blurriness between the two in-focus points. Nevertheless, I think the overall effect is rather nice.
I know I shouldn’t spend time wishing I was somewhere else. However, I do. Except when I’m here, then I don’t.
When I have a vacation coming up, I wish I was there already; but if I were, it would be over sooner, and I’d be back to the real world when I should be on vacation. The only other option is to make life one big vacation. Yeah, like that’s going to happen.
If life was just one big vacation, would I want to go to work? I think I know the answer to that. Sometimes I have too many thoughts for my own good. The best cure for that is a beach-view of the sunset on Friday. There’s plenty of time for the other stuff on Monday.
Taking pictures from a ship is like standing on a tall building. The vantage is nearly as good as a drone but without the need for an FAA license.
I took this onboard the Royal Caribbean’s Enchantment of the Seas as we left Miami on a three-day cruise. There were high winds on that voyage, and we had to skip one of our ports. The other port was Nassau where we did dock safely and enjoyed a day exploring.
Perhaps because of the rough conditions, I got a few good photos using the perspective of the ship that I wouldn’t usually get. Then, on the final morning, we arrived back here to Miami at sunrise, and I got a few last photos from the top deck. After that, it was back to ground level.
I used to live in Canada and wondered what it would be like to live in a place like Florida; now that I’ve been here fifteen years I know, hot as hell.
It’s called the sunshine state for a reason. The sun is white, hot, and intense; which is why I remain most of the time indoors. I look forward to the few months I can wear a sweatshirt.
Like anything, you adjust with light clothing, hats, and sunglasses. If however, you work outdoors, then you cover up. Outdoor workers cover from head to toe in the most intense heat and humidity imaginable. Think about that.