Inter-coastal on Longboat

This is a long exposure from a park that sits on the border between Sarasota and Manatee counties. It’s a new park so on a recent Sunday drive I stopped by to see it for myself. I’m facing towards the inter-coastal on Longboat Key.

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Inter-coastal on Longboat
A long exposure of the Inter-coastal on Longboat Key in Sarasota

You may ask, how is it possible to take a long exposure at midday? Glad you asked; I used a strong ND filter. ND stands for neutral density and it blocks the light. In fact I used two filters and together they REALLY block the light. So much so that I can keep the shutter open for a minute or two, something I can normally do only at night.

So why would I want to take a long exposure during the day? Another great question; because everything is gets smoothed out. Even water that has waves appears smooth, the same goes for clouds; they all appear smooth. It’s a cheap special effect you can achieve without a big Hollywood budget.

other long exposure images

You can get pretty creative with photography if you have nothing better to do on a Sunday afternoon. As for me I rarely have anything better to do. Standing in an empty park taking long exposures in broad daylight is my idea of a good time. Can you think of anything better to do?

Cityscape of Sarasota

This is a long exposure cityscape of Sarasota I took one night while waiting for the full moon to rise above the bridge. I was fortunate in that there was no wind and the waters of the bay were still. While that’s great for photos it also means there are a lot of mosquitos. I had a can of repellant and sprayed myself from head to toe: a minor annoyance but its a small price to pay in exchange for perfect conditions.

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Cityscape of Sarasota
Cityscape of Sarasota on a calm night

I never know when conditions will be good for photography until the last moment. If I had all the time in the world I’d go out every night checking. As a matter of fact I did that this evening before I sat down to write this. We had some dramatic clouds and I thought to get in position, but nothing happened and I drove home without a shot. It’s a numbers game; sometimes you lose and sometimes you win.

Earlier in the day I took a three-hour drive looking for compositions, in the end I got only one. The effort that goes into my photography is not carbon neutral. I should probably look into an electric car or just take the bus.

So that the time is not a complete waste I’ll listen to podcasts. I can get drawn into the stories such that the traffic, distances and time are not so monotonous. Even if I come back without a good composition at least I learned something. My favorite is Radio Labs, but I also like This American Life and sometimes Tim Ferris.

other cityscapes in the gallery

A lot of effort goes into making a good podcasts and the same holds true for photos. I love doing it so I rarely notice the time, but most of the images I post involve many hours of traveling, editing, expense, and sometimes even spraying myself with insect repellant.

Graceful Act

The other day I stood at the waters edge of Sarasota Bay and watched the skimmers ply their trade. To get this I used high-speed settings to freeze the bird in mid flight. The skimmer flies inches above the water while scooping up food with its beak and leaving a small wake. It’s a graceful act to watch or photograph on a warm summer evening.

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Graceful Act

I just returned from the high desert. It was beautiful and very different from the Gulf Coast of Florida. Photographing the desert takes a different set of eyes than those I’ve developed for Florida. The dry land made me realize how fortunate I am to live near the water. But I would say the same thing if I lived near the mountains.

If you like photography then you will find something interesting no matter where you are. Being open to sights around you is not always as easy as it seems, it requires being flexible. Preconceived notions can block your vision when it doesn’t materialize. For instance, maybe you have a notion to capture a hillside, but there is an interesting wildflower right at your feet. It’s not just a matter of looking the other way, it also means adjusting your field of view.

photos with birds

When I took this I had setup to take pictures of the moon and a bridge. However I was drawn by the action of the skimmers. In the end I got different shots in addition to the one I came for. There will always be something unexpected, even in the most familiar setting. So put yourself in a setting and look around. You never know what you might see.

By the Waters Edge

The other evening I was standing along Sarasota Bay and there were all types of birds by the waters edge. This egret was picking through grasses exposed by the low tide. Egrets are accustomed to humans and will come quite close without feeling threatened. However if you’re fishing it’s a different story altogether. They have no problem walking right up and stealing fish or bait right at your feet.

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By the Waters Edge
By the Waters Edge in Sarasota Bay

This one thought I might be fishing and came to investigate. When he realized I didn’t have a net he lost interest. In this moment he seemed to lose interest and hop a few meters down the shore.

I love animals very much and tend to anthropomorphize them. For instance I would say this little fella is striking a pose, deciding on his next move. If they squawk I’ll attribute it to human emotions, as though they are complaining or mad about something. I do that with wild animals all the time and especially with my own pets. Sometimes if I talk to animals they’ll take an interest in me and look back quixotically. That’s because they’re not sure what to make of a crazy human like me. At least my dog understands me, but that’s another story.

more animals

I’m not so much of a wild life photographer, but I do like capturing birds along the shore, especially here in Florida. There are a lot of egrets and herons that make for good subjects with their graceful poses and antics. But real wildlife photographers are a different bred, they are patient and calculating, and will end up with spectacular shots of nature. Me, I’m more of an opportunist; I’ll capture the wildlife if I happen to be in the right spot at the right time.

Strawberry Moon

Over the weekend we had a full moon and for some reason it’s called the strawberry moon. Apparently it’s the smallest full moon of the year, but I think that doesn’t means much in practical terms because we can’t see the difference with our eyes.

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Strawberry Moon
Strawberry Moon over Sarasota

This is the Sarasota skyline from across the bay. It was one of the few nights we didn’t have cloud cover and this scene is one I’ve been waiting to capture.

In fact this is a large panorama consisting of twelve individual images in a grid of 2 x 6. At full resolution this is two by eight feet. If you are thinking of purchasing a print, be sure to select the wide panorama crop (20 x 80 or similar) when checking out or just contact me so that I can ensure you get the correct fit for the frame size you want.

I’ve been creating a lot of panoramas lately. I’m intrigued by the perspective and level of detail that’s possible. However the bigger the panorama the harder it is to put together. There are a lot of nuances that need to be fit just so. The software helps a little but most of the work is slow detail effort, although it’s something I enjoy a lot. The long slow process in kind of like a meditation for me, I’m in a different world when editing images.

I spend more time working on photos than taking them. That’s just part of my artistic process. Often I’ll come back to a photo a dozen times before I feel it’s ready. Many times it never gets there and is relegated to the reject bin. Every now and then I review the rejects and see something in a different light and bring it back to life.

more panoramas

In this case I had a strong idea of what I wanted so it was just a matter of taking the time to get it just right, in camera and in post processing. After all that work I still don’t know why it’s called a strawberry moon. I should just Google it but on the other hand I think I’ll just leave it as a mystery for now.

Quite the Scene

I can be a real geek sometimes; like this time. I had it in my mind I was going to take some epic photos and so I brought a bag full of gear including a huge lens and a tripod. Things didn’t turn out as I expected so there I was with all this gear in the middle of a public pathway as the sun was setting. I made the best of it and quickly setup for the shot. A couple came up and said they wanted to be on TV. Obviously I looked like I was from the local station. I must have been quite the scene.

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Quite the Scene
Quite the Scene before me and of me when I took this in Sarasota

This is the image I got and so I didn’t come home completely empty handed. But to be quite honest I could have done better with less. I love gear and so this happens a lot. I always bring more gear than I need. However I can count on one hand the times I used everything I brought. It’s not about the gear; it’s about being present in the moment and working with what you have.

Lately I’ve started experimenting with slimming down what I take. By that I mean two or three lenses. Again, even the times I bring two lenses, I end up using only one. Recently I’ve left the house with just one lens on my camera. No bag, no filters, no tripod. I start out with a feeling that I forgot something. However as I start to take pictures I’m less encumbered and more attuned to what’s around me.

It’s not the camera it’s what between the ears. Taking good pictures requires a state of mind more than a heavy piece of glass. Some of the most amazing photographers on the web use inexpensive cameras. That’s not to say all the equipment is unnecessary, it all has a proper time, place and use.

more sunset images

I like the gear because I’m a geek but maybe I need a little intervention. I think of myself as being on a twelve-step program to be free of lens clutter. I’m not there yet, but at least I know it’s an issue. That’s the first step to recovery.

Now I’m off to read about the just announced Sony 16-35mm f/2.8 GM and 12-24mm f/4.0. I might need one of those in my kit.

Cityscape Panorama Across Sarasota Bay

This is a cityscape panorama across Sarasota Bay. To create this I took three vertical images using a 55 mm lens and then stitched them together in Autopano Giga. The reason I did that rather than use a wide angle lens is it creates a realistic view of the scene whereas wide angle lenses tend to distort the sky. Each method has its use.

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Cityscape Panorama Across Sarasota Bay
This is a cityscape panorama across Sarasota Bay.

My guess is that these sailboats are in a mooring field. There is another mooring field on the other side of that bridge just out of sight. That one is busy but this one seems to be long term as I’ve seen the same sailboats sit here for years.

The day was a little hazy but the clouds added an extra dimension to the sky. These types of scenes, urban panoramas across the water, represent a technique I find appealing. Sky and water frame a cityscape and create a different perspective. It’s a little like looking down from an airplane only in this case we’re looking across. I have a coffee table book I’m working on called Sea and Sky; it has a few images like this.

Another thing I like about these stitched-together panoramas is that the image is very high resolution. That’s good for two reasons; it allows the viewer to zoom in and explore the details and, it can be used to create large prints. This resolution of this image can produce a print that is six feet across without losing detail. That makes it suited for large spaces like offices or hallways.

more panoramas

In a few years camera sensors will capture more detail than they do today. Actually these already exist but are specialized for surveillance and mapping. However soon even landscape photographers like myself will have them. And when that happens we’ll be able to pass the time just exploring the details of a scene like this on someone’s large wall.

Section of Sarasota

This shot is from a section of Sarasota where I was taking pictures at sunset. When doing that a good rule of thumb to turn around. During that time of day the light is typically good in all directions. This scene is enhanced by the soft light of the golden hour.

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Section of Sarasota
This is an iconic section of Sarasota

The tallest building on the right is the Ritz Carlton hotel. It’s distinctive architecture is part of the Sarasota skyline. I ate dinner here a couple of times and for desert had the chocolate martini.

This section of the town is one of the most iconic. I’m standing adjacent to the main bridge which connects the city to Lido Key. Runners, walkers and bikers all use the bridge for exercise. Behind me is the pier and a park were folks come to fish or view the sunset. On the other side of the street is the main marina where sailboats and yachts are anchored. Finally, straight ahead is the downtown section with restaurants, shops and entertainment.

sarasota gallery

So this is an area where there is much to see and do. That’s the main reason I come here to take pictures. But this time I decided to turn around and ignore the obvious for just a minute. By doing that I found a new composition. But to tell the truth, that’s easy to do in any direction around here.

Burden of Beauty

When I see a scene like this I want to capture it with my camera. That’s great if I have my camera, it’s stressful if I don’t. Its what I call the burden of beauty. Photography has opened my eyes so I am more aware of what’s around me. When I see something interesting or pretty the inclination is to take a picture. So now I not only appreciate more, I want to capture it. As problems go I suppose its a good one to have.

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Burden of Beauty
The burden of beauty demands that I capture scenes like this

I took this in Sarasota last week as the rain clouds were clearing. There is a special quality to the light at times like this. I feel the need to capture elusive light. Sometimes the photos are simply clouds, water and sun. Generally they never make it to my collections, maybe they lack that little something extra of interest to a wider audience. That’s okay, I’m glad I captured it all the same.

“Capture” is a funny word. We cannot capture anything as ephemeral as light, we record it. But I try to convey a little of what I felt or saw at the time. So when I say I capture an image, that’s shorthand for recording a scene and trying to convey a sense of the moment. It’s not easy but I try.

Sarasota Gallery

Have you ever been away from home, seen something you’ve never seen and then call home to talk about it? That’s how I can feel even just walking the dog, I want to share it. It happens all the time. I think that’s because I have a heightened appreciation for moments like this; that’s the burden of beauty.

Sarasota Skyline One Afternoon

This is a two-minute long exposure of the Sarasota Skyline one afternoon last month. Looking at the file info for this image I see it was taken at 5:43pm. This was obviously before we set the clocks back because now the sun goes down at 5:30. Funny thing about photography is it causes me to notice little details like that.

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Sarasota Skyline One Afternoon
Sarasota Skyline One Afternoon

On one level photography is a mechanical process, take a picture and preserve a moment. On another level the practice of photography is a way of becoming present in the moment and aware of my surroundings. One way to reconnect to the environment is through art, and for me that means the art of photography.

It’s nice if I can make a photo that other people like. But more important to me is to make a photo that I like. It’s an exploration through experimentation that leads to discoveries. To start with, discovering what aesthetics I like. Also discovering how to convey a vision through an image. A vision is in our minds and an image is a thing we look at. Connecting the two is an art.

see more images in the gallery

I could go on about what the pursuit of photography is, at least for me. But perhaps I’ll cut it short today and let the picture do the talking. That should be worth at least another thousand words.