Lately, we have been getting a lot of rain. When that happens, it usually means you can count one thing, a sky full of colors in the evening.
When I took this image, I didn’t realize children were in the picture until later. I was too busy making sure I didn’t drop the camera in the water. In any case, it was a lucky happenstance caused by the wide-angle of the lens.
All good things are fleeting and come to an end. But taking photos is a passion for me, partly because it saves a moment to re-experience later. Pictures like this are memory pills that cause neurons to fire, bringing back moments, and sometimes surprises.
One little tip about shooting waves at the shore is tripod legs sink when the water washes over. So, if the exposure is too long, objects get blurred. Another tip is to wash off the tripod legs in freshwater as soon as possible. A couple of helpful pointers for you photo bugs.
The weather can be a metaphor for emotions. It can be bright and sunny one day, gloomy the next.
I can imagine wind as a metaphor for thoughts, blowing through the mind, never-ceasing. We draw on the forces of nature to represent our inner experiences. Maybe our internal environment follows some of the same laws of physics; like fluid dynamics.
I am partial to the west coast. Any west coast will do, I’m not that particular. It just needs to be a coast on the west side of any land mass.
I mentioned in a recent post that this has everything to do with how our planet spins. As we know, the sun sets in the west. However, if our world turned in the opposite direction, it would set in the east, and I’d have a preference as an east coast guy. Come to think of it; I’m not that attached to the west, rather, the direction that the sun sets. As for this planet, it’s west. But over near Alpha Centauri, all bets are off.
Back here in the United States, I live in the eastern part of the country on the west coast of Florida. In this way, should the Earth change its mind and decide to spin the other way, I should have my bases covered.
On a recent weekend, we had high winds in the area. So I headed over to a spot along the shore to capture this shot across the roiled waters of Tampa Bay.
As the title suggests, that’s St Petersburg, which is about six or seven miles away. The zoom lens was at 400mm which creates the compressed effect and, makes the city appear closer than it is. I read today that they are going to build a new fifty story condo so in a few years this skyline will look different.
When the water is like this, I find it a little frightening. It’s an irrational fear, born of an overactive imagination. I would not want to be on a boat in these conditions. As I watched, I saw several ships as well as some large tugs. The tugs patrol the bay and control navigation through the narrow passage of the Skyway bridge. Thank goodness for those guys, they must love the excitement on days like this.
This simple image is a long (one second) exposure from the side of a ship. These are swells from hurricane Oscar that was over a thousand miles away.
The captain took us south to avoid the worst of it, but for about two days we saw some impressive swells, more massive than these. Even the largest cruise ship in the world will rock in these conditions. The swells hitting the side of the boat sounded exactly like waves crashing on the shore. It was relaxing, and for two nights we slept with the balcony door open so we could hear the soothing sounds.
To make a one-second exposure in daylight, I set the aperture to f40. That’s a tiny aperture, maybe the smallest I’ve ever used. An F-stop higher than 20 does not have a lot of practical uses, but long exposures are one. One second is long enough to make an in-camera motion blur effect without resorting to photoshop tricks.
I took this earlier in the year before the red tide came in, back then there were plenty of seabirds trolling the coast for fish. The red tide is finally decreasing so hopefully now the birds will return in more significant numbers.
Here’s an interesting photo that uses focus stacking to get the effect of both the foreground and background in focus. It’s a typical scene along the beach with the ever-present sandpiper.
To make this I took two photos, one focused on the piper and one on the people further off. Then by blending the two, they both appear in focus. This technique is not so good for scenes like this because the movement of the water complicates the blending. You can see a little blurriness between the two in-focus points. Nevertheless, I think the overall effect is rather nice.
When I hear the word dune, I think of the desert, but these along the Florida beach are a different variety. Unlike the shifting sands of the Sahara, these are covered with plants and are meant to hold their shape in a storm. They are what keeps us from being washed away completely.
If you look carefully through the top of the dune, you’ll see orange tape marking a sea turtle nest. Scores of volunteers comb the beach for nests, erect barriers, and take careful notes over the incubation period. Once hatched, they’ll dash for the water so as not to be eaten by birds. Only a few survive to adulthood; it’s a rough start to what will hopefully become a long life in the sea.
Nothing is permanent, yet everything is trying to hold on. The dunes and turtles are both pitted against the forces of nature. Perhaps the tension in the environment is what produces the beauty on earth. It seems that elemental pressures are a creative force. Without them, we’d all be washed away and overrun with too many sea turtles. On second thought, you can never have too many sea turtles.
I’ve been avoiding it, but on Wednesday evening I went to Bradenton Beach to see the spectacle for myself. If you haven’t heard, Florida is in the middle of a massive red tide. So I drove to the beach, and as expected, was greeted with the smell of fish washed up on the shore. Maybe because of the breeze, it was not as bad as I feared. After a few minutes, I relaxed and let it fade into the background.
I came primarily to take pictures of the sunset because red tide or not, when the atmospheric conditions are right it’s still astounding to see. However, as I walked along the beach, something seemed out of place. I struggled to put my finger on it as I continued and then it hit me. It was too quiet; there were no birds. All of the gulls, pipers, and pelicans had either succumbed or escaped, and there was not a single one on the beach. The lack of avian sounds and activity left me with an eerie feeling. That was the moment it hit home.
I am heartbroken, of course. I rationalize to myself that we are moving through the worst it, but that we will make it to the other side. The conditions that allow the algae bloom will eventually cease, and the fish, birds and sea mammals will, in time, return. I’m glad I went, and now I know that I will go again because I think it’s important to witness it first hand, not just from TV. People are avoiding the shore, and the beach is empty in more ways than one. As for myself, being there to hear its silence is in some way, essential.
Sometimes I feel the urge to try and articulate the main idea behind my pursuit of photography. For whatever reason, this photo seems to evoke that in me.
Here is a picture that portrays an idyllic scene along the beach. Maybe we project ourselves into the scene. In doing so, we may walk on the shore with the vastness of the sea on one side. The expanse is an enigma. The longer we look, the less concrete our thoughts become. Our legs move as our minds begin to wander.
Rationally I like taking photos of idyllic scenes, yet, in doing so, I also attempt to capture something less rational. I aspire to capture scenery or people in the landscape that hints at something more elusive.
This idea is why I keep coming back again and again. Ironically, I try with images to evoke thoughts or feelings of something that cannot be seen by our eyes. To do that I may include space for the scene to breath, and then I hope that thoughts will fill the void. When that happens, my desire is satisfied, and perhaps yours is just beginning.