This picture of Manarola is one I took from a boat ride along the Cinque Terre coast. It makes me want to pack my bags and go back now.
The villages lie one after the other along a rugged coast, all connected by train. So while they are somewhat remote, they’re easy to get to. They also have a trail that runs the length of the coast so you can backpack as well.
When you look closely at the construction on top of the rocks, the difficulty involved boggles the mind. Also, the terraced hillsides have been carved out of the most inhospitable soil for crops, yet they are fertile and well tended. If you let your mind wander, you’ll go back the many hundreds of years to see the first inhabitants removing one rock at a time. And that is why I’d rather be a tourist in this century.
This is a street scene along the main road through town. I was walking around taking pictures of the side streets. The buildings are painted every color of the rainbow which made it even more fun to take pictures.
Ocean Drive in Miami Beach on a Monday night. And the later I stayed, the busier it got. I repeat, it was Monday.
But then I shouldn’t be surprised, because when I’m on vacation, every day is Saturday and most of the people in South Beach are on vacation. So it could be Sunday, Monday or Tuesday night and the place is still going to be full of life.
As I look at this photo, I wonder why they had two TVs set up outside? I get it with TVs in restaurants, but to set two up on the sidewalk seems a little extreme. It’s not enough that we are continually communing with our phones. I’m as guilty as anyone. But maybe it’s a good idea to get unplugged, if even for a couple of hours while we eat. Perhaps I’ll try that tonight, as long as there’s nothing important on.
Why do we call it a bank of elevators? My guess is that at one time, only banks had lifts. Rest assured, this is no bank.
Royal Caribbean ships have elevator banks that are functional, stylish and serve as a showcase for hanging art. No two banks are the same which is not only refreshing but helpful. Helpful, in that, on some of the larger ships, it’s easy to get disoriented. Having distinct elevator banks helps with getting your bearings. I can’t tell you how many times I forgot whether I was at the front or back of the boat. Unless you’re up top or by a window, it’s almost irrelevant, but knowing which direction to walk for a meal is an acquired skill.
Also, each night the crew replaces a floor tile in each elevator with the name of the day. So not only do you know which part of the ship you’re on, you’re reminded the day of the week. Little orientation hist never hurt anyone. Anyway, if memory serves me, this was at the back of the Oasis of the Seas, or was it the front?
Over the holidays we jumped on a last-minute cruise of the Carribean. Living in Florida, these kinds of things are easy to do, just find a cheap ticket and drive to the port.
The ship was Royal Caribbean’s Oasis of the Seas, which is one of the worlds largest. We’ve sailed on a couple of her sister ships, so we already had a good feel for the layout.
I took a few photos that are of a more abstract nature than typical holiday snapshots. Here is a collection with descriptions of each.
West Palm Beach
On our first evening at sea, we sailed down the east coast of Florida from Cape Canaveral. The lights on the left are from West Palm Beach if I’m not mistaken. The first day is always a good time to look out to sea and decompress from life on land.
Here is another shot from the first night, looking to the back of the ship, as the smoke from the engine trails out. These first two shots are long exposures that were stabilized on the balcony railing.
We departed Falmouth, Jamacia in the evening after a very windy day. All day long I wondered how the captain would pull out in such conditions, but as the sun fell so did the wind, and we departed quite easily. I created this long exposure as the ship slowly moved past the dock. The jiggling of the light trails was from my unsteady hand as I held the camera (not necessarily from the Jamaican rum one may be obliged to try).
There are large hot tubs on both sides of the upper deck that protrude out from the sides of the ship on deck fifteen. I didn’t manage to try them out for myself, but that didn’t stop me from taking an architectural shot from our balcony five floors below.
One lazy pastime when leaving a port is to sit on the balcony and watch others board the ship. In Labadee Haiti, there are musicians and dancers on the dock as well. Here I’m aiming directly down at the pier as a passenger walks to the gangway.
The perfect symmetry of the bar stools caught my eye as I wandered around the decks at night. This is one of the outdoor bars that had closed for the evening.
I snapped this as we left our last port of Cozumel. Another pastime for me is to sit on the balcony and read or listen to music. No agenda, no schedule, just free time to do anything or nothing at all.
Every morning the ship’s crew hoses down the deck before sunrise. It’s the perfect time to capture reflections.
This is another shot where I used the Platypod. Doing so enables me to include the textures of the deck in the composition. As I mentioned in a previous post, it’s a slightly unusual perspective that adds a little something extra.
I took a ton of these types of photos. I would post them all, but that would get pretty boring. Be forewarned though, I will post at least one or two more. But, if you like this kind of thing, then it’s cool, if not, I’m sorry in advance.
This was taken on a rainy October day in Malaga when I got soaked to the bone. About a year or two prior I did the same thing in Solerno. Back then I bought an umbrella from a vendor who magically appeared as soon as the rain started. I paid too much for the umbrella and then lost it on a bus. I’ve since given up on umbrellas when taking photos. Besides, it’s not really feasible to hold an umbrella and take a picture, unless you have three arms.
It might be an understatement to say it was raining cats and dogs in Malaga. But that’s of little consequence when you traveled over four thousand miles to get here.
I was determined to go out, come hell or high water. The universe obliged and gave me high water. I wore jeans, a light rain shell and got utterly soaked. The bus pass in my pocket was unreadable and plastered flat against my iPhone. When I showed it to the driver, she seemed more worried about my phone than the pass. Thankfully, iPhones are water resistant these days.
Speaking of which, I’ve read a lot about how the Sony a7RM3 is “water resistant,” so I decided to put it to the test. Imagine standing under a sprinkler. A little moisture got onto the lens mount, and the camera started giving me error warnings; however the camera and lens continued to operate, and I didn’t lose any shots. The camera got soaking wet. When I got back to the ship, I let it dry for a few hours, and it was perfectly fine. I suspect a tighter lens fit of a pro-grade GM lens would have eliminated that issue, but I was using the consumer grade 85mm f1.8, which I love as a lightweight travel lens.
All in all, I had a blast and, it was a good test of equipment and perhaps, my own craziness.
A state of confusion is normal for me, at least until I have my morning Starbucks. And this where I get it on a ship.
There’s a lot to sort out in this image; art, mall, elevators, and a window looking out, to name a few. This is on Royal Caribbean’s Symphony of the Seas. What makes it confusing (at least to me) is that everything is on a different deck. I think they should rename it Skyscraper of the Seas. I’m just saying.
I took this from deck seven on my way back from a morning walk around deck fifteen. The Starbucks is on five. There are so many decks it’s hard to keep track of where to go, which is why I need a morning Starbucks.
I suppose these cabins are the equivalent of the apartments that surround Central Park in New York City. Only, this namesake park is floating thousands of miles away.
I used a 12mm wide-angle lens for this shot which it makes the foreground appear bowed. I also used a Platypod to anchor the camera to a railing for a long exposure. This is the first time I’ve not taken a tripod and relied solely on the Platypod. In retrospect, it was a good call.
These spaces on the boat were designed to resemble neighborhoods. It’s obvious a lot of thought was put into it because, at least for me, that’s what it felt like. You could hang out in a different one depending on your likes. For some reason, this one, surrounded by apartment-like cabins, was the one I hung out in. It created a perfect illusion that, for the length of the cruise, kept reality at a safe distance.