Every morning the ship’s crew hoses down the deck before sunrise. It’s the perfect time to capture reflections.
This is another shot where I used the Platypod. Doing so enables me to include the textures of the deck in the composition. As I mentioned in a previous post, it’s a slightly unusual perspective that adds a little something extra.
I took a ton of these types of photos. I would post them all, but that would get pretty boring. Be forewarned though, I will post at least one or two more. But, if you like this kind of thing, then it’s cool, if not, I’m sorry in advance.
This was taken on a rainy October day in Malaga when I got soaked to the bone. About a year or two prior I did the same thing in Solerno. Back then I bought an umbrella from a vendor who magically appeared as soon as the rain started. I paid too much for the umbrella and then lost it on a bus. I’ve since given up on umbrellas when taking photos. Besides, it’s not really feasible to hold an umbrella and take a picture, unless you have three arms.
It might be an understatement to say it was raining cats and dogs in Malaga. But that’s of little consequence when you traveled over four thousand miles to get here.
I was determined to go out, come hell or high water. The universe obliged and gave me high water. I wore jeans, a light rain shell and got utterly soaked. The bus pass in my pocket was unreadable and plastered flat against my iPhone. When I showed it to the driver, she seemed more worried about my phone than the pass. Thankfully, iPhones are water resistant these days.
Speaking of which, I’ve read a lot about how the Sony a7RM3 is “water resistant,” so I decided to put it to the test. Imagine standing under a sprinkler. A little moisture got onto the lens mount, and the camera started giving me error warnings; however the camera and lens continued to operate, and I didn’t lose any shots. The camera got soaking wet. When I got back to the ship, I let it dry for a few hours, and it was perfectly fine. I suspect a tighter lens fit of a pro-grade GM lens would have eliminated that issue, but I was using the consumer grade 85mm f1.8, which I love as a lightweight travel lens.
All in all, I had a blast and, it was a good test of equipment and perhaps, my own craziness.
A state of confusion is normal for me, at least until I have my morning Starbucks. And this where I get it on a ship.
There’s a lot to sort out in this image; art, mall, elevators, and a window looking out, to name a few. This is on Royal Caribbean’s Symphony of the Seas. What makes it confusing (at least to me) is that everything is on a different deck. I think they should rename it Skyscraper of the Seas. I’m just saying.
I took this from deck seven on my way back from a morning walk around deck fifteen. The Starbucks is on five. There are so many decks it’s hard to keep track of where to go, which is why I need a morning Starbucks.
I suppose these cabins are the equivalent of the apartments that surround Central Park in New York City. Only, this namesake park is floating thousands of miles away.
I used a 12mm wide-angle lens for this shot which it makes the foreground appear bowed. I also used a Platypod to anchor the camera to a railing for a long exposure. This is the first time I’ve not taken a tripod and relied solely on the Platypod. In retrospect, it was a good call.
These spaces on the boat were designed to resemble neighborhoods. It’s obvious a lot of thought was put into it because, at least for me, that’s what it felt like. You could hang out in a different one depending on your likes. For some reason, this one, surrounded by apartment-like cabins, was the one I hung out in. It created a perfect illusion that, for the length of the cruise, kept reality at a safe distance.
For a photographer, crossing west over the North Atlantic has its advantages. For one, the sun always rises from the stern. Knowing which way to walk on a ship this big is a good thing.
The Symphony of the Seas is such a big ship that at first, it can be difficult to get oriented. The first few days I’d walk to the Windjammer only to find I’d gone the wrong way. But then, walking an extra half mile before hitting the buffet didn’t hurt.
Another advantage is that the days have twenty-five hours. Each night we would set our clocks back one hour. And because we were sailing during the daylight savings cutover, we had one additional long day. As a result, I found myself getting up earlier each day with enough time to walk to the back of the ship without getting lost.
My favorite thing about the trip across the Atlantic was the open sea. For over a week there was nothing but water and clouds.
When we booked the trip, I wasn’t sure what eight days at sea would be like. Now, I would do it again in a heartbeat. The entire time we did not see land, another boat, or a plane. It was an opportunity to detach from all land-based frames of reference.
On the final day before arriving at Port Canaveral, we began to see planes in the sky and seabirds. It was the first signs that home was not far off. It’s nice to back on the ground, but at the same time, it was nice to have a glimpse of a perspective where all the familiar references were not there.
The Symphony of the Seas has a bold color palette. There are vibrant, saturated colors in outdoor spaces and stairwells; so if you’re sensitive to that type of thing, you might need to wear sunglasses, even at night.
It’s a lot of fun, and I enjoy the tapestry of hues hitting my retinas at each turn. Don’t get me wrong; it’s not gaudy, rather a tasteful sampling of one-of-a-kind art, murals, and tiles. In my photography, I’m a reformed over-saturation addict. The colors on board this ship are a real temptation for me.
I’ve desaturated the colors in this image. The original is so loud it looks fake. Anyway, I even considered a monochrome version. But, this is a post about colors so the monochrome version will have to wait.
Last week we were in Malaga for a day as our ship made it’s only port of call before crossing the Atlantic. As luck would have it, it rained cats and dogs, which was perfect for my purposes.
I like shooting at night, but if I have to take photos in a European city during the day, rain is my next best friend. It puts everyone a little out of sorts as they rush to and fro with umbrellas. It also creates that nice sheen on the ground to add a little extra something to the image. The only catch is you have to be willing to get wet, which I did, beyond a reasonable doubt.
I had been here previously when I was about eleven years old. When I saw the section of the city that faced the port, little bubbles of long lost memories began to percolate. My conscious mind has long folded over those early years, but it would’ve been nice to have an old photo to help free more bubbles. Nevertheless, I was struck with the desire to return and explore a little more. So I will plan on that, and when I do, who knows what I might uncover.
The other night we hung out in a tree-lined park with outdoor cafes and listened to live music by candlelight. And to top it off, we were a thousand miles from land.
The Symphony of the Seas has six neighborhoods, and Central Park is my favorite. There are upscale restaurants with outdoor seating. At one end is Vintages, a wine bar where somehow, I end up at least once a day. In the afternoon, there might be one or two patrons, and you can sit at an outdoor table, and watch folks stroll by.
There are way too many choices; neighborhoods, restaurants, nightclubs, sports, shopping, and bars. Speaking of which; there are at least sixteen different bars, and I had a plan to try each one. I’m only halfway through, and it’s not looking like I’ll hit the goal. But rest assured, it’s not for lack of trying.