The new bridge at Robinson Preserve presents an open invitation to cross over to a winding trail with ponds, marshes, and wildlife on all sides.
The image I posted yesterday was not far from this spot, but the weather could not have been more different. That image was on a foggy morning, and this is at the end of the day. The light in each tells an entirely different story.
As usual, the story is mostly in our mind. With these types of landscape images, we all see the same thing, yet we fill in different details. And, as with life, we perceive in it what we want to see. I think self-projection is one of the purposes of art, to allow us to muse upon things that are reflections of ourselves.
Whenever I leave San Francisco, I take a redeye home. That gives me time before the flight to head over to Point Lobos for a California sunset.
I’ll take luck where I can get it, and I’ve been fortunate in this area. There’s a lot of scenery around here, so it’s not that hard to get good photos. Even if it’s foggy, there’s a lot of cool stuff to see. I love taking pictures in the fog. In Florida, we only get it briefly a couple of times a year. As I write this, I’m putting San Francisco fog photos on my list.
Speaking of lists, I’m not actually a list person. Maybe I should be, it might be useful. I do make a list when I’m told to go get groceries. That’s so I don’t screw up and forget something critical, like goat milk. But when I go to the store on my own, I don’t use a list. If I screw up then and forget something, nobody ever knows. Life is easy under the radar.
Shooting right into the sun at f13 creates these long rays of light. I could have added them artificially with software, but these are the real deal.
A high aperture number is not something I use all the time, but if I want starbursts, it’s the way to go. The only problem is that dust spots from the sensor show up on the image; however, that’s easy to remove with photoshop.
A few days ago I visited this new section of Robinson Preserve. The creation of it took years, it’s one thing to landscape a bunch of acres, but quite another to allow nature to move in at its own pace. Finally, after several years of growth, I have yet another new landscape to explore with my camera.
Here’s a shot that I took with my iPhone as we left Port Canaveral on the inaugural Atlantic crossing of Symphony of the Seas. Not bad for a two-and-a-half-year-old iPhone.
I was up on the top deck without my camera as we pulled out of port. I wished I had my Sony because there was a lot of hoopla surrounding the first U.S. docking of the world’s largest ship. But, as the old saying goes, the best camera in the world is the one you have with you. In my case, that means the iPhone 7 plus. I think it did a pretty good job.
Nevertheless, I processed it a little in Skylum’s Luminar, and this is how it turned out. I like this perpendicular perspective of the beach. It’s a minimalist landscape shot, but not too shabby. One of these days I’ll get around to upgrading my iPhone to a new model and get even better pictures.
Now and then, without warning, the view from a cruise ship can be over the top. This is why I like booking a room with a balcony.
The Oasis of the Seas was just leaving the dock at Cozumel, and everything came together. As the ships leave, smaller boats are returning to dock after depositing their tour groups. By six in the evening, all the ships have departed, and the little towns and villages become sleepy again. That’s why I think Cozumel is the closest thing to Margaritaville.
My apologies if this image seems overly saturated. I’ve desaturated the colors a couple of times because it doesn’t seem realistic. Every now and then that happens. More and more I pay attention to the levels of color saturation while I’m taking the picture, and sometimes it’s quite high. Then I have to tone it down in post-processing because it can look fake. This is one of those cases, but I’m still not sure if it’s enough.
Something about the light at dusk, it can make a boring apartment building look like a million bucks.
I drive by these buildings all the time and never take a second look, but look at them now. They’re kind of attractive, now that I see them. My Instagram tagline is, “through photography, I see.” I guess this is proof of that.
I used a one-second exposure for the water on the bottom half which evens out the ripples. Usually, I use photoshop to get a similar effect but in this case, its straight out of camera (or SOOC as we say in the biz). I took this from a dock while walking my dog recently. He likes to come out here and survey the scene and sometimes I’ll bring my camera. So it was, in fact, Mr. Wiggles who selected this scene. I should probably change my tagline to, “through my dog, I see.”
Pelicans are always sitting on posts waiting for fish to swim by. Who would have thought life could be so good.
As soon as the sun goes down, they fly back to their nesting site and settle in. At dawn, you see them flying to places like this to catch fish. Dawn and dusk are the best times to capture pelicans in flight.
This is from the Manatee River where there is always a lot of fish. Sometimes man and bird are hunting the same fish. When fishing you should always bring a pair of gloves and needle nose pliers. That’s so you can grab the pelican and free it from your hook. It happens all the time. So, other than the occasional brush with us, they have it pretty good on the Manatee River.
Lately, it seems we are on a streak of winning sunsets, so I decided to drive over here at dusk. It was a short drive and a short walk to get here, but I’m glad I did it. It was a win.
It’s a game of chance when I go out for sunsets. We often get cloud banks just offshore. I think it will be good, I drive over, and then it’s a dud. It’s a gamble I’m willing to take. But lately, the odds have been good, and I’m getting a little payoff.
This image is comprised of six different frames. I focused on the foreground, took three bracketed shots, then the same thing on the background. I combined everything in AuroraHDR and Photoshop. I did it in a way that everything appears to be in focus. Then, one last stop in Luminar for some final touches. In reality, there were a few more minor steps here and there, but that’s the gist of it.
The moral of the story is, …hmmm, there is no moral. Just a little luck.
A few days ago I had a bright idea to take some photos. Somehow, I managed to leave with enough time to get here and set up the shot without rushing.
I usually procrastinate and then end up dashing out the door. But once in a while, I do it the proper way, whatever that is. I am continually going between calm and panic in my photography. Kind of like life I suppose.
Lately, when I know I’m shooting into the sun, I’ve been using my high-quality Sony 24-70mm f2.8 GM lens. It’s a lot heavier than my standard travel lens, but man-o-man, the quality comes through. I notice the difference because I take and process so many photos, but most folks would never know. That’s okay because I take these landscape photos for myself. And as the saying goes, whatever makes me happy.
There is something about a stand of palm trees that begs to be photographed. These are from a nature preserve surrounded by urban sprawl.
I have never been forward thinking enough to be passionate about green spaces and parks. But as I get a little wiser, I’m grateful to other people that are. This park is named after the late Tom Bennett who was a local resident. Apparently, he and his family were indeed passionate about green spaces, and I have them to thank for this photo.
I once had a colleague in Toronto who invested in land to be used as a wild preserve. She only wanted the property to be left to nature and not developed. That was a long time ago, and since then, Toronto has gone crazy with development. As I think back, I see that she was a visionary and, I wonder if she held out. For the sake of short-sighted folks like me, I hope she did.