State of Mind

From a photographic sense I love the summers here in Florida because we get storms during the day. That means in the evening the clouds break and we have sunsets with a lot of colors in the sky. For this shot I grabbed my camera and headed over to a nearby rest stop along the highway. I’ve taken many pictures from here but each one is different in some way. I love gradients in the sky like this. I guess you could say this is a remake of a previous photo, it’s new perspective on a familiar scene.

State of Mind
Photos for me represent a state of mind – this is the Sunshine Skyway Bridge in Tampa Bay

The other day I wrote something to the effect that photographs are not so much from a place as a state of mind. Each time I go to the same place to take a photo I see and experience it differently. Even if some of the same objects are in the frame, the image reflects a completely different experience. And of course, the time of day, weather and lighting all contribute to that. But the main thing is that if I’m aware of these things, each time they will combine in a different way.

Photo of or around this bridge

When I’m aware of what’s around me then each moment is different and so this is not so much a picture of the bridge but a snapshot of a moment when I experienced this scene. That’s why photography for me is a state of mind. It’s not so much the location but the things I notice and see when I’m present in the moment. Whether it’s something truly new, or something I just noticed for the first time, each time is a new experience and a new image, even if it has some of the same old things.

Idea in My Mind

Last Saturday I walked around Vancouver in the evening. As the sun was low it cast a glow on the towers of Coal Harbour and reflected in the harbour. I’d been thinking of walking over to the west end to get more of a sunset photo but am glad I stayed on this side. When taking photos, I think it’s best to have an idea and then be flexible. You never know which way the wind blows.

Idea in my Mind
This shot of Vancouver reminds me of an idea in my mind, to look for light everywhere, not just where the sun sets.

I have this idea in my mind about photography. It goes like this: the best photography is not from a place but a state of mind. Here’s what I mean, iconic locations don’t make a photo, being observant regardless of where you are does. I’m beginning to think magic happens everywhere, not just in Iceland. No offense to Iceland, you’re still on my bucket list.

more Vancouver from the gallery

I travel a little; I was traveling when I took this. And I like iconic scenes as much as the next person. I’ll be there snapping away with everyone else at the Eiffel Tower. But I think the more I pay attention to light, shadow and placement in my own front yard, the more I see. Its fun to travel for photography, but not necessary. Anyway, that’s my latest theory, and since I spend a lot of time at home, I’m putting to the test.

Unforgiving

This is another image I took with my Sony 70-400mm G lens fully extended. I almost didn’t bring the lens on the trip because of its size and weight but I’m glad I did. It was key in getting perspectives I wouldn’t have gotten otherwise. Of course, having a tripod to mount it on was key.

Unforgiving
The unforgiving landscape of Alaska

The features of the landscapes like this are amazing and, for me, a little terrifying. The elements are entirely unforgiving. When I look at this my mind projects me onto the slopes and once there I consider my prospects dire. There is no easy way up or down and survival is anything but assured. I’m a problem solver by nature, but when I look at this there are no easy options.

portfolio

Why I do that in my head I don’t know. Why is it that when looking at images like this my heart races? Yet despite my reservations, if given a chance I would probably climb. I would be terrified and on life’s thin edge yet continue nonetheless. Perhaps that’s why I get terrified when I look at this, because I’m already working out the route and know that this mountain is in fact, unforgiving.

Heaven on Earth

Here I am looking across the Manatee River on an early morning after the rains. The combination of the clouds and calm waters is just a lucky happenstance of timing. Any later and the breeze picks up to ripple the water. Any earlier and I was just standing in the rain. But as the clouds broke and the sun began to rise it created this dramatic affect in the sky. Quite frankly it reminds me of a painting of heaven. I’d like to think that in my own version of heaven this is what it looks like.

Heaven on Earth
The calm water and dramatic clouds reminds me a little bit of heaven

Irrespective of that, I gravitate to idyllic scenes in my photography. Simple images that try not to cover too many subjects is best. Ironically, keeping it simple can easier said than done. I for one am easily enamored with all the little details, maybe because I’m a bit of a geek. But aesthetically, the more simple an image is the better, too many details water down the story an image conveys.

abstract gallery

Anyway, I can ramble on forever about composition, but in truth I consider myself a beginner, I have so much to learn and I expect it will continue to be a life long learning quest. But for now, simple, calm and idyllic; that’s my favorite recipe.

Water Pier Cloud

This is the pier in Venice Florida on a cloudy afternoon. It’s the best pier around so when I come here I shoot it from as many angles. In most cases I have the pier pointing out to sea from the left or right of the frame. In this case I’ve take a more direct angle by having it bisect the water and clouds. This is an angle I like very much, especially when shot with a telephoto lens. As you can see I’m not exactly head on, rather I’m on the beach angling out, but the perspective of the telephoto lens has it appearing rather flat.

Water Pier Cloud
Water pier and clouds in Venice Florida

Piers and bridges are a major source of inspiration for me. I have no idea why that is. Maybe it’s because they are objects that interact with bodies of water. If I lived in the mountains I’d be shooting waterfalls and lakes but in Florida it’s rivers, ponds and seasides.

Images from Venice Florida

The final toning of this image was created with a Trey Ratcliff Lightroom preset called “She Finally Awoke”. I’m a big fan of Trey’s presets which I use for inspiration when starting an image. But in this case I used it when finishing and I didn’t change the preset one bit. That’s unusual for me but in this case it worked exactly the way I wanted it to. Anyway, that’s a little behind the scenes info on some of the aspects of how I created the image. There is a lot more but for now that’s the short version.

Leffis Key Dune

There is nothing higher than a palm tree in central Florida. As a result there aren’t may places you can go to get a perspective of the landscape other than a bridge or lookout tower. Leffis Key however contains a dune covered with vegetation that provides just barely enough elevation to look out onto the inter-coastal waterway. In this image the sun is rising over the fishing village of Cortez. Whenever visitors ask me where to get fresh fish I always recommend Cortez.

Leffis Key Dune
Sunrise from the Leffis Key Dune on Anna Maria Island

This is a single image HDR. That just means I didn’t use multiple exposures to balance the highlights with the darker areas. The sensor in the Sony A7R2 camera captures an very wide range of light so that images like this are possible. That wasn’t the case just a couple years ago unless we combined multiple images using HDR.

anna maria island

There was a breeze blowing so that the grasses swayed from side to side. Using traditional HDR, I would have taken three shots and combined them, however that normally causes problems with ghosting of the grass as it moves between each frame. Those problems are eliminated with a single frame and so it makes possible compositions like this. The technology in cameras is getting better every year and it makes me wonder what we’ll be able to do in another year or two. It’s is an exciting time for photography and geeks like me.

Symmetry in Nature

I took this picture on a recent walk around Perico Preserve in Bradenton. Its one of two outlets to the bay and facing an adjacent preserve. We are fortunate to have these preserves set aside. They are within urban areas yet they provide an important sanctuary for the regions wildlife. And of course they are natural setting for us humans to enjoy as well.

Symmetry in Nature
Symmetry in nature at Perico Preserve

By using a wide-angle lens the clouds appear to converge at the center. That’s an effect I like to use to emphasize the clouds. In Florida we don’t have mountains so clouds are good substitute for filling the upper half of the frame. I am standing on a footbridge above the inlet so the sides of the preserve provide natural symmetry. I think the symmetry is why I like this image, it doesn’t always occur in nature.

cloudscapes in the gallery

I grew up in the western United States and was exposed to the wide open expanses of that region. So naturally I gravitate towards uncluttered landscapes such as this because it beautiful. Isn’t it funny how we ascribe beauty to nature? Without effort or design nature surpasses the most talented artist among us.

At a Deeper Level

I took this early one morning at the fishing pier in Sarasota. This is a long exposure that I’ve manipulated to enhance the water and the reflections. As you can see in my gallery I create images as much from may camera as my minds eye. I’m not so interested in documenting a scene, rather using the camera and my techniques as a canvas for my imagination. This is perfect example of that.

At a Deeper Level
Through imagery we communicate at a deeper level

The idea is that I try to bring my own expressions to an image. I do it mostly for myself because its creative and I get great enjoyment from it. As I create each new image I discover a part of myself in it. So each image is a part of me and as I share it we connect through a part of my imagination. In this way we might just be communicating at a deeper level than through other means.

 the florida gallery

Sometimes it takes a lot of effort, other times no so much. Ideas for images come to me either as I take them or later as I think about them. Regardless, it’s free flowing, there are no rules or guidelines, just me playing with images all of the time. Even when I’m not engaged in creating images I’m still thinking about them. That’s what I call an upward spiral of art and creativity. I can think far worse things to be immersed in.

Colors of Venice

With a title like that you’d think I was referring to the town in Italy. On the contrary this namesake town in central Florida has its own colors painted in the sky. Sometimes I’ll head down here if we’ve had rain showers since that’s usually followed by a sunset. This day was no exception and I’m glad I made the effort.

Colors of Venice
Colors of Venice Florida at sunset

I’ve posted different versions of this pier, but the sky ensures each one is unique. Landscape photography in Florida usually has the sky play a major role. At times my photos are tied to the whims of the weather. I know that sounds strange but I think there’s more than a grain of truth to it.

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Even if I go out and the clouds are not cooperating I still end up walking the beach. I have little to lose and everything to gain chasing clouds for a good shot. That reminds me of storm chasers, I’m kind of like that although I’m more of a sunset chaser. Much less risk and stress involved.

Lady in Repose

Another perspective the Ringling bridge from last weekend. I was in another section of the city taking photos and headed home. But then I had one last idea and stopped near the theater for this perspective. I have a collection of images of this bridge in the gallery. I suppose the same would be true of the Golden Gate if I lived in the San Francisco area. For me it’s this bridge in Sarasota.

Lady in Repose
The Ringling Bridge in Sarasota at night is like a lady in repose

You never know how a picture will turn out when you first take it. I have two distinct personalities when it comes to photography. One loves to take photos and gets carried away when I’m out shooting, I can a ton of bad shots. The other is a little more thoughtful and comes to the forefront when I download the images onto my computer. He basically filters out all the shots that don’t make the grade. All that said, I almost cut this one but decided to work with it a little, this is the result. So my two photographic personalities are not at all cut-and-dry, there’s a lot of give-and-take.

more images of the Ringling Bridge in Sarasota from the gallery

Selecting photos I’ve shot is very subjective. Someone else might select entirely different images, and to tell the truth I might also depending on my mood. In any case, this image is all about the shape of the bridge and the monochrome treatment is all about accentuating that shape. My idea for this image of the bridge is like a lovely lady in repose.