In one sense, the scene of children on the beach is timeless, it could have been taken a hundred years ago. However, the landscape might have changed quite a bit.
Mechanically speaking, beaches are the act of erosion. The beach here probably looked quite different a hundred years ago. Because changes happen slowly, we don’t notice much of it. But take a picture of anything year after year, and we begin to see changes.
With technology, and from this point forward, we are recording the transformation of our landscapes accurately. Assuming we’re around in a couple thousand years, we should have a high-resolution time-lapse recording of all the changes. That should be pretty awesome to watch because it will show the changes that span a human lifetime in just a few seconds. Then, maybe, we will have an appreciation for just how dynamic the changes on our planet really are.
This is a common scene at the beach and a good illustration of why I prefer the west coast of Florida.
Or for that matter, the west coast of anywhere. Sure, you can get up early to see the sunrise on the east, but it’s not the same. Watching the sun sink into the ocean at the end of the day is observed facing west only.
According to astonomy.com, about half of the galaxys rotate clockwise like ours, and the other half counterclockwise. That means that planets in other galaxies, and maybe a few in our own, have planets with the sunset in the east — something to think about.
At the tip of Longboat Key is a beach strewn with the remnants of past storms. It creates a surreal scene, and it’s a nice place to hang out.
The beach is only accessible by hike so, it becomes a bohemian camp of sorts. You feel very much away from it all here. Each time I come, there are groups of people in temporary camps with hammocks hanging from the trees. Sometimes they are playing music or singing, like gypsy gatherings in a Patrick Rothfuss novel.
The other day I went to the beach to watch the sunset, but the beach was covered in fog; time to execute Plan B.
Plan B is to try and make lemonade out of lemons. This shot is one where a hole opened up in the sky just as some birds flew by. Photos like this in the fog have no shadows because the light is very even. I think photography in this type of soft light is more comfortable on the eyes when we look at it.
Even without the fog, some of the best landscape photos are taken when the sun was lower, and the light gets diffused by the atmosphere. Or, when there are enough clouds in the sky to diffuse the harsh sunlight. The sun is an unfathomably harsh body that can rip everything to shreds in an instant if it were not for the amazing conditions we have here on Earth. Knowing this and having the opportunity to photograph it is pretty awesome.
I used to have a thing about benches. Now its beach chairs and umbrellas. At least I’m progressing.
When I take photos of random people on the beach, I try to remain conscious of their privacy, lest I have them sign a release form. But when it comes to objects, everything is fair game. I once did a commercial beach shoot. There was so much involved, from legal to logistics. I prefer just to walk around and take pictures of interesting things, or people.
Putting people or chairs in a shot causes us to imagine ourselves in the scene. If we see people, we subconsciously become them. When we look at chairs, in our mind’s eye we find ourselves sitting in them. We project ourselves with our thoughts without even realizing it; it’s a habit we all have. Sometimes I feel I’ve been somewhere having previously only looked at it in pictures or videos. But, as they say, there’s no substitute for the real thing.
A few days ago I had a bright idea to take some photos. Somehow, I managed to leave with enough time to get here and set up the shot without rushing.
I usually procrastinate and then end up dashing out the door. But once in a while, I do it the proper way, whatever that is. I am continually going between calm and panic in my photography. Kind of like life I suppose.
Lately, when I know I’m shooting into the sun, I’ve been using my high-quality Sony 24-70mm f2.8 GM lens. It’s a lot heavier than my standard travel lens, but man-o-man, the quality comes through. I notice the difference because I take and process so many photos, but most folks would never know. That’s okay because I take these landscape photos for myself. And as the saying goes, whatever makes me happy.
This is the old city pier on Anna Maria Island. The “city” is Anna Maria, but if a few beach houses and seaside restaurants make a city, then I’m a monkey’s uncle.
To further make my point, the speed limit is 25mph; I know, because I paid a nice fine for driving 35. But I digress. It’s been over a year since the restaurant on this pier was open. It got damaged in a hurricane, and now it and the dock are being reconstructed. But, as you already know, this is not a city where things move fast.
In the city of Anna Maria, there isn’t much to else to do but go to the beach, fish and eat at the restaurants. But then, that’s the attraction. A kind of place where you go to get away from everything else. There isn’t a lot of serious stuff going on, just the odd bit of monkey business; I should know.
The problem with a place in Florida called Venice is that if you Google “Venice,” you’ll end up in Italy. Even if I search my website, I get Italy. Using the hashtag “#venicefl” helps sort that out.
That’s the thing about living in the new world, a lot of places get named after the old world. If you’re someone like me that was born here, its confusing as heck. (I never said I was bright.) It’s like when someone in Ontario Canada mentions London; or the poor souls in Paris Texas.
Hashtags aside, I took this with the original Sony A7R. By this time I owned it for over a year and was thoroughly happy with it. Now I’m on the third generation A7, but am going back with newer software. The updated software breaths new light into these old shots. This is processed with Aurora HDR 2019, and after looking at what it can do with these old photos, I’m going to be going back to have a second look at a few more.
When I’m racing against the clock to get as many pictures as I can, there’s always a point when I know I should finish, but can’t help getting one last one. That explains what happened here; the light was almost gone, I was walking back to the car, and noticed this one last composition.
In a recent post, I mentioned there is an attractive aesthetic about the lifeguard stands on the beach. Maybe it’s the idea of a structure positioned before the ocean. I suppose it could be almost anything, not just a lifeguard stand. But I digress.
When I’m taking photos, no matter how many or how few I make, I ALWAYS end up with more than I need. However, on this night my ratio of hits to misses was remarkably slim. I was lucky, had the right timing, or a combination of the two. Regardless, I was on a roll, and I’m glad I got this one last one.
The lifeguard stands at Miami Beach are these funny cartoon-like structures. Whoever designed them has a brilliant sense of humor; each one is cut out from an active imagination and looks like something from a Disney movie.
When I was here a couple of months ago, they had started rebuilding each stand. There was an area roped off in Lummus Park where new stands were under construction. Perhaps they replace them every five or ten years. With the storms in summer, they need to be extra sturdy.
If you look close, you can see a couple more of these down the beach; each is unique with a different color and shape. Living near the beach lifeguard stands are a common subject for me; they are like little houses. I romanticize them in my pictures, but I think they provide only the barest of necessities for the lifeguards that sit inside all day long keeping a keen eye out for trouble.