There are two paths along the river; one higher up and one lower down at the bank. The alligators prefer the lower one.
The problem with the higher path is there is too much growth to get a clear shot of the river. So every fifty yards or so I’d make my way down here to set up for a photo. It’s amazing how the sense of hearing becomes heightened at such times.
I’ve been in Florida for a while, so I’ve become familiar with some of the animal sounds. I also carefully scan the water and banks all around to ensure I’m not disturbing them. Alligators don’t want anything to do with us, and if you’re mindful and steer clear, there will never be a problem. With this knowledge and care, I spent much of my time on the lower path.
A winding path is a metaphor, but in photography, it’s a leading line — kind of like a leading lady, only more mysterious.
We are influenced by symbols all around us. For me, a leading line like this describes something to come or, returning home. Anyway, whenever I find something with direction, I look for ways to incorporate it into the scene so that it hopefully resonates at an emotional level.
I took this photo inside Hillsborough River State Park, which is just north of Tampa. It is somewhat typical of the parks we have in Florida, lush, full of vegetation, and with lots of trails that lead to mysterious places. Metaphorically speaking that is.
This is street photography, even though it’s in a park. The idea is to freeze a moment in time to preserve the essence of movement, place, and people. Street scenes are studies; they take something fluid and solidify to be examined in detail later. In scenes like this, I see things that were not apparent at the time. I think there is value in that, like maybe an appreciation for the multitude and beauty of things unnoticed.
I think it’s cool how the leading line points to the sun. I got this photo from my 2015 archives. Maybe it was my lack of imagination that kept it hidden for so long. Or, perhaps it was meant to be buried forever, protecting the secrets of Neverland from humanity.
Foreground elements are essential, especially in environmental or landscape shots. They’re a good idea anyway because they tend to be the first thing we focus on. As our eyes wander, we travel from foreground to the background. The trick in photography is to make that journey enjoyable.
Each time I come there is something to see. I always bring my camera looking for stories. Stories are little vignettes of life that, when we see, it sparks our imagination. In that way, the photo doesn’t have to be too complicated. I think this photo is an example of what I mean.
This photo was taken from a preserve adjacent to Highway 41 in Palmetto. If you look close, you can see an eagle sitting on a branch just to the left.
It’s a spot that’s within walking distance of my home. However, I always end up driving because I’m trying to capture a sunset or something last minute. In this case, the sun is behind the tree illuminating the leaves and, causing them to glow.
I didn’t notice the eagle until after I took the photo. However, when I did notice, I walked a little closer to take a picture, and it flew away. But I’ve seen it here before, so if I really wanted to get the photo, I could just come back at dusk. We have a lot of eagles in our area, but having grown up when they were endangered, it’s still exciting for me to see one.
Here’s a scene from Miami Beach’s Lummus Park at night. I took some daytime photos here, but night time was way more fun.
Sorry if I sound like grandpa talking, but it wasn’t that long ago when shots like this were next to impossible. I shot this handheld without a tripod. In fact, the original photo didn’t look like much. Nevertheless, I was able to recover most of the shadows thanks to software and the amazing sensor on the Sony A7RM3. The camera sensor saves things that are invisible to the naked eye. However, with post-processing, we can make much of it visible.
I would say that low-light techniques like this are what got me back into photography. Back in the day (grandpa again) I used to shoot film but lost interest due to the amount of time I spent in dark rooms. Today, the only time you need to spend in the dark is taking photos of cool scenes.
Lately, it seems we are on a streak of winning sunsets, so I decided to drive over here at dusk. It was a short drive and a short walk to get here, but I’m glad I did it. It was a win.
It’s a game of chance when I go out for sunsets. We often get cloud banks just offshore. I think it will be good, I drive over, and then it’s a dud. It’s a gamble I’m willing to take. But lately, the odds have been good, and I’m getting a little payoff.
This image is comprised of six different frames. I focused on the foreground, took three bracketed shots, then the same thing on the background. I combined everything in AuroraHDR and Photoshop. I did it in a way that everything appears to be in focus. Then, one last stop in Luminar for some final touches. In reality, there were a few more minor steps here and there, but that’s the gist of it.
The moral of the story is, …hmmm, there is no moral. Just a little luck.
There is something about a stand of palm trees that begs to be photographed. These are from a nature preserve surrounded by urban sprawl.
I have never been forward thinking enough to be passionate about green spaces and parks. But as I get a little wiser, I’m grateful to other people that are. This park is named after the late Tom Bennett who was a local resident. Apparently, he and his family were indeed passionate about green spaces, and I have them to thank for this photo.
I once had a colleague in Toronto who invested in land to be used as a wild preserve. She only wanted the property to be left to nature and not developed. That was a long time ago, and since then, Toronto has gone crazy with development. As I think back, I see that she was a visionary and, I wonder if she held out. For the sake of short-sighted folks like me, I hope she did.