In my imagination, this is a place where you might find the fae folk. The stream is part of a river in a state park, but I had the idea little invisible beings were all around.
The image is from the Hillsborough River State Park in Florida. Maybe it was my mood or the setting, but parts of it seemed nothing short of enchanting. There are places inside forests like this that have an ephemeral quality of nature about them.
I experienced the same thing in the forests of Oregan a couple of weeks ago. Some sections of the trail had a subtle quality that you could easily miss. I have no idea if nature spirits exist; I’ve never seen one. At the very least, encountering these areas in the wilderness gives me pause and stokes my imagination.
Here is one of the trails at Emerson Point that I recently explored. If it weren’t for that they are well-marked, I’d still be in there somewhere.
When you look at this photo, something might seem a little off. The path appears level yet distorted. Can you guess what it is? Spoiler, …the boardwalk ascends a hill, it’s not level. Once you know this, the sense of distortion disappears.
Our brain is the most complicated thing known to science. But neuroscientist can do all sorts of little test like this to point out the contours of aspects we are only beginning to understand. Check out this short demonstration of the blind spot which we have that the brain fills in. Most of us never even know we have one. I certainly didn’t until a few days ago.
There are two paths along the river; one higher up and one lower down at the bank. The alligators prefer the lower one.
The problem with the higher path is there is too much growth to get a clear shot of the river. So every fifty yards or so I’d make my way down here to set up for a photo. It’s amazing how the sense of hearing becomes heightened at such times.
I’ve been in Florida for a while, so I’ve become familiar with some of the animal sounds. I also carefully scan the water and banks all around to ensure I’m not disturbing them. Alligators don’t want anything to do with us, and if you’re mindful and steer clear, there will never be a problem. With this knowledge and care, I spent much of my time on the lower path.
A winding path is a metaphor, but in photography, it’s a leading line — kind of like a leading lady, only more mysterious.
We are influenced by symbols all around us. For me, a leading line like this describes something to come or, returning home. Anyway, whenever I find something with direction, I look for ways to incorporate it into the scene so that it hopefully resonates at an emotional level.
I took this photo inside Hillsborough River State Park, which is just north of Tampa. It is somewhat typical of the parks we have in Florida, lush, full of vegetation, and with lots of trails that lead to mysterious places. Metaphorically speaking that is.
This is street photography, even though it’s in a park. The idea is to freeze a moment in time to preserve the essence of movement, place, and people. Street scenes are studies; they take something fluid and solidify to be examined in detail later. In scenes like this, I see things that were not apparent at the time. I think there is value in that, like maybe an appreciation for the multitude and beauty of things unnoticed.
I think it’s cool how the leading line points to the sun. I got this photo from my 2015 archives. Maybe it was my lack of imagination that kept it hidden for so long. Or, perhaps it was meant to be buried forever, protecting the secrets of Neverland from humanity.
Foreground elements are essential, especially in environmental or landscape shots. They’re a good idea anyway because they tend to be the first thing we focus on. As our eyes wander, we travel from foreground to the background. The trick in photography is to make that journey enjoyable.
Each time I come there is something to see. I always bring my camera looking for stories. Stories are little vignettes of life that, when we see, it sparks our imagination. In that way, the photo doesn’t have to be too complicated. I think this photo is an example of what I mean.
This photo was taken from a preserve adjacent to Highway 41 in Palmetto. If you look close, you can see an eagle sitting on a branch just to the left.
It’s a spot that’s within walking distance of my home. However, I always end up driving because I’m trying to capture a sunset or something last minute. In this case, the sun is behind the tree illuminating the leaves and, causing them to glow.
I didn’t notice the eagle until after I took the photo. However, when I did notice, I walked a little closer to take a picture, and it flew away. But I’ve seen it here before, so if I really wanted to get the photo, I could just come back at dusk. We have a lot of eagles in our area, but having grown up when they were endangered, it’s still exciting for me to see one.
Here’s a scene from Miami Beach’s Lummus Park at night. I took some daytime photos here, but night time was way more fun.
Sorry if I sound like grandpa talking, but it wasn’t that long ago when shots like this were next to impossible. I shot this handheld without a tripod. In fact, the original photo didn’t look like much. Nevertheless, I was able to recover most of the shadows thanks to software and the amazing sensor on the Sony A7RM3. The camera sensor saves things that are invisible to the naked eye. However, with post-processing, we can make much of it visible.
I would say that low-light techniques like this are what got me back into photography. Back in the day (grandpa again) I used to shoot film but lost interest due to the amount of time I spent in dark rooms. Today, the only time you need to spend in the dark is taking photos of cool scenes.