Ocean Drive in Miami Beach on a Monday night. And the later I stayed, the busier it got. I repeat, it was Monday.
But then I shouldn’t be surprised, because when I’m on vacation, every day is Saturday and most of the people in South Beach are on vacation. So it could be Sunday, Monday or Tuesday night and the place is still going to be full of life.
As I look at this photo, I wonder why they had two TVs set up outside? I get it with TVs in restaurants, but to set two up on the sidewalk seems a little extreme. It’s not enough that we are continually communing with our phones. I’m as guilty as anyone. But maybe it’s a good idea to get unplugged, if even for a couple of hours while we eat. Perhaps I’ll try that tonight, as long as there’s nothing important on.
We walked down the road looking for a place to chill and found a quiet little beach bar with tropical beverages. It was our third stop, and it was a charm.
It’s called the Blue Angel, and it’s about a mile south of central Cozumel. If you’re in the area, you can’t go wrong. It’s a resort and dive shop, and from what I could see, very laid back. There were half dozen cruise ships in port, so this is a spot to get away from crowds.
We’ve had a problem with red tide in Florida, so it was refreshing to see so many fish in the clear turquoise water. There were divers and snorkeling which we lazily watched all afternoon. It’s the kind of place I could waste away in Margaritaville. I can envision myself napping in one of these hammocks half the day and the other half looking for my lost jigger of salt.
They have it all wrong because I think ice cream is the real gateway drug. And besides, it’s highly addictive.
I want to be in Barcelona at La Rambla on a warm night having an ice cream cone. I can be clumsy with food, so I got a small cup instead. There’s something about walking around with ice cream; for the time it takes to eat, reality gets suspended, and you have not a care in the world.
We were walking back to our hotel after spending time in the gothic quarter, and I was randomly snapping photos of people and vendors. For me, this captures some of the magic of that night, and believe me; there is always a bit of magic here. But now looking at it again, I think it might be time for ice cream. Not that I’m addicted or anything like that.
Here’s a scene from Miami Beach’s Lummus Park at night. I took some daytime photos here, but night time was way more fun.
Sorry if I sound like grandpa talking, but it wasn’t that long ago when shots like this were next to impossible. I shot this handheld without a tripod. In fact, the original photo didn’t look like much. Nevertheless, I was able to recover most of the shadows thanks to software and the amazing sensor on the Sony A7RM3. The camera sensor saves things that are invisible to the naked eye. However, with post-processing, we can make much of it visible.
I would say that low-light techniques like this are what got me back into photography. Back in the day (grandpa again) I used to shoot film but lost interest due to the amount of time I spent in dark rooms. Today, the only time you need to spend in the dark is taking photos of cool scenes.
When I was last in South Beach, I hung around Ocean Drive. This is one of the many spots where they serve those half-gallon Margaritas. Only in Miami.
This colors on this were so loud and crazy that I opted for monochrome to focus more on the people. These kinds of street scenes are fun to look at later, away from the sounds and heat of the moment. It’s taking a glimpse into a snap of time and spinning a tale in our mind of what was going on.
Sometimes, I get looks from people that make me a little self-conscious. I don’t mind if it’s just people looking at me and wondering, but in places like this, there are quite often celebrities. I’m not into the whole celebrity thing and am really bad at recognizing faces. But I do occasional snap a star, so I hope they will realize that I’m just some guy without an agenda that probably just finished one of those half-gallon Margaritas.
Here is a series of shots I took last year when in NYC. I walked to Times Square late at night in the pouring rain. While that may not sound fun, it’s an excellent time to do street photography. The combination of lights, reflections, and umbrellas create scenes that are fun to watch, in a people-watching kind of way.
Because of the rain and the late hour, there were far fewer people out than usual. If you’ve ever been to Times Square then you know that’s rare. It meant I was able to capture little vignettes without too many distractions. Each of these photos tells a different story from that evening. It is up to you the viewer to imagine what that story is.
As the name of the series suggests, I’ve employed a vignette technique to each of these images to draw attention to the people. The setting, while electric, is only that, a setting. Each story is as different as the people that inhabit them.
Last year I was in New York City on the hottest three days of the year. It was unbelievably hot and the only thing to do at night was to walk around Times Square in the pouring rain.
I should be used to the heat from Florida, but it was no easier. Nevertheless, the rain and lights created fantastic photo opportunities that are entirely different than those I get back home. A nice effect is how the rainwater creates a reflective sheen on the pavement.
Taking photos at night in a city is a matter of experimentation. With a camera, we have several choices to make. A wide aperture combined with a high ISO allows a type of street photography without a tripod. However, with a tripod, we can take longer exposures if we want to capture light trails. In this case, I just wanted to capture images of the scene without special effects. For me, the most exciting thing was watching people out having fun in the rain; which by the way, was what I was doing also.
A while back I met a friend for dinner here at Citywalk in Orlando. It was on a Monday and one of the slowest days of the year. The ordinarily crowded scene was utterly empty. It’s not often you get that here.
I didn’t go to take pictures, but I brought my camera anyway. I captured this as I was heading back to the car. It was a one picture trip.
I’m attracted to the neon signs because it reminds of the work of Thomas Hawk, he has an extensive collection of neon signs on Flickr. However, this being Universal Studios it is a little more contrived. Tom’s work is authentic Americana along the highways and thoroughfares of the country. In any case, if it wasn’t for his work, I might not have thought to take this. The influence I get from photographers like Thomas Hawk is essential to me.
Here is a street scene from a section of Barcelona that’s not too far from the beach. I took this from a moving pedicab that we hired late one night from La Ramblas to the Hotel Arts. Our driver was a German fellow who biked all over Europe and stayed summers in Barcelona to work the pedicabs.
Taking photos from any kind of moving vehicle at night is a challenge, but with a high enough ISO and a wide aperture it’s doable. And a pedicab is a lot easier to shoot from than a taxicab, although I’ve tried that as well.
The days and nights we were in Barcelona were very warm. One of the things I like most about Barcelona is how people spend a lot of time socializing in front of little cafes and bistros. That goes for much of Europe but Barcelona in particular.