Arriving into Amsterdam from Florida I had the advantage of my time zone. So I walked around the central section of the city late into the night.
At that time I was doing some software work for a client. These days I do most of that type of work remote, so I felt it unnecessary to mention that I was out of the country. From my hotel, I could take meetings as if I was sitting at home. Then, when done, I would step outside and explore the city.
What brought me there in the first place was a photo exhibit I was participating in just outside the city. I was able to attend the exhibition, explore the city and, for all intents and purposes, continue helping my client as though I was sitting right at home. It was a new experience that worked out well on all fronts.
I took this picture at three in the morning as our ship entered the port in Miami. I am surprised it turned out given that we were moving at it was dark.
Its the second time I’ve taken this same perspective from a ship. The first time was a year earlier when I used an f2.8 lens; this time I used an f1.8: the f1.8 aperture is wider which allows more light and, creates a better result without too much noise.
Often, I operate with a sleep deficit. I should stay in bed on the weekend to catch up a little. But it’s also the perfect time to get out and take these kinds of photos. I’ll have plenty of time to sleep when I die.
Is it just me or does it seem like we get a lot of Supermoons? This is a picture of the last one, which is the one before the next one.
These moon photos are a bear to take. Unless you have a very long lens, like 600mm or more, the moon doesn’t look that big. Also, the composition is a little tricky because if you expose for the moon, everything else is too dark. If you expose for everything else, the moon is too light.
In the end, I created a composite with two photos. The moon exposure is combined with the bridge exposure. Despite the challenges, it’s a lot of fun, and I’ll probably plan on doing another one. With all these supermoons coming, I’ll have plenty of chances to get it right.
I cannot get enough of Miami Beach, although, to tell the truth, I’ve never hung out ON the beach. I prefer the excitement of Ocean Drive.
When we moved to central Florida, we got a bunch of beach gear and went to the beach a lot. But these days less so. I still go to take pictures or sit at a beachside restaurant at sunset. But to actually go to the beach to swim and lounge? Not so much.
I left my wife in a shoe store as I walked around taking photos in the old streets of Barcelona. This is not your typical mall.
There’s something pleasing about photos of people juxtaposed to the surrounding buildings; especially when the buildings are very old or very new. Even if the people are just going shopping, it’s better than hanging out at the mall.
Malls are becoming a thing of the past. Or, maybe, they are morphing into something else, less mall-like. I’m not sure I buy into that because as long as you have to drive to a mall, it’s still a mall. But I digress. Where was I?
Here is another shot aboard the Oasis of the Seas that I took with the Platypod. I really like the low perspective it provides.
These days I carry it everywhere I go. I never know if I’m going to need it, but it’s so small I’d rather carry it. I can get the same perspective with a tripod, but it takes way longer and way more effort. So much effort that I usually don’t bother. The Platypod Ultra is small enough that sometimes I just leave it attached to the camera as I walk around.
Anyway, this was taken in the ship’s area known as Central Park. It’s my favorite place on the boat because it creates the perfect illusion of being in a tree line park. And when I’m on vacation, I don’t mind a little fantasy, especially when it’s lined with cool restaurants and a wine bar.
Here’s a common pigeon from Plaça de Catalunya in the heart of Barcelona. It’s a fun place to watch the craziness in all directions.
It had just rained, and that’s when the reflections are best. I used the Platypod to get a low perspective and shot this at f2.0 which creates big colorful bokeh balls in the background. It’s a technique generally used in portraits, so I guess this we could consider this a bird portrait.
The pigeons are used to people feeding them they’ll come right up. They have almost no fear of humans. A little boy next to me caught one in his hands and then released it. I only had the desire to capture one with my camera. I got several shots, but I think this is my favorite.
We walked down the road looking for a place to chill and found a quiet little beach bar with tropical beverages. It was our third stop, and it was a charm.
It’s called the Blue Angel, and it’s about a mile south of central Cozumel. If you’re in the area, you can’t go wrong. It’s a resort and dive shop, and from what I could see, very laid back. There were half dozen cruise ships in port, so this is a spot to get away from crowds.
We’ve had a problem with red tide in Florida, so it was refreshing to see so many fish in the clear turquoise water. There were divers and snorkeling which we lazily watched all afternoon. It’s the kind of place I could waste away in Margaritaville. I can envision myself napping in one of these hammocks half the day and the other half looking for my lost jigger of salt.
They have it all wrong because I think ice cream is the real gateway drug. And besides, it’s highly addictive.
I want to be in Barcelona at La Rambla on a warm night having an ice cream cone. I can be clumsy with food, so I got a small cup instead. There’s something about walking around with ice cream; for the time it takes to eat, reality gets suspended, and you have not a care in the world.
We were walking back to our hotel after spending time in the gothic quarter, and I was randomly snapping photos of people and vendors. For me, this captures some of the magic of that night, and believe me; there is always a bit of magic here. But now looking at it again, I think it might be time for ice cream. Not that I’m addicted or anything like that.