Crews recently finished working on the bridge. Only afterward did I realize what they were up to.
I photographed this from the adjacent south fishing pier. I was here early on a Sunday morning hanging out with some fishermen while I took a bunch of photos.
The colors are always changing, so I’ll probably post another one with a different color. I used Skylum’s Luminar 4 to process this. As part of that, I used the new AI sky replacement tool to add stars. Typically there’s too much light pollution to see the sky in all it’s glory. But in the days of AI, that’s no longer a problem, at least concerning post-processing.
Here are a few scenes from Lloret de Mar. One of my favorite things to do is walk around and take photos of night scenes. I guess you could call it a type of street photography.
I like capturing people enjoying themselves in cafes. I also love leading lines, and so I look for people walking down alleyways illuminated with overhead lights.
These are all from our first night in Spain after landing in Barcelona. Of course, we were tired after the redeye flight. But, because our body clocks were 6 hours earlier, we felt fine. So we walked along the streets and shops, stopping for dessert and coffee.
Nevermind it was the end of summer, it was warm, and the cafes were full of people talking and enjoying themselves. It was a happy experience.
Anyway, this type of photography wouldn’t be the same without people in it. I enjoy being in places where people are relaxed and having fun milling about, socializing with friends and family. These photos try to capture some of that.
Here are some people in the gothic quarter of Barcelona sitting outside at a tapas bar, talking late into the night.
Scenes like this occur over and over, and I think, are typical of Catalonian culture. Not that I’m an expert, but it seems quite friendly and puts a lot of value on spending time with family and friends.
It’s not difficult to see the appeal, especially in places like Barcelona. Sure, every area has its problems, but it’s fun to see different lifestyles and wonder what it would be like to live there, if only for a spell.
In my next life, I’ll be born in France and, when I go to school, it will be in Montpellier. They have by far the best nightlife.
Not that I am suggesting one should go to school because of the nightlife, but if one did, this might rank high on the shortlist. But to be fair, I’m rating it more on aesthetics than academic qualities. In fact, the medical school is quite good; it’s the oldest in Europe.
Anyway, I wandered around the narrow streets shooting scenes on a school night. There were a lot of people out, and I’m sure some of them had to be up for class the next day. But, I suppose that’s just training for the sleep deprivation they’ll experience the first years of residency.
You haven’t seen Barcelona until you’ve seen and heard it at night. The combination of light, shadows, and music create an exotic enchantment that keeps me coming back for more.
The harpist played behind the main Cathedral, and it is here that, over the years, I have heard some of the most talented musicians. The night before, I listened to a couple of tenors belting out arias reverberating as in the best opera venues.
Here is where the greatest from all over Europe and America come to perform in front of passing nighttime crowds. The echoing acoustics of the gothic cathedral walls remind me of the New York subway; only here they don’t get drowned out by passing trains.
This scene is typical among the towns of Spain. In particular, this is in Lloret de Mar along the Catalonian coast.
These types of street scenes are a favorite of mine because they convey a nightlife ambiance. I take photos like this by using a high ISO, (in this case, 2000), and a low f-stop, (in this case, 2.8). That combination allows picture taking as though it was daylight. Granted, I do post-processing to get the look I’m after – painterly is a word that describes this type of treatment.
We stayed in Lloret de Mar on our first day of vacation. It’s a little over an hour from Barcelona airport and is an excellent way to decompress from an all-night flight. And, because the body clock was on North American time, it was easy to stay up late and get these scenes, despite the lack of sleep.
Arriving into Amsterdam from Florida I had the advantage of my time zone. So I walked around the central section of the city late into the night.
At that time I was doing some software work for a client. These days I do most of that type of work remote, so I felt it unnecessary to mention that I was out of the country. From my hotel, I could take meetings as if I was sitting at home. Then, when done, I would step outside and explore the city.
What brought me there in the first place was a photo exhibit I was participating in just outside the city. I was able to attend the exhibition, explore the city and, for all intents and purposes, continue helping my client as though I was sitting right at home. It was a new experience that worked out well on all fronts.
I took this picture at three in the morning as our ship entered the port in Miami. I am surprised it turned out given that we were moving at it was dark.
Its the second time I’ve taken this same perspective from a ship. The first time was a year earlier when I used an f2.8 lens; this time I used an f1.8: the f1.8 aperture is wider which allows more light and, creates a better result without too much noise.
Often, I operate with a sleep deficit. I should stay in bed on the weekend to catch up a little. But it’s also the perfect time to get out and take these kinds of photos. I’ll have plenty of time to sleep when I die.
Is it just me or does it seem like we get a lot of Supermoons? This is a picture of the last one, which is the one before the next one.
These moon photos are a bear to take. Unless you have a very long lens, like 600mm or more, the moon doesn’t look that big. Also, the composition is a little tricky because if you expose for the moon, everything else is too dark. If you expose for everything else, the moon is too light.
In the end, I created a composite with two photos. The moon exposure is combined with the bridge exposure. Despite the challenges, it’s a lot of fun, and I’ll probably plan on doing another one. With all these supermoons coming, I’ll have plenty of chances to get it right.