monochrome Archives - Page 3 of 8

August 10, 2017August 10, 2017

Two Bridges to Brooklyn

This is a view of two bridges to Brooklyn I took from the One World Observatory. I thought it was called the Freedom Tower but I guess the name was changed a while back. Nevertheless it’s a great place to visit when you’re in town. And if you’re a photographer, the sky is the limit, literally. It probably took me an hour and a half to walk around the main observation deck. I stopped every few feet to take photos of some different angle on the city. I can’t help it; I get carried away.

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I used a lens skirt to block the reflections you normally get when taking pictures through windows. I mentioned this a few days ago on another post. It takes a little extra time to get it all setup but it’s worth the effort.

I’ve been on the other side of those bridges shooting back at the tower, but this was my first experience shooting towards Brooklyn.

With shots like this there is so much detail packed into the image. When I’m there I’m concentrating on focus and composition. Only later when processing the image do I really get a chance to take it all in. Thanks to the high resolution of the Sony sensor I can zoom in and examine all kinds of interesting details.

more bridges from the gallery

I was shooting in the middle of the day so I had no need for a tripod. However I’d like to come back in the evening for images with city lights. Hopefully I’ll be allowed to bring a tripod then. My fingers are definitely crossed on that one.

July 31, 2017

Gotham City

It’s been so long since I was here last that I had forgotten where everything was. So it was a nice surprise when I “found” the Jackie Kennedy Onassis reservoir late at night on a bike. This is from the north side facing back towards midtown. This night scene with the clouds reminds me of Gotham City.

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I rented the bike for the evening as a way to get around Central Park. I got a basket so I could carry my tripod, as I’d need it for long exposures. The park is open until one in the morning and it was a nice surprise to find so many people out at such a late hour. For me, nighttime is the best time to take pictures here because of the overall moodiness. I stopped so often to set up my tripod that I could have easily been here all night. It was very quiet and I was in the zone.

This panorama consists of four vertical long exposure images, each thirty-seconds long. The clouds were heavy which added to the drama of the scene. They are especially illuminated above mid-town, as you would expect. My guess is that the light given off by Times Square is easily visible from space.

more panorama images

It still amazes me that Manhattan has such a big park in the middle of the city. It’s a vital organ of the city; I think the lungs. Whether you are running, cycling or just sitting on a bench, this is where you come to breathe in, breath out and reconnect.

July 11, 2017July 11, 2017

Dystopian Dreamscape

This is adjacent to a marina at the Great Salt Lake. I took this as an afterthought and didn’t think much of it at the time. Only after I processed it in monochrome does it come across as a dystopian dreamscape. Surrounded my mountains it has an otherworldly quality to it.

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Dystopian Dreamscape just outside of Salt lake City

This is a furnace stack from a smelting plant just outside of Salt Lake City. It towers above the landscape and was the visible for many miles. It’s so big it creates an optical illusion of sorts. From afar it appears much closer than it is. Next to the surrounding hills it looks like something on Mars or the moon. The area is rich in minerals and home to some of the largest mines in the world; it’s little wonder the scales are so large.

Speaking of worlds, the cooper mine over the ridge is so large it can be seen from space. The tip of it can be seen from all over the Salt Lake City valley, but it’s in the background, not really a main feature. It’s easy to spot and I suppose the same holds true if you’re looking out the window from the ISS. Here is a picture of it from the NASA archives.

more monochrome images

When we go back to the moon or make it to Mars, we’ll be doing quite a bit of mining. The idea is to use the resources available to build, construct and sustain. Maybe in a few hundred years when someone sees this picture they’ll think it looks just like some places they saw on Mars while on vacation. You just never know.

July 6, 2017

From One Element into Another

This random shot was taken while walking the beach one afternoon. Isn’t it interesting how we flock to the land’s border with the sea and stare out? Maybe that is a metaphor for crossing from one element into another. Although we don’t think of it that way when we come here to relax.

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From One Element into Another – we sit on a pier by the water

I will hang around the piers because they are magnets for all kinds of compositions. Generally they form a leading line, but in cases like this they form a border; in other cases they bisect the image. People do all manner of things on piers. They fish, they stand or sit and look out, they have picnics and they take pictures. Large seabirds use the piers to as a platform for fishing or stealing from fishermen.

A pier extends the land and allows us to walk over a domain that is not our native habitat. Think of the effort in construction required just to do that small feat. To build this pier took nearly a year of effort and untold costs just to make it strong enough to withstand a different element. Piers are extensions of land and we expend huge efforts in making them.

Another type of extension is a bridge; it projects one element (earth) over another (water). But also I am reminded of grand viewing platforms like the one at the Grand Canyon that is also like a pier but into the air element rather than water. Then there are canals that project the water element over the land. Whenever we decide to project one element into another, the effort is huge. Isn’t it interesting that traversing across natural elements requires so much effort?

more beach images

So perhaps when we come to the ocean and look out, at some level it captures our imagination. I think it is slightly ironic that we are use our minds to project ourselves much more easily into that foreign element than can ever be done with mere brick and mortar.

June 14, 2017

By the Waters Edge

The other evening I was standing along Sarasota Bay and there were all types of birds by the waters edge. This egret was picking through grasses exposed by the low tide. Egrets are accustomed to humans and will come quite close without feeling threatened. However if you’re fishing it’s a different story altogether. They have no problem walking right up and stealing fish or bait right at your feet.

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This one thought I might be fishing and came to investigate. When he realized I didn’t have a net he lost interest. In this moment he seemed to lose interest and hop a few meters down the shore.

I love animals very much and tend to anthropomorphize them. For instance I would say this little fella is striking a pose, deciding on his next move. If they squawk I’ll attribute it to human emotions, as though they are complaining or mad about something. I do that with wild animals all the time and especially with my own pets. Sometimes if I talk to animals they’ll take an interest in me and look back quixotically. That’s because they’re not sure what to make of a crazy human like me. At least my dog understands me, but that’s another story.

more animals

I’m not so much of a wild life photographer, but I do like capturing birds along the shore, especially here in Florida. There are a lot of egrets and herons that make for good subjects with their graceful poses and antics. But real wildlife photographers are a different bred, they are patient and calculating, and will end up with spectacular shots of nature. Me, I’m more of an opportunist; I’ll capture the wildlife if I happen to be in the right spot at the right time.

June 7, 2017June 7, 2017

Examination of Society

Pictures from big cities like this are a mini examination of society. The scale shrinks individuals and we are left with dwellings, their architecture and proximity. That allows us to examine like an archeologist, learning about a society by studying its pathways and structures.

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I took this from Vancouver Lookout which is one of the must see attractions. Even though it’s mainly for tourists it didn’t deter me from spending a couple of hours here taking shots in all directions. This one in particular I took with a wide 12mm lens. It causes the buildings to appear splayed in different directions. It may not be realistic but it creates a sense of movement to the scene.

Examining these scenes teaches us about the inhabitants at a collective level. At a personal level they teach us nothing. We cannot know someone’s heart by which floor they exit the elevator. However we start to understand a person by looking into his or her eyes, the windows of the soul. Maybe there is a parallel in cityscape scenes; the windows of buildings act as portals into the soul of a city. A million windows lead to a million individuals that combined are the essence of a place.

more cityscape images

I am drawing a long bow, but it’s an idea, that what makes a scene like this interesting is our invisible connection to the people behind the windows. I’m sure there’s more to it, but it’s an idea I have and for now and I might just take that with a cup of coffee and call it a day.

June 1, 2017

Palace of Fine Arts

On a recent trip to San Francisco I got up early one morning and came here to the Palace of Fine Arts. As it was a Sunday I had the whole place to myself. That by itself is an experience to say nothing of the photographic possibilities. I imagined myself in an ancient Rome as though a ghost out of time.

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In this image I placed the camera near the floor and aimed up with a Laowa 12mm f/2.8 Zero-D lens. It’s a special lens because it keeps the horizon flat without distortion, which is where the Zero-D comes from. Perhaps this is what the cat sees as he prowls the palace grounds each night.

As I look at this it reminds me that I’ll be heading back to Europe soon. I never know what I’ll see but I suppose that’s true wherever I go. When I go out to take pictures I have an expectation in my mind. That’s good for certain types of photography but on others it just gets in the way. When travelling the trick is to see what’s in front of me; I might miss something if I’m preoccupied with something in my head.

That’s not to say I don’t have a lot of ideas of images floating around. But it takes presence of mind to pick out details or compositions in a new place. Otherwise it’s better to work in a studio where we can shape an image to match our idea.

I normally take two or three lenses with me when touring. Like in this case I had the wide angle in the bag and so I pulled it out. I might experiment with taking just one lens on an excursion. Back in the day of film many cameras had a 35mm focal length. There’s a degree of liberation that comes with that because you stop thinking about the lens choice and just work with what you have.

more black and white

If I had to choose just one lens I’d start with the 35mm; that’s a good field of view to work with. But I also like the 50mm and the 85mm. Just thinking about the choice makes me anxious. Isn’t that the craziest thing you ever heard?

May 25, 2017

Water Under the Bridge

I’m not sure where the term water under the bridge came from, but it’s one I often repeat in my head. If ever there was a metaphor for letting go this is it. It sums up our attempt to keep moving and not get defeated by stuff that happened.

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Events are like water; they just happen and we usually have no power to stop them. Water is the most powerful force on the planet. It carves continents, it sustains life and it’s a force that we cannot control. We are born into a place where have little control of things around us.

Water under the bridge is both an acknowledgement that we have no control and an opportunity to keep moving. I think what’s important is how we react rather than what happens to us. It reminds me of the other saying about the journey, not the destination. Life keeps moving and how we endure each day, and every moment in-between, is more important than what has happened or will be the destination.

That’s not to say we shouldn’t have goals or a direction in life. Rather, what defines us is how we live each day while working toward the goal, not the goal itself.

more minimalism

We all face the same choice. We may as well acknowledge the flowing water, cross the bridge, and move on through life.

May 23, 2017

Departure from Normal

Manipulating scenes like this is a departure from normal, it’s not real so our minds are free to play a little; we each read into it something different.

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When in Vancouver I will often pass through this station. I can never get enough photos in and around trains. Among other things they are studies in leading lines.
I sat at the end so I could look back as we pulled away.

I’ve created a mirror effect, which for me is a metaphor for a choice between two paths, one direction or the other. When we are children we have so much in common; as we mature we diverge in different ways depending on a million things.

We choose one path or another every single day, and often we spend time wondering if we made the right choice. Sometimes we make difficult choices and then wonder about them later. Life is setup in a way that forces us to make decisions; we have no choice but to make choices. Not choosing is still a choice. Maybe the lesson is not so much the decision but how we deal with it after the fact.

more abstract images from the gallery

This image brings all that to mind, probably because I spend more time than I should thinking about decisions I’ve made. This is my metaphor for rushing through life’s stations, making choices, looking back yet trying not to look back.

May 16, 2017

Random People in Scenes

I use random people in scenes all the time. Sometimes a person is positioned in such a way as to create a scene. Street photography is all about people in scenes. One technique is to create compositions where people are juxtaposed to nearby architecture or structures. A simple example is a person waking past an archway. Looking for a composition is like a game; you feel a sense of accomplishment when you capture one. I haven’t played but maybe it’s a little like Pokémon Go.

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I took this at Bayfront Park in Sarasota recently. The park is an island with a trail around it and these swings are spaced every fifty meters. I come here when I want to do a mixture of people and landscape photography; it has plenty of both. As I walked behind this lady I think she knew I was taking pictures because she glanced back. She didn’t seem to mind so I paused to get several more.

I use people in this way all the time. Of course it’s better to be coy about it, if people become aware of what your doing they may change their behavior. Lately I’ve taken to carrying only a small 35mm lens on my camera. That way it doesn’t stand out so much and I can almost pretend I’m a casual shutterbug. In reality I’m on an undercover mission.

images with random people

One time it backfired on me. I was trying to be nonchalant as I took a picture of a rundown garage in a gritty part of town. The people inside thought I was snooping on them and started yelling at me. It turned out okay but I should have asked first. Most people don’t mind if they know what you’re doing. And if they do mind, well, no biggie, it’s just a game.