I took this picture at three in the morning as our ship entered the port in Miami. I am surprised it turned out given that we were moving at it was dark.
Its the second time I’ve taken this same perspective from a ship. The first time was a year earlier when I used an f2.8 lens; this time I used an f1.8: the f1.8 aperture is wider which allows more light and, creates a better result without too much noise.
I like to walk by restaurants and see what the people are eating. It’s also fun to take a picture and freeze the moment so I can decide later if I want to go back.
This is another South Beach night scene. I shoot in places where there are a lot of folks out at night. People are relaxed, and it shows when you catch them unaware. But if they see you, faces change in a blink.
We had friends over recently, and Marlise told everyone to act naturally as she snapped some photos. Of course, it had the opposite effect; we all posed and looked unnatural. I guess the tip of the day would be that if you want people to act natural, don’t announce you are taking a photo. Unless, perhaps, you are working with actors who are trained to look natural.
Shooting into the sun on an afternoon is not a great idea. But when it comes to experimenting, I’m full of not great ideas.
In this image, I took about seven exposures to get a wide range of exposures. I then blended a few of them to make the final image. There are some cases, like this, where you need to think outside the box to create an image.
I experiment quite a lot with my camera, and in a lot of cases, the experiment does not turn out well. But, more and more I’m able to imagine what the result should be in my head before I take the photos. Post processing is where the magic happens; it’s where the camera in my mind gets to work with the camera in my hand. In other words, it’s the creative process.
I cannot get enough of Miami Beach, although, to tell the truth, I’ve never hung out ON the beach. I prefer the excitement of Ocean Drive.
When we moved to central Florida, we got a bunch of beach gear and went to the beach a lot. But these days less so. I still go to take pictures or sit at a beachside restaurant at sunset. But to actually go to the beach to swim and lounge? Not so much.
Friday morning in Miami is no different than any other place. Oh who am I kidding, it’s WAY different!
For me, a big advantage of taking a cruise out of Miami is, well, Miami. An average view from the deck of a large ship is still better than a great view from a skyscraper. Nevertheless, the new boats are big enough to be skyscrapers.
Miami is a favorite city of mine to photograph. You have it all, the beach, the nightlife, the cityscapes. No matter how you look at it, it’s not your average city. I’m sure it has its problems, but as with many things, I tend to look at it through rose-colored glasses.
Ocean Drive in Miami Beach on a Monday night. And the later I stayed, the busier it got. I repeat, it was Monday.
But then I shouldn’t be surprised, because when I’m on vacation, every day is Saturday and most of the people in South Beach are on vacation. So it could be Sunday, Monday or Tuesday night and the place is still going to be full of life.
As I look at this photo, I wonder why they had two TVs set up outside? I get it with TVs in restaurants, but to set two up on the sidewalk seems a little extreme. It’s not enough that we are continually communing with our phones. I’m as guilty as anyone. But maybe it’s a good idea to get unplugged, if even for a couple of hours while we eat. Perhaps I’ll try that tonight, as long as there’s nothing important on.
Here’s a scene from Miami Beach’s Lummus Park at night. I took some daytime photos here, but night time was way more fun.
Sorry if I sound like grandpa talking, but it wasn’t that long ago when shots like this were next to impossible. I shot this handheld without a tripod. In fact, the original photo didn’t look like much. Nevertheless, I was able to recover most of the shadows thanks to software and the amazing sensor on the Sony A7RM3. The camera sensor saves things that are invisible to the naked eye. However, with post-processing, we can make much of it visible.
I would say that low-light techniques like this are what got me back into photography. Back in the day (grandpa again) I used to shoot film but lost interest due to the amount of time I spent in dark rooms. Today, the only time you need to spend in the dark is taking photos of cool scenes.
Maybe it’s of all the lights, or the mass of humanity, or the scale of it all. Whatever it is, I’m in not much use until I snap out of its initial spell. Perhaps there’s some part of our DNA that attracts us to a hive or colony or tribe. Or maybe, it just all the cool lights.
For the life of me, I can’t conceive why Washington Avenue is all lit up like that at four in the morning. But then again, it is Miami.
I took this from a ship as we entered the Port of Miami. I was wide awake and recovering from the European timezone. Changes in time zones are great for photography because it makes it easy to get out at all hours of the morning or night. Days can be a little rough.
We flew to Spain and took a boat back, just a few hours drive from home. We’re lucky, most people have to fly to Florida to get on a ship, we just drive. That makes it easier to pack as well, just throw whatever in the heck we want in a big suitcase and not worry about being efficient. Maybe it’s the lazy way to go, but hey, I’m very much into that sometimes.
Here is a photo as the Symphony of the Seas made its inaugural docking in Miami. Quite frankly, I’ve never seen such hoopla at four o’clock in the morning.
Almost every night while crossing the Atlantic, we’d set our clocks back an hour. So, by the time we arrived in Miami I was wide awake at three. I’m glad I got up because there was quite the commotion taking place. Even before we entered the port, the ship was followed by several drones. Then, as we came in, we were escorted by a tug making these great sprays from its water cannons. It was quite the spectacle, I tell ya.
After all the celebrations died down, I went back to my cabin and tweeted a version of this image. Shortly after that it was picked up on social media and featured on USA Today. That was kind of fun to see a photo go far and wide so fast. I guess that happens a lot with news photographers. In any case, it was finally time to pack up and get off the ship. Lucky for me I was awake to see a little bit of history in the making.