Anyway, if you go to my gallery and enter the keyword “ManateeAvenueBridge” in the search, you’ll get all the versions of this bridge I’ve taken over the years. In another five or ten years I’ll probably have quite the collection. Then they can rename the bridge after me. It will be called the Rick Bridge, or not.
Sometimes I look for places to shoot using Google Maps. It helps me find places tucked away that I may have missed, like this at Grassy Point.
This is a short drive from my home to Anna Maria Island. I showed up before dawn on a cold and windy morning. By cold, I mean it was cold for Florida; low fifties. Nevertheless, it has a path from the parking lot through the Mangroves and ends up here on the intercoastal waterway.
The clouds were low on the horizon, so the sunrise was not as spectacular as I hoped. Nevertheless, I stayed around for a few minutes to get this shot of the water through the mangroves. It seemed like a long cold hour standing out there waiting for a shot; however that made the hot coffee afterward all the more enjoyable.
The other day I stopped my car to capture the sun sinking across the intercoastal. The tides were low and the clouds high.
As I set up with my tripod, a gentleman approached asking if I knew anything about the barge; he thought that since I was taking pictures of it, I must know. But it was the first time I’d seen it. For me, it was nothing more than a foreground element that added interest to the scene.
According to him, the barge is a bit of a mystery, and he had just attended a homeowners meeting where it was a topic of discussion. Presumably, it’s violating some bi-law or perhaps cluttering the view. It seems the barge is a bit of a mystery and I was not helping at all. I expect the next time I drive by it will be gone. Nevertheless, I have at least produced photographic evidence to be used at the next meeting.
A few days ago I was headed up to New York City from Tampa. We left with plenty of time to spare but by the time we made it through traffic and security we only had fifteen minutes before boarding. We ended up making some bad food choices in a frantic attempt to get a meal in the few minutes remaining. No sooner had we done that than an announcement was made that the flight was put on a two-hour ground delay due to weather. This is the scene from the bar at Pei Wei across from our gate where we made more questionable food and beverage choices.
I am completely amazed at how I was able to make this photo. It was taken with an iPhone7 and then edited it in Lightroom mobile on the same device. By using the camera inside mobile Lightroom the images were saved in RAW format. That allowed me to recover a more detail, shadows and highlights than I might ordinarily.
The other cool thing is that Lightroom on the iPhone is hooked up with Lightroom on my laptop. As I was siting here editing the image on my iPhone, it and the edits were being save in the cloud. I opened up my laptop and started using Lightroom where I left off from on my iPhone. I continued using some of my favorite software including Photoshop and MacPhun’s Luminar as well as a few others, finally ending up with this.
Personally I am amazed, because it really felt seamless hopping from one platform to another. Sure, there is not as much detail as if I had used my three-thousand dollar Sony camera, but there is way more detail in this than I would have expected. You can see both our JetBlue aircraft and clouds at the gate across the way as well as interesting details in the darkened restaurant. For sitting at a bar in an airport, it ain’t half bad if I do say so myself.
This is a long exposure from a park that sits on the border between Sarasota and Manatee counties. It’s a new park so on a recent Sunday drive I stopped by to see it for myself. I’m facing towards the inter-coastal on Longboat Key.
You may ask, how is it possible to take a long exposure at midday? Glad you asked; I used a strong ND filter. ND stands for neutral density and it blocks the light. In fact I used two filters and together they REALLY block the light. So much so that I can keep the shutter open for a minute or two, something I can normally do only at night.
So why would I want to take a long exposure during the day? Another great question; because everything is gets smoothed out. Even water that has waves appears smooth, the same goes for clouds; they all appear smooth. It’s a cheap special effect you can achieve without a big Hollywood budget.
You can get pretty creative with photography if you have nothing better to do on a Sunday afternoon. As for me I rarely have anything better to do. Standing in an empty park taking long exposures in broad daylight is my idea of a good time. Can you think of anything better to do?