Hang out at Longboat Pass in the evening, and you’ll see a stream of boats returning to dock just after sunset. It keeps the drawbridge operator quite busy.
This is a shot using a Playpod at the water’s edge. In this age of drones, it’s nice to have a tool that helps create a somewhat unique low-down perspective. Not that I have anything against drones, they are fun and provide excellent viewpoints. But angles like this are just as rewarding.
I’ve not been to the beach for sunset in a while, so I almost forgot how to photograph the whole golden hour; I nearly left too early. I was heading to the car and noticed another photographer just getting out. That reminded me that sometimes the best light occurs after the sun goes down. So I headed back to the shoreline and took this along with a few others. Then, after squeezing the last ounce of light from the sky, it was finally time to head home.
This is some early morning light coming in from the east. An overactive imagination would say those are condos from Mordor. Not that I have an overactive imagination.
I’m usually up early, but I’m busy going to the gym and getting dressed, not necessarily in that order. But often I’ll manage to look east and see some fantastic light. The problem is I’m too wrapped up in the daily routine to do anything about it, like stop and take a picture.
But this time it was a Saturday, and I met a friend, and I didn’t have to go to the gym. I’ve been sitting on this image, but now it’s starting to grow on me; if for no other reason than the light and drama it holds. And, after a week of daily routines, I could use a little drama.
I used to have a thing about benches. Now its beach chairs and umbrellas. At least I’m progressing.
When I take photos of random people on the beach, I try to remain conscious of their privacy, lest I have them sign a release form. But when it comes to objects, everything is fair game. I once did a commercial beach shoot. There was so much involved, from legal to logistics. I prefer just to walk around and take pictures of interesting things, or people.
Putting people or chairs in a shot causes us to imagine ourselves in the scene. If we see people, we subconsciously become them. When we look at chairs, in our mind’s eye we find ourselves sitting in them. We project ourselves with our thoughts without even realizing it; it’s a habit we all have. Sometimes I feel I’ve been somewhere having previously only looked at it in pictures or videos. But, as they say, there’s no substitute for the real thing.
I’m watching a photography show on Netflix called Tales by Light. In episode 2 of Paradise in Peril, they mention that we now believe mangroves sequester more carbon from the atmosphere than rain forests. Good grief!
That’s a pretty amazing fact, and all the more reason we need to protect mangroves and allow them to thrive along our coastal communities. In Florida, we have strict laws regarding mangroves, and it’s for a good reason. If it weren’t for mangroves, much of Florida would have been washed away centuries ago.
We have a lot of mangroves here and see them pretty much anywhere along the water. I took this at Emerson Point one afternoon back in November. I usually look for different perspectives across the water, but now it seems I’ve been missing the main character all along; the amazing mangrove tree.
Here is a scene from along the bayou nearby. A lot of wildlife lives here, in fact, I could hear a boar thrashing around not far from me.
I’ve driven by here but never really noticed the vibrancy of the greenery. Maybe it was produced by the soft even light from the overcast sky. Whatever the reason, it was enough for me to pull over and captured it with my camera.
While I stood in front of the car taking this, a fellow walking his dog came along and asked what I was taking a picture of. He thought maybe I had seen a boar, but I told him I was just impressed by the scenery of the bayou. He seemed to ponder this for a minute and then, agreed that I was on to something. He then proceeded to tell me stories about the boars and the local trappers. I suppose that’s how you make small talk in the bayou.
Something about the light at dusk, it can make a boring apartment building look like a million bucks.
I drive by these buildings all the time and never take a second look, but look at them now. They’re kind of attractive, now that I see them. My Instagram tagline is, “through photography, I see.” I guess this is proof of that.
I used a one-second exposure for the water on the bottom half which evens out the ripples. Usually, I use photoshop to get a similar effect but in this case, its straight out of camera (or SOOC as we say in the biz). I took this from a dock while walking my dog recently. He likes to come out here and survey the scene and sometimes I’ll bring my camera. So it was, in fact, Mr. Wiggles who selected this scene. I should probably change my tagline to, “through my dog, I see.”
This looks out across the water from a few inches up; like what you might see if you were treading water.
For this low angle, I picked up a new gadget called a Platypod. It’s a little stand that makes it easy to take pictures from the ground. I even took it on a recent trip overseas rather than a tripod. There were a couple times I could have used a regular tripod, but the small size and versatility of the Platypod outweighed that.
This low perspective is a little less common and adds a little something extra. Raise the camera to eye level, and the scene changes completely. But down low, the water becomes a foreground element which, is a neat little trick in an of itself.
A few days ago I had a bright idea to take some photos. Somehow, I managed to leave with enough time to get here and set up the shot without rushing.
I usually procrastinate and then end up dashing out the door. But once in a while, I do it the proper way, whatever that is. I am continually going between calm and panic in my photography. Kind of like life I suppose.
Lately, when I know I’m shooting into the sun, I’ve been using my high-quality Sony 24-70mm f2.8 GM lens. It’s a lot heavier than my standard travel lens, but man-o-man, the quality comes through. I notice the difference because I take and process so many photos, but most folks would never know. That’s okay because I take these landscape photos for myself. And as the saying goes, whatever makes me happy.
I took this earlier in the year before the red tide came in, back then there were plenty of seabirds trolling the coast for fish. The red tide is finally decreasing so hopefully now the birds will return in more significant numbers.
Here’s an interesting photo that uses focus stacking to get the effect of both the foreground and background in focus. It’s a typical scene along the beach with the ever-present sandpiper.
To make this I took two photos, one focused on the piper and one on the people further off. Then by blending the two, they both appear in focus. This technique is not so good for scenes like this because the movement of the water complicates the blending. You can see a little blurriness between the two in-focus points. Nevertheless, I think the overall effect is rather nice.
I know I shouldn’t spend time wishing I was somewhere else. However, I do. Except when I’m here, then I don’t.
When I have a vacation coming up, I wish I was there already; but if I were, it would be over sooner, and I’d be back to the real world when I should be on vacation. The only other option is to make life one big vacation. Yeah, like that’s going to happen.
If life was just one big vacation, would I want to go to work? I think I know the answer to that. Sometimes I have too many thoughts for my own good. The best cure for that is a beach-view of the sunset on Friday. There’s plenty of time for the other stuff on Monday.