Night Scene of St Marks Square

This is another night scene of St Marks Square. There were a lot of people here and I wanted to capture the energy of it. There are so many different perspectives you could take of this place, but this time I chose to include the crowds. The architecture makes the scene but I find it more interesting with people.

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Night Scene of St Marks Square

High-resolution photography creates an opportunity to go back and people-watch. Often when I’m reviewing photos I’ll zoom in to observe some detail that was lost on me at the time. When taking photos I’m composing so even though I’m recording a scene I’ll miss a lot of details. Through the image I can go back and revisit much more of what was going on at the time.

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In that respect photography is a little like time travel; it takes us back to an event in a vivid way. Reviewing photos is not for our memory, but it fills in details we may not have been aware of at the time. In the end I’m left with a richer experience altogether.

Section of the Agbar Tower

This is a small section of the Agbar Tower that I took one night while in Barcelona. I wasn’t even supposed to be there but the flights got cancelled due to weather back home. The tour company picked up the tab and I was fortunate to have a few extra days.

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Section of the Agbar Tower
Section of the Agbar Tower in Barcelona

Something I love about Barcelona is that people are out at all hours of the day and night. This was taken after midnight on a Sunday. No matter where I went I found people out walking or just hanging out.

The colorful Agbar Tower is an iconic landmark and we stayed next-door at the Diagonal Barcelona. You can see it to the right with the Barcelona sign. It’s a hip hotel with nice spaces to chill like a rooftop pool and bar that provided great views of the city.

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Being so close to the tower made it easy to get back to the hotel. Whenever I took a taxi back I could just say, take me to the Agbar Tower. I’d definitely stay here again on my next visit, because even with three extra days it’s not nearly enough time to take it all in.

Pulling Out of Port

Here we are pulling out of port in Barcelona being followed by a flock of gulls. It was amusing because they seemed to know the routine and followed the ship quite a way out. It was an excuse for me to get some funny photos.

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Pulling Out of Port
Pulling out of port in Barcelona

When it comes to animals I anthropomorphize them; I assign human traits to their expressions and actions. I think we’ve had it wrong all along. Perhaps I see the animals in a different way, like maybe there’s more them.

I always try to show animals respect and never assume I know how intelligent they are or what they’re thinking. On the other hand I eat meat, so that’s something to reconcile. That’s my inconsistent sense of things and if you asked me to explain better I probably couldn’t.

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Nevertheless, I still think our co-inhabitants on this planet deserve more respect than we give them. And for that I am happy to feed the gulls.

Cruise Ship Leaving the Port of Venice

This was taken from a water taxi as we passed a cruise ship leaving the port of Venice. I’ve been on several cruises and the port of Venice is the most scenic I’ve seen. This was not the ship I was on but if you look close you’ll see all the passengers lined up along the rail. They’re looking out at the city of Venice.

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Cruise Ship Leaving the Port of Venice
Cruise Ship Leaving the Port of Venice

I was on an even larger ship that left a few hours later and the scene must have looked similar. There were so many people standing on one side that the hull tilted towards the city. It was the most amazing feeling; the ships are so large it never occurred to me that the weight of the passengers could make it tilt.

The procedure for docking a cruise ship in Venice involves being towed by two or more tugboats. The tugs are massive machines. There is one that pulls from the bow and one or more that guide the stern. Because they move so slow you have a perfect vantage of the city. I stood on the thirteenth deck and looked down upon the rooftops. It was one of the highlights of the cruise.

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In any case, this was just a random shot with an interesting perspective. It’s one thing to stand on the top deck and look out, and quite another to see it pass by from the water level.

Sailboats in La Grande-Motte

I was La Grande-Motte a couple of years ago walking around with my camera. A friend who was running some errands dropped me off for the morning. It’s a seaside resort town on the Mediterranean and in that respect has a lot of similarities to where I live in Florida. I was here in the off-season so it did not have the normal crowds.

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Sailboats in La Grande-Motte
Sailboats in La Grande-Motte

I could be wrong but it seems like there are more sailboats in Europe than in the states. I’m no expert but I think we have more powerboats in the US. Nevertheless these long rows of docks are common in southern France.

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The symmetrical leading lines of the rows reflecting on the water fascinate me. For that matter, leading lines and water always grab my attention. It’s something I’ve taken photos of over and over again. There is a good explanation for it, I’m sure.

Inside the Old Walls of Aigues-Mortes

This image is for me a study in the transformation of a scene. The photo was taken in daylight inside the old walls of Aigues-Mortes, southern France. However the photo appears to be in the evening. It’s an example of what I imagined verses what I saw.

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Inside the Old Walls of Aigues-Mortes
Inside the Old Walls of Aigues-Mortes

Street signs, power lines and crowds were all removed. I worked on the tones and the light. I added the illumination of the lamps and a sunset through the portal. Finally I added shadows and some subtle shades. In reality there is very little reality in the image.

But is there reality in a novel, movie or painting? They’re all renderings of an artist. Sometimes I tire of reality and prefer the world of imagination. I am a practical guy so these explorations are a departure from the routine of daily life.

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Given how much time we spend in the day-to-day it’s advisable to escape for a while. For me, that means simply transforming a scene from day to night.

Bridge of Sighs

This is the Bridge of Sighs as it frames a crowd of people beyond. In this case I am focused on the crowds rather than attempting to obscure them. It’s a different perspective but something I’ve been exploring lately. Lets just say it’s a slightly different take on travel photography.

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Bridge of Sighs
Bridge of Sighs in Venice

My idea is to have crowds of people juxtaposed to architecture or in iconic settings. If it’s done right there’s something that makes us want to look closer. Normally crowds are not that interesting but therein lies the challenge.

Also I write about it because it helps me make sense of new ideas like this. The more I integrate it the more I can repeat this idea in different settings; it’s a form of study.

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Writing is an integral part of photography for me. I take a photo, work on it and then write about it. In the end I have a something more than just a photo. All the while I’m learning something new and having a little fun. And as they say, it’s all good.

Corniglia

I took this photo of Corniglia from a small boat travelling along the Cinque Terre coast. It was a very hot day so sitting in a boat was a good option. We passed several little villages just like this and I was thinking it would be hard to imagine a more picturesque setting. The villages look remote and isolated but in fact are connected by trains, roads and a hiking path.

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Corniglia
Corniglia in Cinque Terre Italy

In one sense it was a shame I only had a day here, but now I know where to come back for a proper visit.

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When you look closely at these towns on the rugged slopes you realize they’ve taken centuries to build; the locations are most improbable. I believe they were originally properties of barons and such and the inaccessibility was a deterrent to pirates. Now they are communities with traditions, culture and hundreds of years of history. And based on the way they are built, I think they’ll be around for many more centuries.

Streets of Calata Doria

I snapped this while walking through the streets of Calata Doria in Liguria Italy. Try as he could, this gentleman couldn’t remember what he had for dinner last night. I offered a suggestion but he said they didn’t have a Taco Bell nearby. This is my version fake news.

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Streets of Calata Doria

For some reason this man looks distressed but in reality I don’t recall that being the case, he was just taking a load off his feet and I happen to catch him with his hands just so. We all make expressions throughout the day that if taken out of context can send the wrong impression.

I feel a little like paparazzi when I take street photos of people. I prefer to have people look natural, but if they see me aiming they’ll react. The idea is to capture people unaware; it’s a more interesting study of human behavior.

The trick is to be as unobtrusive as possible. One technique is to line up a scene and wait for someone to walk through it. But if I’m too obvious folks stop and wait for me to finish, it gets a little awkward.

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I suppose if I were real a member of the paparazzi I’d know how to do these things real well and not feel awkward. Then I maybe could get on board with the whole fake news thing, …or not.

That Evening in Venice

Because I did not set the shutter speed correctly this image came out looking double exposed and blurry, like an impressionistic painting. This is not something I intended but looking at it now it feels a little like my memory of that evening in Venice.

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That Evening in Venice
My impression of that evening in Venice

In my short visit I experienced sights, sounds and feelings. The more I go back to look at the photos the more my memories are formed. But it’s totally subjective and what I remember is unique to me alone.

There is much in life I don’t remember because I never took the time to. If we don’t think about something it may not make an impression and is soon forgotten. However when we do, we build memories from our impressions.

Memories are like paintings, they are renderings, not true recordings. In the case of art, impressions are more important than fact.

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The sounds of the oars in the water, the chatter of the gondoliers, the lights of the overhead windows and the evening shadows across the buildings; all of these combine into an impression that is so perfectly preserved with a simple camera mistake.