Due to the full range of light and the difficulty of shooting into the sun, this is a combination of at least five photos. I combined the images with AuroraHDR and then parts of it re-layered in Photoshop. In some respects, this is a painting, in that the light was blended to create a picture. That creative process I find satisfying, even if it is the same scene on a different day.
If you head down this road for three minutes, you’ll end up at the gulf. If you go the other direction for about two hours, you’ll end up at the Atlantic. Only in, Florida.
I was leaving the gulf and stopped for a different shot when I happened to look back; that’s how I came to take this photo. Most of the pictures I take originate from this rather haphazard approach. That’s not to say I don’t occasionally plan; it’s just that planning and this type of photography are only loosely connected. Having a plan gets me out of the house, and that’s where the connection ends.
Once out of the house, the struggle is figuring out what photos to take; to solve that I try to stay open and aware of what’s around me. Over the years, I’ve developed an aesthetic which largely stems from my personality. So, when I go out to take photos, even though I may not know what I’m looking for, I will generally know it when I see it.
Here is one of the trails at Emerson Point that I recently explored. If it weren’t for that they are well-marked, I’d still be in there somewhere.
When you look at this photo, something might seem a little off. The path appears level yet distorted. Can you guess what it is? Spoiler, …the boardwalk ascends a hill, it’s not level. Once you know this, the sense of distortion disappears.
Our brain is the most complicated thing known to science. But neuroscientist can do all sorts of little test like this to point out the contours of aspects we are only beginning to understand. Check out this short demonstration of the blind spot which we have that the brain fills in. Most of us never even know we have one. I certainly didn’t until a few days ago.
I think it’s cool how the leading line points to the sun. I got this photo from my 2015 archives. Maybe it was my lack of imagination that kept it hidden for so long. Or, perhaps it was meant to be buried forever, protecting the secrets of Neverland from humanity.
Foreground elements are essential, especially in environmental or landscape shots. They’re a good idea anyway because they tend to be the first thing we focus on. As our eyes wander, we travel from foreground to the background. The trick in photography is to make that journey enjoyable.
I’m watching a photography show on Netflix called Tales by Light. In episode 2 of Paradise in Peril, they mention that we now believe mangroves sequester more carbon from the atmosphere than rain forests. Good grief!
That’s a pretty amazing fact, and all the more reason we need to protect mangroves and allow them to thrive along our coastal communities. In Florida, we have strict laws regarding mangroves, and it’s for a good reason. If it weren’t for mangroves, much of Florida would have been washed away centuries ago.
We have a lot of mangroves here and see them pretty much anywhere along the water. I took this at Emerson Point one afternoon back in November. I usually look for different perspectives across the water, but now it seems I’ve been missing the main character all along; the amazing mangrove tree.
A few days ago I had a bright idea to take some photos. Somehow, I managed to leave with enough time to get here and set up the shot without rushing.
I usually procrastinate and then end up dashing out the door. But once in a while, I do it the proper way, whatever that is. I am continually going between calm and panic in my photography. Kind of like life I suppose.
Lately, when I know I’m shooting into the sun, I’ve been using my high-quality Sony 24-70mm f2.8 GM lens. It’s a lot heavier than my standard travel lens, but man-o-man, the quality comes through. I notice the difference because I take and process so many photos, but most folks would never know. That’s okay because I take these landscape photos for myself. And as the saying goes, whatever makes me happy.
I imagine the dream world is a mirror; we exist there as fully as we do here. In my waking state, I have only the vaguest remembrance of dreams. A glimpse quickly forgotten.
The secret to dreams is knowing they’re dreams; easier said than done. If I knew I was dreaming, would it be a dream? Is the world of dreams a country with arbitrary borders and strange laws? Or is it the other way around?
There is a veil between the two worlds; sometimes the veil is lifted, and we see through to the other side. We are left with the feeling of something familiar, yet forgotten. The only thing lucid is whatever side of the veil we’re on. And sometimes even that is subjective.
Here I am close to home on an early Sunday morning. I was standing at the end of Emerson Point which faces west into the Gulf of Mexico. (I, of course, was facing east). This local park is one of my favorite go-to places for sunrise and sunset.
It rained the night before, so I thought we’d have a beautiful display in the sky with high scattered clouds, but, that was not to be. So instead, I composed this shot which focuses on the foreground elements with the sunrise in the back. If the scene doesn’t turn out how I envisioned, I try to remind myself to work with what I’ve got. Plans often go sideways, but there is usually another angle that’s pleasing or tells a story.
One other thing: because it was Sunday morning I figured I’d be alone. But there was another photographer down by the water, and when I turned around after taking this shot, there was yet another photographer with a couple doing a maternity shoot. So apparently, there was indeed an abundance of other compositions to go around.
I took this image the other day on my way out of Emerson Point Preserve. This pond is at the entrance and is a real head turner when driving in or out. I’ve taken many pictures of it, and I’ve driven by many more times. This time I stopped for another photo.
I think the reason I like this photo, in particular, is that it has a little less contrast. It reveals the softer light and colors of the morning; I took this about twenty minutes after sunrise.
Sometimes I make complicated photos with a lot of elements and much post-processing. However, sometimes the picture speaks for itself without much effort from me. What I think, is that this image is one of those where nature does all the talking. So on that note, I’ll shut up and let mother nature take it from here.