This photo is the Central Park neighborhood aboard Oasis of the Seas. Personally speaking, it was my favorite place to hide.
For whatever reason, this area gets less traffic than the other neighborhoods, and if you want to find a quiet space during the day, this is it. At night we had tapas at the wine bar and listened to live music in the courtyard.
The setup of these mega ships are no different than cities; there is every facility of a small town and more. If we ever figure out how to make big spaceships, (and I’m sure we will), this is an early example of how to design one. Now fast forward two-hundred years into the future, and it would not be surprising to see Royal Caribbean cruises to Mars.
Upon boarding one of these mega ships, the size plays tricks with your mind. Seeing a carousel in one little section doesn’t help.
I took this photo on the Oasis of the Seas last year. I was looking down from about eight decks above. And, there are another eight decks below that. So if your mind gets a little blown at the beginning, chances are it will last all week; which is about how long it takes to find your way around.
These ships would be impossible without a lot of elevators. Of course, with the amount you eat, it would be healthier to take the stairs. However, when entering a reality bubble, the standard rules and concerns don’t apply. At least that’s how it works for me.
Likewise, in the evening you could see the sunset from the bow, but, at that time it seems you’re always busy getting ready for one thing or another. So early mornings and late evenings are the best time to take pictures on a cruise ship. And that, my fellow travelers, is your cruise ship tip of the day.
So now they are outfitting the Royal Caribbean ships with these rayguns to shoot down alien invaders. Or, maybe it’s just an odd looking crane.
On the last night of our cruise aboard the Oasis of the Seas, I walked around late at night getting all kinds of pictures on the empty deck. Most people were packing or living it up one last time before we docked.
Actually, the raygun idea was not mine. Earlier in the year, we were on Symphony, a sister ship, and during the Captain’s talk, one passenger asked what the raygun-looking-thing was. The instant deadpan reply was that indeed it was a raygun to shoot down aliens, which was followed by a short silence and then audience laughter. So when I saw this on the Oasis, I chuckled as I was reminded of Captain Rob’s wit and dry delivery.
Here’s a shot that I took with my iPhone as we left Port Canaveral on the inaugural Atlantic crossing of Symphony of the Seas. Not bad for a two-and-a-half-year-old iPhone.
I was up on the top deck without my camera as we pulled out of port. I wished I had my Sony because there was a lot of hoopla surrounding the first U.S. docking of the world’s largest ship. But, as the old saying goes, the best camera in the world is the one you have with you. In my case, that means the iPhone 7 plus. I think it did a pretty good job.
Nevertheless, I processed it a little in Skylum’s Luminar, and this is how it turned out. I like this perpendicular perspective of the beach. It’s a minimalist landscape shot, but not too shabby. One of these days I’ll get around to upgrading my iPhone to a new model and get even better pictures.
Now and then, without warning, the view from a cruise ship can be over the top. This is why I like booking a room with a balcony.
The Oasis of the Seas was just leaving the dock at Cozumel, and everything came together. As the ships leave, smaller boats are returning to dock after depositing their tour groups. By six in the evening, all the ships have departed, and the little towns and villages become sleepy again. That’s why I think Cozumel is the closest thing to Margaritaville.
My apologies if this image seems overly saturated. I’ve desaturated the colors a couple of times because it doesn’t seem realistic. Every now and then that happens. More and more I pay attention to the levels of color saturation while I’m taking the picture, and sometimes it’s quite high. Then I have to tone it down in post-processing because it can look fake. This is one of those cases, but I’m still not sure if it’s enough.
Why do we call it a bank of elevators? My guess is that at one time, only banks had lifts. Rest assured, this is no bank.
Royal Caribbean ships have elevator banks that are functional, stylish and serve as a showcase for hanging art. No two banks are the same which is not only refreshing but helpful. Helpful, in that, on some of the larger ships, it’s easy to get disoriented. Having distinct elevator banks helps with getting your bearings. I can’t tell you how many times I forgot whether I was at the front or back of the boat. Unless you’re up top or by a window, it’s almost irrelevant, but knowing which direction to walk for a meal is an acquired skill.
Also, each night the crew replaces a floor tile in each elevator with the name of the day. So not only do you know which part of the ship you’re on, you’re reminded the day of the week. Little orientation hist never hurt anyone. Anyway, if memory serves me, this was at the back of the Oasis of the Seas, or was it the front?
Over the holidays we jumped on a last-minute cruise of the Carribean. Living in Florida, these kinds of things are easy to do, just find a cheap ticket and drive to the port.
The ship was Royal Caribbean’s Oasis of the Seas, which is one of the worlds largest. We’ve sailed on a couple of her sister ships, so we already had a good feel for the layout.
I took a few photos that are of a more abstract nature than typical holiday snapshots. Here is a collection with descriptions of each.
West Palm Beach
On our first evening at sea, we sailed down the east coast of Florida from Cape Canaveral. The lights on the left are from West Palm Beach if I’m not mistaken. The first day is always a good time to look out to sea and decompress from life on land.
Here is another shot from the first night, looking to the back of the ship, as the smoke from the engine trails out. These first two shots are long exposures that were stabilized on the balcony railing.
We departed Falmouth, Jamacia in the evening after a very windy day. All day long I wondered how the captain would pull out in such conditions, but as the sun fell so did the wind, and we departed quite easily. I created this long exposure as the ship slowly moved past the dock. The jiggling of the light trails was from my unsteady hand as I held the camera (not necessarily from the Jamaican rum one may be obliged to try).
There are large hot tubs on both sides of the upper deck that protrude out from the sides of the ship on deck fifteen. I didn’t manage to try them out for myself, but that didn’t stop me from taking an architectural shot from our balcony five floors below.
One lazy pastime when leaving a port is to sit on the balcony and watch others board the ship. In Labadee Haiti, there are musicians and dancers on the dock as well. Here I’m aiming directly down at the pier as a passenger walks to the gangway.
The perfect symmetry of the bar stools caught my eye as I wandered around the decks at night. This is one of the outdoor bars that had closed for the evening.
I snapped this as we left our last port of Cozumel. Another pastime for me is to sit on the balcony and read or listen to music. No agenda, no schedule, just free time to do anything or nothing at all.
When crossing the Atlantic, we’d see these singular clouds. They’de float by like big animals casting reflections on the water.
The clouds change the color of the water surface which plays tricks on your eyes. It looks like the sea has variations of light and dark patches. However, when you’re out in the middle of the ocean, the only thing that changes is the light hitting it. That took me two days to figure out.
There’s a lot of free time on a long crossing, enough to look up and see what shapes the clouds are making. Between sitting by the pool and sitting at the bar, I did manage to have a little extra free time. In this case, I could see an elephant sitting down with his back to me. But that’s obvious, right?
Every morning the ship’s crew hoses down the deck before sunrise. It’s the perfect time to capture reflections.
This is another shot where I used the Platypod. Doing so enables me to include the textures of the deck in the composition. As I mentioned in a previous post, it’s a slightly unusual perspective that adds a little something extra.
I took a ton of these types of photos. I would post them all, but that would get pretty boring. Be forewarned though, I will post at least one or two more. But, if you like this kind of thing, then it’s cool, if not, I’m sorry in advance.