So now they are outfitting the Royal Caribbean ships with these rayguns to shoot down alien invaders. Or, maybe it’s just an odd looking crane.
On the last night of our cruise aboard the Oasis of the Seas, I walked around late at night getting all kinds of pictures on the empty deck. Most people were packing or living it up one last time before we docked.
Actually, the raygun idea was not mine. Earlier in the year, we were on Symphony, a sister ship, and during the Captain’s talk, one passenger asked what the raygun-looking-thing was. The instant deadpan reply was that indeed it was a raygun to shoot down aliens, which was followed by a short silence and then audience laughter. So when I saw this on the Oasis, I chuckled as I was reminded of Captain Rob’s wit and dry delivery.
Maybe it’s of all the lights, or the mass of humanity, or the scale of it all. Whatever it is, I’m in not much use until I snap out of its initial spell. Perhaps there’s some part of our DNA that attracts us to a hive or colony or tribe. Or maybe, it just all the cool lights.
I don’t get a lot of opportunities to take pictures of the mountains. I think of that as landscape photography. However, in Florida, we use clouds as stand-ins for peaks. They are usually interesting enough to fill up the top half of a frame. Throw in a sunset and Bob’s or uncle.
Here is a photo as the Symphony of the Seas made its inaugural docking in Miami. Quite frankly, I’ve never seen such hoopla at four o’clock in the morning.
Almost every night while crossing the Atlantic, we’d set our clocks back an hour. So, by the time we arrived in Miami I was wide awake at three. I’m glad I got up because there was quite the commotion taking place. Even before we entered the port, the ship was followed by several drones. Then, as we came in, we were escorted by a tug making these great sprays from its water cannons. It was quite the spectacle, I tell ya.
After all the celebrations died down, I went back to my cabin and tweeted a version of this image. Shortly after that it was picked up on social media and featured on USA Today. That was kind of fun to see a photo go far and wide so fast. I guess that happens a lot with news photographers. In any case, it was finally time to pack up and get off the ship. Lucky for me I was awake to see a little bit of history in the making.
A state of confusion is normal for me, at least until I have my morning Starbucks. And this where I get it on a ship.
There’s a lot to sort out in this image; art, mall, elevators, and a window looking out, to name a few. This is on Royal Caribbean’s Symphony of the Seas. What makes it confusing (at least to me) is that everything is on a different deck. I think they should rename it Skyscraper of the Seas. I’m just saying.
I took this from deck seven on my way back from a morning walk around deck fifteen. The Starbucks is on five. There are so many decks it’s hard to keep track of where to go, which is why I need a morning Starbucks.
I suppose these cabins are the equivalent of the apartments that surround Central Park in New York City. Only, this namesake park is floating thousands of miles away.
I used a 12mm wide-angle lens for this shot which it makes the foreground appear bowed. I also used a Platypod to anchor the camera to a railing for a long exposure. This is the first time I’ve not taken a tripod and relied solely on the Platypod. In retrospect, it was a good call.
These spaces on the boat were designed to resemble neighborhoods. It’s obvious a lot of thought was put into it because, at least for me, that’s what it felt like. You could hang out in a different one depending on your likes. For some reason, this one, surrounded by apartment-like cabins, was the one I hung out in. It created a perfect illusion that, for the length of the cruise, kept reality at a safe distance.
The Symphony of the Seas has a bold color palette. There are vibrant, saturated colors in outdoor spaces and stairwells; so if you’re sensitive to that type of thing, you might need to wear sunglasses, even at night.
It’s a lot of fun, and I enjoy the tapestry of hues hitting my retinas at each turn. Don’t get me wrong; it’s not gaudy, rather a tasteful sampling of one-of-a-kind art, murals, and tiles. In my photography, I’m a reformed over-saturation addict. The colors on board this ship are a real temptation for me.
I’ve desaturated the colors in this image. The original is so loud it looks fake. Anyway, I even considered a monochrome version. But, this is a post about colors so the monochrome version will have to wait.
Here is a shot I took last year in Sarasota. It was one of those rushed shots that I was frantically trying to capture as the sun disappeared. The windblown palms added drama to the scene which meant that a three image HDR was out of the question. Nevertheless, I was able to get this with a single exposure from that fantastic Sony sensor on the A7RII.
I took this with a super wide angle 12mm lens. I don’t use it as much as I’d like, but this is an example of what it can do. In a lot of cases, it’s too wide for my needs. But still, it’s nice to have it in the kit.
One thing it does well is to include a lot of the sky. In this case, that’s what I wanted because of the clouds and colors. But at other times it can leave a lot of empty space. Anyway, I’m happy with how it turned out with the combination of the windblown palms, leading lines and dramatic clouds.
I took this picture in the lobby of the Delta Toronto Marriott when I was there a few months ago. Have you ever noticed how hotels design lobby spaces to feel inviting? This one is a far cry from the Motel 6 we stayed at when I was a kid.
When I’m in a big city, I like walking into lobbies and taking pictures of the architecture. The lobby is where the hotel puts its best foot forward. The idea is to convey a sense of luxury and comfort at the same time. Comfort usually means plush furniture and pillows that make you want to sink into them.
Anyway, I was walking through in the evening, and the colors caught my eye. I had been sitting here a few hours earlier to meet someone, but hardly noticed it in the daylight. I’m continually surprised at how light affects a place. In my opinion, it’s the key to photography. On the top floor, there is a lounge with a spectacular view of the CN Tower. And my room had a pretty nice view of the lake as well. I think the hotel is rated four stars, but from a photographic perspective, it’s easily a five.
Here is a series of shots I took last year when in NYC. I walked to Times Square late at night in the pouring rain. While that may not sound fun, it’s an excellent time to do street photography. The combination of lights, reflections, and umbrellas create scenes that are fun to watch, in a people-watching kind of way.
Because of the rain and the late hour, there were far fewer people out than usual. If you’ve ever been to Times Square then you know that’s rare. It meant I was able to capture little vignettes without too many distractions. Each of these photos tells a different story from that evening. It is up to you the viewer to imagine what that story is.
As the name of the series suggests, I’ve employed a vignette technique to each of these images to draw attention to the people. The setting, while electric, is only that, a setting. Each story is as different as the people that inhabit them.