Now and then, without warning, the view from a cruise ship can be over the top. This is why I like booking a room with a balcony.
The Oasis of the Seas was just leaving the dock at Cozumel, and everything came together. As the ships leave, smaller boats are returning to dock after depositing their tour groups. By six in the evening, all the ships have departed, and the little towns and villages become sleepy again. That’s why I think Cozumel is the closest thing to Margaritaville.
My apologies if this image seems overly saturated. I’ve desaturated the colors a couple of times because it doesn’t seem realistic. Every now and then that happens. More and more I pay attention to the levels of color saturation while I’m taking the picture, and sometimes it’s quite high. Then I have to tone it down in post-processing because it can look fake. This is one of those cases, but I’m still not sure if it’s enough.
Some scenes like this I keep coming back to. But since the sky is different each time it counts as a new pic. I’m not trying to justify it, I’m just saying.
I’ve posted this same scene at least three times; here, here and here. I considered not posting yet another, but I like it and so why not? It makes sense to repeat a composition over time to gauge subtle difference as your technique or gear changes.
This is the first time I used the GM lens for this scene, and so now I can take the time to notice that. I’m doing that with a few repeat scenes, and I’m enjoying the results. I usually save the GM lenses for commercial or portrait work, but I’m starting to use them for landscapes as well. Anyway, here is the latest version of the pier in Bradenton’s Riverwalk. Stay tuned for version 5.0 in about a year.
Here is a scene from along the bayou nearby. A lot of wildlife lives here, in fact, I could hear a boar thrashing around not far from me.
I’ve driven by here but never really noticed the vibrancy of the greenery. Maybe it was produced by the soft even light from the overcast sky. Whatever the reason, it was enough for me to pull over and captured it with my camera.
While I stood in front of the car taking this, a fellow walking his dog came along and asked what I was taking a picture of. He thought maybe I had seen a boar, but I told him I was just impressed by the scenery of the bayou. He seemed to ponder this for a minute and then, agreed that I was on to something. He then proceeded to tell me stories about the boars and the local trappers. I suppose that’s how you make small talk in the bayou.
Something about the light at dusk, it can make a boring apartment building look like a million bucks.
I drive by these buildings all the time and never take a second look, but look at them now. They’re kind of attractive, now that I see them. My Instagram tagline is, “through photography, I see.” I guess this is proof of that.
I used a one-second exposure for the water on the bottom half which evens out the ripples. Usually, I use photoshop to get a similar effect but in this case, its straight out of camera (or SOOC as we say in the biz). I took this from a dock while walking my dog recently. He likes to come out here and survey the scene and sometimes I’ll bring my camera. So it was, in fact, Mr. Wiggles who selected this scene. I should probably change my tagline to, “through my dog, I see.”
I’m an occasional golfer, I like to play now and again. Lately, I’ve been bringing my camera so that the time spent is not entirely wasted.
Golf courses are one of the few places where you can get good pictures of trees standing alone. In fact, there are a lot of pretty scenes on a golf course sure to catch the eye of a landscape photographer (not that I know any).
When I bring the camera, I take it out only when we’re waiting for the party ahead. That’s a forced stop and the only time to not worry about playing too slow. As you may know, if you play too slow, you can feel the scorn of the people behind as they wait for you to move. So it’s always a balancing act, take a photo, but don’t dilly dally and hold up the whole damn shooting match. (I mean that in the nicest possible way).
This looks out across the water from a few inches up; like what you might see if you were treading water.
For this low angle, I picked up a new gadget called a Platypod. It’s a little stand that makes it easy to take pictures from the ground. I even took it on a recent trip overseas rather than a tripod. There were a couple times I could have used a regular tripod, but the small size and versatility of the Platypod outweighed that.
This low perspective is a little less common and adds a little something extra. Raise the camera to eye level, and the scene changes completely. But down low, the water becomes a foreground element which, is a neat little trick in an of itself.
I don’t get a lot of opportunities to take pictures of the mountains. I think of that as landscape photography. However, in Florida, we use clouds as stand-ins for peaks. They are usually interesting enough to fill up the top half of a frame. Throw in a sunset and Bob’s or uncle.
When I think of colors and Miami, I think of pastels. Pastel colors on the art-deco walls of South Beach. I believe these natural hues are what inspire that aesthetic.
I took this from the top deck of the ship in the port of Miami. I had already been up several hours to capture the inaugural docking of Symphony of the Seas. Now we were having breakfast and walking back to our cabin for the final time. We were ready after 12 days at sea. It was nice to be home, but it was also sad to leave.
Many of these high-rise apartment buildings are empty during the summer. They are vacation homes for people who come down in winter. Once, during summer, I stayed in a hi-rise hotel right downtown. At night I looked out from the thirty-first floor and, all I could see was empty, dark apartments. Now that it’s winter they’re all lit up and full of color.
This is looking up the Manatee River in summer. After a few minutes we got a thunderstorm for about twenty minutes, then a crazy sunset; every day like clockwork.
The one-second shutter speed makes the water smooth, like the calm before the storm. I’m nervous when out in these conditions, the air is thick, and it’s only a matter of time before lightning strikes. We get more lightning than anywhere on earth because of the geography. My heightened state of nerves battles it out with my need to get a good picture.
The thunder clouds always come down the river, from east to west. Often, if we’re at an outdoor restaurant along the water, we can watch the clouds heading towards us. The river is about a mile wide, so it has its own micro-climate. After the storm passes, we brush the water off the table and, enjoy the rest of the meal, just like clockwork.
This is a near reproduction of an image I did a few years ago. The angle is different, but the story is the same; rocks, pier, water and sky.
I’ve changed the way I take and process photos so this is perhaps the upgraded version. Everything else in life gets updated, why not pictures? I must have deleted the first one because I can’t find it. But it’s not just my imagination because I printed it and sold a few copies. But now, I prefer this version.
As time goes on, I see many more things in a photo, some good, some so-so. Much of my earlier work I would like to redo, a 2.0 gallery if you will. And eventually, I will because I keep going to the same places. And if I think about it, I’ll probably never stop doing that. Just going back to the same areas, and taking upgraded photos until we get to version X. At least that’s the theory.