This was taken on a rainy October day in Malaga when I got soaked to the bone. About a year or two prior I did the same thing in Solerno. Back then I bought an umbrella from a vendor who magically appeared as soon as the rain started. I paid too much for the umbrella and then lost it on a bus. I’ve since given up on umbrellas when taking photos. Besides, it’s not really feasible to hold an umbrella and take a picture, unless you have three arms.
When I think of colors and Miami, I think of pastels. Pastel colors on the art-deco walls of South Beach. I believe these natural hues are what inspire that aesthetic.
I took this from the top deck of the ship in the port of Miami. I had already been up several hours to capture the inaugural docking of Symphony of the Seas. Now we were having breakfast and walking back to our cabin for the final time. We were ready after 12 days at sea. It was nice to be home, but it was also sad to leave.
Many of these high-rise apartment buildings are empty during the summer. They are vacation homes for people who come down in winter. Once, during summer, I stayed in a hi-rise hotel right downtown. At night I looked out from the thirty-first floor and, all I could see was empty, dark apartments. Now that it’s winter they’re all lit up and full of color.
Sarasota is growing, and the skyline changes about every six months or so. That means I need to get my behind down to this spot at least once a year to keep up. But I’m pretty sure nothing has changed in this one particular section.
This image was taken in central Barcelona from the rooftop of the Grand Central Hotel. At first glance, you’ll notice symmetry in the picture. That’s because I’ve mirrored the image, and then painstakingly altered it so that the equality is incomplete. In effect, I’ve taken something that was perfectly reflected and added randomness.
There are plenty of mirrored artifacts, but depending on how you look at it, it might play tricks on you. Our brains quickly suspect its a mirror, and then our eyes begin looking for proof. Depending on where in the image you look, it may not confirm your first impression.
The photo is an exercise in abstraction and deception. It’s a time-consuming exercise to produce, but it’s fun at the same time. My purpose is to hint at one thing while throwing you off the trail and forcing you to figure it out. I hope you don’t mind a little harmless deception in the name of fun.
This image was a bit of a project to create. I stood on the South Pointe Pier facing Key Biscayne in South Beach. I took three pictures, each focused on a different point. The first was the railing, the next was the jetty and finally Key Biscayne off in the distance.
I combined the images into a composite using a technique known as focus stacking. After that, I kept working on it until ending up with an abstract rendering that is neither real or imagined; it’s somewhere in-between.
I could say something smart about layers, like how they are metaphors for something, but not today. The result is the product of a study in technique and abstraction. I had an idea when I took the shots, and I practiced various methods to get the image I wanted. Perhaps that’s the best way to describe it.
Here is a cityscape of Manhattan that I took from One World Observatory. High-resolution cityscapes are a way for me to explore the details in the quiet of my own home. There is no way to take it all in when you are there taking the photo.
This frame is only a small section of the city and having so much crammed together is one thing that makes New York so compelling. You could live your whole life in one part and never see it all. But maybe that’s true for most places, we never really see everything. Perhaps a cab driver does, but most of us limit our movements.
Whenever I’m up high like this, I like to take photos of the expanse. It’s a natural desire because scenes like this are so foreign to our earth-bound eyes. I make these photos with the knowledge that I’ll look more closely during post-processing. Post-processing can take an hour or more, and during that time I am emersed in the details, as though I was right back at the scene. It’s like Deja-vu all over again.
Here’s a series of architectural studies I did while in South Beach. I rented a bike for the afternoon and rode around taking snippets of buildings. As a photographer, one of the main reasons I like going there is the architecture. There is a combination of art deco and cubist throughout.
Honestly, I have no idea what I’m talking about when it comes to architecture; I know what I like. If I find it interesting, that’s good enough. In South Beach, they use a lot of pastel colors, and that goes well with the heat. The heat in the summer is brutal, so maybe some softness coming off the walls makes it a little more bearable.
Anyway, this is not even the tip of the iceberg. I could spend a whole week here just shooting architecture. Different angles, different perspectives, different times of the day. Maybe one day I’ll go back and do just that. Sound like a plan?
Daylight savings is upon us and somehow this seemed appropriate. It’s a combination of images taken at different times of day. By carefully merging them I’ve created a surreal scene that combines a daylight image with another one at night. It’s a little like the confusion I experience on a Monday after we change the clocks, eh?
If you detected a slight Canadian accent it’s because I took this while in Toronto. I took one shot out the hotel window when I arrived in in the afternoon and another in the evening. In the past I’ve done similar images using a tripod, but in this case I handheld the camera each time. That creates slight variations which could have been difficult to align, but with a little effort it turned out okay.
Even when I travel for reasons other than photography I bring my camera. This was a quick business trip with very little time for photos, yet I still managed to get a few shots from around the hotel. Hope springs eternal and I figure that if I bring the camera and I have an extra hour in the day (knock on wood), I’ll get a little time for doing what I like best: eh?
Here is another vision of Venice that I took from a boat. A vision is what best describes this place; it seems not entirely real. When you’re in Venice the real world seems to fade away and become distant. Venice holds its own kind of reality, like the fabled Brigadoon. And then the opposite happens, you leave and the magic dissipates and you feel that Venice was like a vision.
Anyway, like some other photos I’ve produced, this was taken hand held at night from a boat. I’d normally use a tripod to get a better exposure with a lower ISO, but using a high ISO my camera’s sensor is able to recover most of the details of the night scene.
Do you ever notice that when you go to an amazing place you feel like you want to live there? Or maybe you feel like you’ve been there before. The excitement of seeing new places and the feelings it produces are why we travel in the first place.
This is travel photography with a twist. It’s from a place that doesn’t seem real until you go there. It seems to have a reality slightly removed from the real world. Maybe I should call it vision photography, …or maybe not.
This is a multi-exposure composite of downtown Vancouver. I took this while staying on a high floor at the Marriott Delta Vancouver. My Marriott profile indicates a preference for a high floor. About half of the time, depending on availability, I end up with an amazing view like this.
To get this I setup the camera on a tripod next to the window and left it there for about twelve hours. I took exposures in the afternoon, evening and then upon waking in the morning. I also used a lens skirt so that there wouldn’t be any reflections on the window coming from my room. Later I blended them all together to form this composite image.
The technique is my attempt to counteract my indecision. Often, the images I post are just one of many that I took of the same thing. I suppose I could post them all but that would get boring, so I pick just one. That’s where indecision comes in. I’m left with ten or twenty images of the exact same thing, but in different light.
A composite allows me to pick and choose my favorite aspects of each photo and combine then into one image. It’s a little like seafood gumbo; it can be tasty if all the ingredients are nicely blended. And for desert, I get to have my cake and eat it too.