The other day I went to the beach to watch the sunset, but the beach was covered in fog; time to execute Plan B.
Plan B is to try and make lemonade out of lemons. This shot is one where a hole opened up in the sky just as some birds flew by. Photos like this in the fog have no shadows because the light is very even. I think photography in this type of soft light is more comfortable on the eyes when we look at it.
Even without the fog, some of the best landscape photos are taken when the sun was lower, and the light gets diffused by the atmosphere. Or, when there are enough clouds in the sky to diffuse the harsh sunlight. The sun is an unfathomably harsh body that can rip everything to shreds in an instant if it were not for the amazing conditions we have here on Earth. Knowing this and having the opportunity to photograph it is pretty awesome.
I used to have a thing about benches. Now its beach chairs and umbrellas. At least I’m progressing.
When I take photos of random people on the beach, I try to remain conscious of their privacy, lest I have them sign a release form. But when it comes to objects, everything is fair game. I once did a commercial beach shoot. There was so much involved, from legal to logistics. I prefer just to walk around and take pictures of interesting things, or people.
Putting people or chairs in a shot causes us to imagine ourselves in the scene. If we see people, we subconsciously become them. When we look at chairs, in our mind’s eye we find ourselves sitting in them. We project ourselves with our thoughts without even realizing it; it’s a habit we all have. Sometimes I feel I’ve been somewhere having previously only looked at it in pictures or videos. But, as they say, there’s no substitute for the real thing.
Here’s a shot that I took with my iPhone as we left Port Canaveral on the inaugural Atlantic crossing of Symphony of the Seas. Not bad for a two-and-a-half-year-old iPhone.
I was up on the top deck without my camera as we pulled out of port. I wished I had my Sony because there was a lot of hoopla surrounding the first U.S. docking of the world’s largest ship. But, as the old saying goes, the best camera in the world is the one you have with you. In my case, that means the iPhone 7 plus. I think it did a pretty good job.
Nevertheless, I processed it a little in Skylum’s Luminar, and this is how it turned out. I like this perpendicular perspective of the beach. It’s a minimalist landscape shot, but not too shabby. One of these days I’ll get around to upgrading my iPhone to a new model and get even better pictures.
A few days ago I had a bright idea to take some photos. Somehow, I managed to leave with enough time to get here and set up the shot without rushing.
I usually procrastinate and then end up dashing out the door. But once in a while, I do it the proper way, whatever that is. I am continually going between calm and panic in my photography. Kind of like life I suppose.
Lately, when I know I’m shooting into the sun, I’ve been using my high-quality Sony 24-70mm f2.8 GM lens. It’s a lot heavier than my standard travel lens, but man-o-man, the quality comes through. I notice the difference because I take and process so many photos, but most folks would never know. That’s okay because I take these landscape photos for myself. And as the saying goes, whatever makes me happy.
This is a near reproduction of an image I did a few years ago. The angle is different, but the story is the same; rocks, pier, water and sky.
I’ve changed the way I take and process photos so this is perhaps the upgraded version. Everything else in life gets updated, why not pictures? I must have deleted the first one because I can’t find it. But it’s not just my imagination because I printed it and sold a few copies. But now, I prefer this version.
As time goes on, I see many more things in a photo, some good, some so-so. Much of my earlier work I would like to redo, a 2.0 gallery if you will. And eventually, I will because I keep going to the same places. And if I think about it, I’ll probably never stop doing that. Just going back to the same areas, and taking upgraded photos until we get to version X. At least that’s the theory.
This is the old city pier on Anna Maria Island. The “city” is Anna Maria, but if a few beach houses and seaside restaurants make a city, then I’m a monkey’s uncle.
To further make my point, the speed limit is 25mph; I know, because I paid a nice fine for driving 35. But I digress. It’s been over a year since the restaurant on this pier was open. It got damaged in a hurricane, and now it and the dock are being reconstructed. But, as you already know, this is not a city where things move fast.
In the city of Anna Maria, there isn’t much to else to do but go to the beach, fish and eat at the restaurants. But then, that’s the attraction. A kind of place where you go to get away from everything else. There isn’t a lot of serious stuff going on, just the odd bit of monkey business; I should know.
I took this earlier in the year before the red tide came in, back then there were plenty of seabirds trolling the coast for fish. The red tide is finally decreasing so hopefully now the birds will return in more significant numbers.
Here’s an interesting photo that uses focus stacking to get the effect of both the foreground and background in focus. It’s a typical scene along the beach with the ever-present sandpiper.
To make this I took two photos, one focused on the piper and one on the people further off. Then by blending the two, they both appear in focus. This technique is not so good for scenes like this because the movement of the water complicates the blending. You can see a little blurriness between the two in-focus points. Nevertheless, I think the overall effect is rather nice.
I know I shouldn’t spend time wishing I was somewhere else. However, I do. Except when I’m here, then I don’t.
When I have a vacation coming up, I wish I was there already; but if I were, it would be over sooner, and I’d be back to the real world when I should be on vacation. The only other option is to make life one big vacation. Yeah, like that’s going to happen.
If life was just one big vacation, would I want to go to work? I think I know the answer to that. Sometimes I have too many thoughts for my own good. The best cure for that is a beach-view of the sunset on Friday. There’s plenty of time for the other stuff on Monday.
Taking pictures from a ship is like standing on a tall building. The vantage is nearly as good as a drone but without the need for an FAA license.
I took this onboard the Royal Caribbean’s Enchantment of the Seas as we left Miami on a three-day cruise. There were high winds on that voyage, and we had to skip one of our ports. The other port was Nassau where we did dock safely and enjoyed a day exploring.
Perhaps because of the rough conditions, I got a few good photos using the perspective of the ship that I wouldn’t usually get. Then, on the final morning, we arrived back here to Miami at sunrise, and I got a few last photos from the top deck. After that, it was back to ground level.
I use minimalism and negative space in artistic leaning photographs to show a connection to the environment. For whatever reason, I’m wired to wonder how and why things exist within a broader context. One way of perceiving a situation is by taking a step back. It seems that I do that a lot, so it’s only natural it would come out in my photography.