Ocean Drive in Miami Beach on a Monday night. And the later I stayed, the busier it got. I repeat, it was Monday.
But then I shouldn’t be surprised, because when I’m on vacation, every day is Saturday and most of the people in South Beach are on vacation. So it could be Sunday, Monday or Tuesday night and the place is still going to be full of life.
As I look at this photo, I wonder why they had two TVs set up outside? I get it with TVs in restaurants, but to set two up on the sidewalk seems a little extreme. It’s not enough that we are continually communing with our phones. I’m as guilty as anyone. But maybe it’s a good idea to get unplugged, if even for a couple of hours while we eat. Perhaps I’ll try that tonight, as long as there’s nothing important on.
Why do we call it a bank of elevators? My guess is that at one time, only banks had lifts. Rest assured, this is no bank.
Royal Caribbean ships have elevator banks that are functional, stylish and serve as a showcase for hanging art. No two banks are the same which is not only refreshing but helpful. Helpful, in that, on some of the larger ships, it’s easy to get disoriented. Having distinct elevator banks helps with getting your bearings. I can’t tell you how many times I forgot whether I was at the front or back of the boat. Unless you’re up top or by a window, it’s almost irrelevant, but knowing which direction to walk for a meal is an acquired skill.
Also, each night the crew replaces a floor tile in each elevator with the name of the day. So not only do you know which part of the ship you’re on, you’re reminded the day of the week. Little orientation hist never hurt anyone. Anyway, if memory serves me, this was at the back of the Oasis of the Seas, or was it the front?
A state of confusion is normal for me, at least until I have my morning Starbucks. And this where I get it on a ship.
There’s a lot to sort out in this image; art, mall, elevators, and a window looking out, to name a few. This is on Royal Caribbean’s Symphony of the Seas. What makes it confusing (at least to me) is that everything is on a different deck. I think they should rename it Skyscraper of the Seas. I’m just saying.
I took this from deck seven on my way back from a morning walk around deck fifteen. The Starbucks is on five. There are so many decks it’s hard to keep track of where to go, which is why I need a morning Starbucks.
I suppose these cabins are the equivalent of the apartments that surround Central Park in New York City. Only, this namesake park is floating thousands of miles away.
I used a 12mm wide-angle lens for this shot which it makes the foreground appear bowed. I also used a Platypod to anchor the camera to a railing for a long exposure. This is the first time I’ve not taken a tripod and relied solely on the Platypod. In retrospect, it was a good call.
These spaces on the boat were designed to resemble neighborhoods. It’s obvious a lot of thought was put into it because, at least for me, that’s what it felt like. You could hang out in a different one depending on your likes. For some reason, this one, surrounded by apartment-like cabins, was the one I hung out in. It created a perfect illusion that, for the length of the cruise, kept reality at a safe distance.
The Symphony of the Seas has a bold color palette. There are vibrant, saturated colors in outdoor spaces and stairwells; so if you’re sensitive to that type of thing, you might need to wear sunglasses, even at night.
It’s a lot of fun, and I enjoy the tapestry of hues hitting my retinas at each turn. Don’t get me wrong; it’s not gaudy, rather a tasteful sampling of one-of-a-kind art, murals, and tiles. In my photography, I’m a reformed over-saturation addict. The colors on board this ship are a real temptation for me.
I’ve desaturated the colors in this image. The original is so loud it looks fake. Anyway, I even considered a monochrome version. But, this is a post about colors so the monochrome version will have to wait.
This image was taken in central Barcelona from the rooftop of the Grand Central Hotel. At first glance, you’ll notice symmetry in the picture. That’s because I’ve mirrored the image, and then painstakingly altered it so that the equality is incomplete. In effect, I’ve taken something that was perfectly reflected and added randomness.
There are plenty of mirrored artifacts, but depending on how you look at it, it might play tricks on you. Our brains quickly suspect its a mirror, and then our eyes begin looking for proof. Depending on where in the image you look, it may not confirm your first impression.
The photo is an exercise in abstraction and deception. It’s a time-consuming exercise to produce, but it’s fun at the same time. My purpose is to hint at one thing while throwing you off the trail and forcing you to figure it out. I hope you don’t mind a little harmless deception in the name of fun.
I took this picture in the lobby of the Delta Toronto Marriott when I was there a few months ago. Have you ever noticed how hotels design lobby spaces to feel inviting? This one is a far cry from the Motel 6 we stayed at when I was a kid.
When I’m in a big city, I like walking into lobbies and taking pictures of the architecture. The lobby is where the hotel puts its best foot forward. The idea is to convey a sense of luxury and comfort at the same time. Comfort usually means plush furniture and pillows that make you want to sink into them.
Anyway, I was walking through in the evening, and the colors caught my eye. I had been sitting here a few hours earlier to meet someone, but hardly noticed it in the daylight. I’m continually surprised at how light affects a place. In my opinion, it’s the key to photography. On the top floor, there is a lounge with a spectacular view of the CN Tower. And my room had a pretty nice view of the lake as well. I think the hotel is rated four stars, but from a photographic perspective, it’s easily a five.
Earlier in the year, I was up in Toronto for a quick stay, and at night I wandered around taking photos. This arched walkway is a connector between the convention center and Union Station. Little did I know that this is also where I would catch the train to the airport in the morning. So I ended up at this same spot eight hours later to grab an early flight home.
It was a good idea because a snow storm came in that night and the streets were a mess, but the trains kept rolling. The flight ended up getting delayed anyway, but at least I was at the gate on time.
I used to live in Toronto a long time ago, and I’m sure I walked through this spot at some point. But this time I had my camera, and it seemed new to me. Nevertheless, much of downtown Toronto is connected by covered or underground walkways because of the long winters. I think we should do the same thing down in Florida for the long hot summers. Or, maybe not, we probably spend enough time indoors as it is.
Here’s a shot from inside the restored train station in downtown Chattanooga. The station isn’t operational; it’s now a historical spot for music and arts. There are a few old trains at the station converted to shops, restaurants, and a hotel.
The Frothy Monkey that I posted about the other day is just to the right. We just finished lunch, and I was waiting for the valet to return the car when I took this photo. The little choo-choo motif on the right seals the deal for me.
The whole time I was here, I couldn’t stop humming the old Andrews Sisters song (https://youtu.be/FdrYYUuT07Q). I wonder if you can still catch a train to Tennessee from Track 29 at Penn station. I doubt it, but it would be cool if you could.
Here’s a series of architectural studies I did while in South Beach. I rented a bike for the afternoon and rode around taking snippets of buildings. As a photographer, one of the main reasons I like going there is the architecture. There is a combination of art deco and cubist throughout.
Honestly, I have no idea what I’m talking about when it comes to architecture; I know what I like. If I find it interesting, that’s good enough. In South Beach, they use a lot of pastel colors, and that goes well with the heat. The heat in the summer is brutal, so maybe some softness coming off the walls makes it a little more bearable.
Anyway, this is not even the tip of the iceberg. I could spend a whole week here just shooting architecture. Different angles, different perspectives, different times of the day. Maybe one day I’ll go back and do just that. Sound like a plan?