Due to the full range of light and the difficulty of shooting into the sun, this is a combination of at least five photos. I combined the images with AuroraHDR and then parts of it re-layered in Photoshop. In some respects, this is a painting, in that the light was blended to create a picture. That creative process I find satisfying, even if it is the same scene on a different day.
While driving along the Oregon coast, I stopped here in Cape Cove. The area is so pretty it’s hard to take a bad picture.
The coastline has these massive rocks that are the remnants of an eroding mainland. I can imagine that ten-thousand years ago the land extended well beyond where it ends today. These are up and down the Pacific coast, and they make for good studies in geology and, in my case, photography.
I created this effect using an ND filter, which allows for a long exposure, even during daylight; this is a 20-second exposure. With that, the water appears smooth like glass. Also, the aperture is set to f22, which allows both the foreground and background rocks to be in focus, and it creates the star effect of the sun. Also, shooting right into the sun like this created lens flare, which in this case, I quite like.
If you head down this road for three minutes, you’ll end up at the gulf. If you go the other direction for about two hours, you’ll end up at the Atlantic. Only in, Florida.
I was leaving the gulf and stopped for a different shot when I happened to look back; that’s how I came to take this photo. Most of the pictures I take originate from this rather haphazard approach. That’s not to say I don’t occasionally plan; it’s just that planning and this type of photography are only loosely connected. Having a plan gets me out of the house, and that’s where the connection ends.
Once out of the house, the struggle is figuring out what photos to take; to solve that I try to stay open and aware of what’s around me. Over the years, I’ve developed an aesthetic which largely stems from my personality. So, when I go out to take photos, even though I may not know what I’m looking for, I will generally know it when I see it.
As we head into the middle of summer, I am looking forward to some downtime under a tiki hut sipping a frosty little drink with an umbrella. Umbrellas in glasses are a crucial element for survival in harsh environments. This is an important fact you may wish to keep in mind. You’re very welcome.
The Bradenton causeway has advantages over the beach. You can park at the water’s edge, and there aren’t nearly as many rules.
At this spot, you can generally see horses in the water. But I was here on a Monday, and they weren’t. The causeway isn’t fancy, but if you want to spend time at the water without the parking hassles, this is it.
The other day I visited the pier at the beach in Venice, Florida. It’s an excellent place to hang out at the end of the day.
I took this picture from the patio of Sharky’s, one of the best beach restaurants in the region. When guests come to town, this is where we go. From the terrace, you walk onto the pier to fish or look for dolphins. It’s a tough job, but somebody’s got to do it.
What caught my eye was the sunlight through the grass. At the time, I thought to focus on the less obvious subject. It’s the concept behind my website name. Sometimes, I focus on highlighting the underappreciated gems right in front of the more obvious choice. While I don’t always succeed, that’s the idea behind “Just Enough Focus” dot com.
I take a lot of these shots and just can’t seem to get enough of them. It reminds me of times I visited Hawaii and would float for long stretches in the water, rocking with the waves. Now that I live in Florida, it’s ironic that I can go whenever I want but seldom do.
When I see a bunch of shells on the beach, I want to hoard them like a pirate. At some point in history, these were money.
This photo is reprocessed from an earlier version here. The tools for post-processing are continually being updated, so lately I’ve been having a little fun going back to old photos to tease out a new look. I don’t recall what tools I used back in 2015, but this time, I used the latest version of Skylum’s Luminar.
Nevertheless, what got my attention in this scene is all of the shells in the foreground; they must have been deposited after a storm. You can go to a store and buy a bag of shells for ten bucks, or you could just go to the beach and pick them up yourself. Better yet, send me the money, and I’ll get them for you! (just kidding)
There’s a reason they call it the Skyway Bridge. I like to think it has something to do with the sky. I’m just saying.
I remember taking this after an afternoon rain. I pointed the camera from a rest stop along the highway facing northwest. I’ve been using different lenses lately, but I think I’ll bring this old 24-240mm along with me more often. By the way, this is a fifteen-second exposure, so it must have been quite dark.
According to the EXIF information on the photo, I took this on July 16th at 8:00 pm. But I think it’s wrong because the sun sets around 8:30 at that time of year. I think the clock in my camera was off by an hour, and it was actually 9:00 pm. Inquiring minds need to know; I’m just saying.
This picture is another in a series of dunes on Anna Maria Island. This might not be the most exciting thing you see today.
A lot of effort goes into protecting these dunes and the natural flora that grows here. There are signs every thirty feet or so warning people to use the bridges to cross over to the beach. Even so, I’ve seen a few idiots disregard the signs and walk over the plants. I guess not everyone has a brain.
Anyway, I love taking photos of these because they are an additional dimension to the landscape of the beach. And for the most part, they are the only place that the plants have a place to grow freely. Unlike dunes in the Sahara, these don’t blow away or change their shape. We have the untrampled plants to thank for that.