Ocean Drive in Miami Beach on a Monday night. And the later I stayed, the busier it got. I repeat, it was Monday.
But then I shouldn’t be surprised, because when I’m on vacation, every day is Saturday and most of the people in South Beach are on vacation. So it could be Sunday, Monday or Tuesday night and the place is still going to be full of life.
As I look at this photo, I wonder why they had two TVs set up outside? I get it with TVs in restaurants, but to set two up on the sidewalk seems a little extreme. It’s not enough that we are continually communing with our phones. I’m as guilty as anyone. But maybe it’s a good idea to get unplugged, if even for a couple of hours while we eat. Perhaps I’ll try that tonight, as long as there’s nothing important on.
They have it all wrong because I think ice cream is the real gateway drug. And besides, it’s highly addictive.
I want to be in Barcelona at La Rambla on a warm night having an ice cream cone. I can be clumsy with food, so I got a small cup instead. There’s something about walking around with ice cream; for the time it takes to eat, reality gets suspended, and you have not a care in the world.
We were walking back to our hotel after spending time in the gothic quarter, and I was randomly snapping photos of people and vendors. For me, this captures some of the magic of that night, and believe me; there is always a bit of magic here. But now looking at it again, I think it might be time for ice cream. Not that I’m addicted or anything like that.
Walking back to the ferry late at night I stopped in St Marks Square to capture reflections. To get this shot, I held the camera right above the water.
Nowadays, days I use a Playpod which is similar to a tripod with a small base you attach to the camera. The first time I saw it I didn’t know what to think, but I’ve had it for a few months now, and I take it everywhere. I like doing low perspective shots, and the Platypod excels at that, and it saves both time and the camera body. Before, I would use whatever I had in hand like a strap or iPhone to prop the lens up, and that takes time and patience to get it right. But the Playpod it’s like having a mini tripod at ground level.
Anyway, we had a late meal along the canals and walking back there were fewer people than during the day. The next time I go back, I’ll probably sleep all day and walk around taking photos all night. And you can be sure I’ll be carrying my trusty Platypod.
Here’s a scene from Miami Beach’s Lummus Park at night. I took some daytime photos here, but night time was way more fun.
Sorry if I sound like grandpa talking, but it wasn’t that long ago when shots like this were next to impossible. I shot this handheld without a tripod. In fact, the original photo didn’t look like much. Nevertheless, I was able to recover most of the shadows thanks to software and the amazing sensor on the Sony A7RM3. The camera sensor saves things that are invisible to the naked eye. However, with post-processing, we can make much of it visible.
I would say that low-light techniques like this are what got me back into photography. Back in the day (grandpa again) I used to shoot film but lost interest due to the amount of time I spent in dark rooms. Today, the only time you need to spend in the dark is taking photos of cool scenes.
Maybe it’s of all the lights, or the mass of humanity, or the scale of it all. Whatever it is, I’m in not much use until I snap out of its initial spell. Perhaps there’s some part of our DNA that attracts us to a hive or colony or tribe. Or maybe, it just all the cool lights.
This is the back side of Bradenton Beach, the front side is, uh, a beach.
The little beach town is surrounded by water because it sits on Anna Maria Island. The back side faces the intercoastal waterway and is the place where all the boats dock. It’s also where you’ll find a lot of fun things to explore, like restaurants, galleries, and fishing piers; not to mention other little villages like Cortez.
I shot this picture at water level using a Platypod on a remarkably calm night; usually, there’s a little chop. This is also a prolonged, thirteen-second exposure, so it makes the water appear even smoother. Then I stretched the lights a little downwards to accentuate them. But at the end of the day, if you squint your eyes a little, this is exactly what you would see on most evenings along the inter-coastal waterway. But if that doesn’t float your boat, there is always the beach on the other side.
The same spot that I posted from last week. Taken only thirty minutes later but, turned out entirely different.
It’s an excellent example of how light changes everything so thoroughly. In the other photo, the main subject was the warm light of the clouds, in this one, it’s the lights from the bridge. Both reflected on the water, and each tells a different story.
I’ve taken a million photos of this bridge. Because of that, I’ve avoided it for the last year or so. I happened to be in the neighborhood and couldn’t help myself. But with a spectacle like this, could you blame me?
For the life of me, I can’t conceive why Washington Avenue is all lit up like that at four in the morning. But then again, it is Miami.
I took this from a ship as we entered the Port of Miami. I was wide awake and recovering from the European timezone. Changes in time zones are great for photography because it makes it easy to get out at all hours of the morning or night. Days can be a little rough.
We flew to Spain and took a boat back, just a few hours drive from home. We’re lucky, most people have to fly to Florida to get on a ship, we just drive. That makes it easier to pack as well, just throw whatever in the heck we want in a big suitcase and not worry about being efficient. Maybe it’s the lazy way to go, but hey, I’m very much into that sometimes.
I suppose these cabins are the equivalent of the apartments that surround Central Park in New York City. Only, this namesake park is floating thousands of miles away.
I used a 12mm wide-angle lens for this shot which it makes the foreground appear bowed. I also used a Platypod to anchor the camera to a railing for a long exposure. This is the first time I’ve not taken a tripod and relied solely on the Platypod. In retrospect, it was a good call.
These spaces on the boat were designed to resemble neighborhoods. It’s obvious a lot of thought was put into it because, at least for me, that’s what it felt like. You could hang out in a different one depending on your likes. For some reason, this one, surrounded by apartment-like cabins, was the one I hung out in. It created a perfect illusion that, for the length of the cruise, kept reality at a safe distance.