Everything that has ever happened is in the past; we only have the present.
Smarter people than I have put a lot of thought into this, the prevailing wisdom is that time is not real; it’s just something we made up to record or coordinate. I agree with this intellectually, but when I’m waiting, time seems genuine, if not slow.
Attention is like a sail. When focusing on something, we move through time quickly. Maybe that’s why time seems to move faster as we get older. The more our attention is focused, the more time seems faster. If now is all we really have, it stands to reason that awareness at the moment is more precious than we think.
I can’t remember if I was at the front or back of the train. I’m going to guess the end, but it’s not my final answer.
In Vancouver, the SkyTrain is fully automated so you can sit at the front or back and watch the tracks through the windshield. I would often stand at the end of the platform and, once in a while, get the end seat. Sometimes I’d take videos with my iPhone but here’s one by Sigis Travel Videos.
I’m all for self-driving and can’t wait to get one. I would rather sit as a passenger and watch the scenery than pay attention to mind-numbing traffic.
This photo is the Central Park neighborhood aboard Oasis of the Seas. Personally speaking, it was my favorite place to hide.
For whatever reason, this area gets less traffic than the other neighborhoods, and if you want to find a quiet space during the day, this is it. At night we had tapas at the wine bar and listened to live music in the courtyard.
The setup of these mega ships are no different than cities; there is every facility of a small town and more. If we ever figure out how to make big spaceships, (and I’m sure we will), this is an early example of how to design one. Now fast forward two-hundred years into the future, and it would not be surprising to see Royal Caribbean cruises to Mars.
There’s a reason they call it the Skyway Bridge. I like to think it has something to do with the sky. I’m just saying.
I remember taking this after an afternoon rain. I pointed the camera from a rest stop along the highway facing northwest. I’ve been using different lenses lately, but I think I’ll bring this old 24-240mm along with me more often. By the way, this is a fifteen-second exposure, so it must have been quite dark.
According to the EXIF information on the photo, I took this on July 16th at 8:00 pm. But I think it’s wrong because the sun sets around 8:30 at that time of year. I think the clock in my camera was off by an hour, and it was actually 9:00 pm. Inquiring minds need to know; I’m just saying.
Anyway, if you go to my gallery and enter the keyword “ManateeAvenueBridge” in the search, you’ll get all the versions of this bridge I’ve taken over the years. In another five or ten years I’ll probably have quite the collection. Then they can rename the bridge after me. It will be called the Rick Bridge, or not.
I take a lot of pictures of this bridge because it’s so close to home. It’s the biggest thing around, way bigger than a bread box.
Do people still use bread boxes these days? Whenever I buy bread, it goes in the freezer. But I digress; the bridge is the biggest thing around, so it’s the center of a lot of attention. I’m all about iconic photos close to home like this.
This photo, in particular, is a long exposure that was taken with an ND filter. The picture is 46 seconds long which is why the water appears flat. Usually, I might use Photoshop to create the same effect, but in this case, there is little, if any, Photoshop involved.
I took this picture of condos in Palmetto from the Bradenton side of the river. I’ve been waiting for the right time to capture this scene. It needs to be somewhat dark, the building lights on, and the water still. During the day it’s a boring scene, but just before dawn, it seems to work. On this morning I got them all together so now I can check this one off the list.
Is it just me or does it seem like we get a lot of Supermoons? This is a picture of the last one, which is the one before the next one.
These moon photos are a bear to take. Unless you have a very long lens, like 600mm or more, the moon doesn’t look that big. Also, the composition is a little tricky because if you expose for the moon, everything else is too dark. If you expose for everything else, the moon is too light.
In the end, I created a composite with two photos. The moon exposure is combined with the bridge exposure. Despite the challenges, it’s a lot of fun, and I’ll probably plan on doing another one. With all these supermoons coming, I’ll have plenty of chances to get it right.
This bridge is a commuter’s nightmare, but before dawn on the weekend, it can look pretty awesome.
It’s amazing how smooth the water looks in a long exposure. I could shoot these all morning if the sun didn’t rise. But, as the saying goes, the son also rises. Actually, that saying doesn’t apply, and I’m mixing metaphors, but we’re all friends here.
They say this bridge needs to be replaced. It’s over fifty years old and, as I mentioned, the traffic on it sucks. But, there is a bright side. Getting stuck on a bridge in Florida is not so bad; you just roll down the window, crank up the tunes, and enjoy the scenery.
For this shot, I used a 12mm wide-angle lens and mounted the camera on the ground with a Platypod. The Platypod is like a tripod for low perspectives. This is a long-exposure that would have been difficult to shoot any other way. With the Platypod it was a breeze.