Anyway, if you go to my gallery and enter the keyword “ManateeAvenueBridge” in the search, you’ll get all the versions of this bridge I’ve taken over the years. In another five or ten years I’ll probably have quite the collection. Then they can rename the bridge after me. It will be called the Rick Bridge, or not.
I take a lot of pictures of this bridge because it’s so close to home. It’s the biggest thing around, way bigger than a bread box.
Do people still use bread boxes these days? Whenever I buy bread, it goes in the freezer. But I digress; the bridge is the biggest thing around, so it’s the center of a lot of attention. I’m all about iconic photos close to home like this.
This photo, in particular, is a long exposure that was taken with an ND filter. The picture is 46 seconds long which is why the water appears flat. Usually, I might use Photoshop to create the same effect, but in this case, there is little, if any, Photoshop involved.
I took this picture of condos in Palmetto from the Bradenton side of the river. I’ve been waiting for the right time to capture this scene. It needs to be somewhat dark, the building lights on, and the water still. During the day it’s a boring scene, but just before dawn, it seems to work. On this morning I got them all together so now I can check this one off the list.
Is it just me or does it seem like we get a lot of Supermoons? This is a picture of the last one, which is the one before the next one.
These moon photos are a bear to take. Unless you have a very long lens, like 600mm or more, the moon doesn’t look that big. Also, the composition is a little tricky because if you expose for the moon, everything else is too dark. If you expose for everything else, the moon is too light.
In the end, I created a composite with two photos. The moon exposure is combined with the bridge exposure. Despite the challenges, it’s a lot of fun, and I’ll probably plan on doing another one. With all these supermoons coming, I’ll have plenty of chances to get it right.
This bridge is a commuter’s nightmare, but before dawn on the weekend, it can look pretty awesome.
It’s amazing how smooth the water looks in a long exposure. I could shoot these all morning if the sun didn’t rise. But, as the saying goes, the son also rises. Actually, that saying doesn’t apply, and I’m mixing metaphors, but we’re all friends here.
They say this bridge needs to be replaced. It’s over fifty years old and, as I mentioned, the traffic on it sucks. But, there is a bright side. Getting stuck on a bridge in Florida is not so bad; you just roll down the window, crank up the tunes, and enjoy the scenery.
For this shot, I used a 12mm wide-angle lens and mounted the camera on the ground with a Platypod. The Platypod is like a tripod for low perspectives. This is a long-exposure that would have been difficult to shoot any other way. With the Platypod it was a breeze.
Here’s an early morning shot of the Palace of Fine Arts. I came early because I wanted to see it lit up, and, I was still on eastern time.
Because I was on a different time zone, it felt like mid-morning to me. Disassociation with local time is something I try to take advantage of when traveling. It allows me to get out early or late without much effort. Maybe that makes me sound a little lazy.
A couple of years ago I worked on a panorama of this, but I can’t find it now so I must have deleted it. I vaguely remember not being too happy with it. Nevertheless, I’ve taken another stab at it, and this time I’m satisfied. This is only one frame, but it looks a little like a pano. I didn’t do much other than a bit of color balancing and a crop. I guess I just needed time to forget about it and try try again.
Some scenes like this I keep coming back to. But since the sky is different each time it counts as a new pic. I’m not trying to justify it, I’m just saying.
I’ve posted this same scene at least three times; here, here and here. I considered not posting yet another, but I like it and so why not? It makes sense to repeat a composition over time to gauge subtle difference as your technique or gear changes.
This is the first time I used the GM lens for this scene, and so now I can take the time to notice that. I’m doing that with a few repeat scenes, and I’m enjoying the results. I usually save the GM lenses for commercial or portrait work, but I’m starting to use them for landscapes as well. Anyway, here is the latest version of the pier in Bradenton’s Riverwalk. Stay tuned for version 5.0 in about a year.
Something about the light at dusk, it can make a boring apartment building look like a million bucks.
I drive by these buildings all the time and never take a second look, but look at them now. They’re kind of attractive, now that I see them. My Instagram tagline is, “through photography, I see.” I guess this is proof of that.
I used a one-second exposure for the water on the bottom half which evens out the ripples. Usually, I use photoshop to get a similar effect but in this case, its straight out of camera (or SOOC as we say in the biz). I took this from a dock while walking my dog recently. He likes to come out here and survey the scene and sometimes I’ll bring my camera. So it was, in fact, Mr. Wiggles who selected this scene. I should probably change my tagline to, “through my dog, I see.”
This is the back side of Bradenton Beach, the front side is, uh, a beach.
The little beach town is surrounded by water because it sits on Anna Maria Island. The back side faces the intercoastal waterway and is the place where all the boats dock. It’s also where you’ll find a lot of fun things to explore, like restaurants, galleries, and fishing piers; not to mention other little villages like Cortez.
I shot this picture at water level using a Platypod on a remarkably calm night; usually, there’s a little chop. This is also a prolonged, thirteen-second exposure, so it makes the water appear even smoother. Then I stretched the lights a little downwards to accentuate them. But at the end of the day, if you squint your eyes a little, this is exactly what you would see on most evenings along the inter-coastal waterway. But if that doesn’t float your boat, there is always the beach on the other side.