Foreground elements are essential, especially in environmental or landscape shots. They’re a good idea anyway because they tend to be the first thing we focus on. As our eyes wander, we travel from foreground to the background. The trick in photography is to make that journey enjoyable.
This photo was taken from a preserve adjacent to Highway 41 in Palmetto. If you look close, you can see an eagle sitting on a branch just to the left.
It’s a spot that’s within walking distance of my home. However, I always end up driving because I’m trying to capture a sunset or something last minute. In this case, the sun is behind the tree illuminating the leaves and, causing them to glow.
I didn’t notice the eagle until after I took the photo. However, when I did notice, I walked a little closer to take a picture, and it flew away. But I’ve seen it here before, so if I really wanted to get the photo, I could just come back at dusk. We have a lot of eagles in our area, but having grown up when they were endangered, it’s still exciting for me to see one.
Cortez is one of the last fishing villages on the east coast of the United States. That would mean these pelicans picked the perfect place to live.
We came for the annual fish festival and left stuffed to the gills. They had every kind of fish dish you can imagine, and then some.
Fishing vessels were docked alongside the processing plant, and I captured these fellas preening themselves, oblivious to all the commotion around them. Sea birds in Florida coexist with fishing and are not afraid of humans at all.
Anyway, this reminded me that I need to come back to Cortez on a regular workday to see everything in action. It’s one of the first places I came with the new Sony camera about five years ago, and I always find something interesting to shoot here. And, as one of the last villages of it’s kind, it is a little bit of history.
The new bridge at Robinson Preserve presents an open invitation to cross over to a winding trail with ponds, marshes, and wildlife on all sides.
The image I posted yesterday was not far from this spot, but the weather could not have been more different. That image was on a foggy morning, and this is at the end of the day. The light in each tells an entirely different story.
As usual, the story is mostly in our mind. With these types of landscape images, we all see the same thing, yet we fill in different details. And, as with life, we perceive in it what we want to see. I think self-projection is one of the purposes of art, to allow us to muse upon things that are reflections of ourselves.
Friday morning in Miami is no different than any other place. Oh who am I kidding, it’s WAY different!
For me, a big advantage of taking a cruise out of Miami is, well, Miami. An average view from the deck of a large ship is still better than a great view from a skyscraper. Nevertheless, the new boats are big enough to be skyscrapers.
Miami is a favorite city of mine to photograph. You have it all, the beach, the nightlife, the cityscapes. No matter how you look at it, it’s not your average city. I’m sure it has its problems, but as with many things, I tend to look at it through rose-colored glasses.
Here is a photo of Trey Ratcliff and Danny Levin that I took about five years ago. Danny and I were on one of Trey’s New Zealand photo adventures.
That seems like such a long time ago, but I still have a ton of photos and memories. I shot this on the original Sony A7R which was relatively new at the time. Now, I’m on the third generation of that camera, but I still own the original. Not too shabby if I do say so myself.
Actually, I processed this with the latest tools. In this case I Aurora HDR 2019 and Luminar 3. Those are also the third generations from Skylum, and I’ve been using them for three or four years now. Every time they come out with new versions I go back and find old photos like this to process. When I do that, it’s like taking a trip down memory lane.
Shooting right into the sun at f13 creates these long rays of light. I could have added them artificially with software, but these are the real deal.
A high aperture number is not something I use all the time, but if I want starbursts, it’s the way to go. The only problem is that dust spots from the sensor show up on the image; however, that’s easy to remove with photoshop.
A few days ago I visited this new section of Robinson Preserve. The creation of it took years, it’s one thing to landscape a bunch of acres, but quite another to allow nature to move in at its own pace. Finally, after several years of growth, I have yet another new landscape to explore with my camera.
Sometimes I look for places to shoot using Google Maps. It helps me find places tucked away that I may have missed, like this at Grassy Point.
This is a short drive from my home to Anna Maria Island. I showed up before dawn on a cold and windy morning. By cold, I mean it was cold for Florida; low fifties. Nevertheless, it has a path from the parking lot through the Mangroves and ends up here on the intercoastal waterway.
The clouds were low on the horizon, so the sunrise was not as spectacular as I hoped. Nevertheless, I stayed around for a few minutes to get this shot of the water through the mangroves. It seemed like a long cold hour standing out there waiting for a shot; however that made the hot coffee afterward all the more enjoyable.
Lately, it seems we are on a streak of winning sunsets, so I decided to drive over here at dusk. It was a short drive and a short walk to get here, but I’m glad I did it. It was a win.
It’s a game of chance when I go out for sunsets. We often get cloud banks just offshore. I think it will be good, I drive over, and then it’s a dud. It’s a gamble I’m willing to take. But lately, the odds have been good, and I’m getting a little payoff.
This image is comprised of six different frames. I focused on the foreground, took three bracketed shots, then the same thing on the background. I combined everything in AuroraHDR and Photoshop. I did it in a way that everything appears to be in focus. Then, one last stop in Luminar for some final touches. In reality, there were a few more minor steps here and there, but that’s the gist of it.
The moral of the story is, …hmmm, there is no moral. Just a little luck.
I don’t get a lot of opportunities to take pictures of the mountains. I think of that as landscape photography. However, in Florida, we use clouds as stand-ins for peaks. They are usually interesting enough to fill up the top half of a frame. Throw in a sunset and Bob’s or uncle.