Now and then, without warning, the view from a cruise ship can be over the top. This is why I like booking a room with a balcony.
The Oasis of the Seas was just leaving the dock at Cozumel, and everything came together. As the ships leave, smaller boats are returning to dock after depositing their tour groups. By six in the evening, all the ships have departed, and the little towns and villages become sleepy again. That’s why I think Cozumel is the closest thing to Margaritaville.
My apologies if this image seems overly saturated. I’ve desaturated the colors a couple of times because it doesn’t seem realistic. Every now and then that happens. More and more I pay attention to the levels of color saturation while I’m taking the picture, and sometimes it’s quite high. Then I have to tone it down in post-processing because it can look fake. This is one of those cases, but I’m still not sure if it’s enough.
Some scenes like this I keep coming back to. But since the sky is different each time it counts as a new pic. I’m not trying to justify it, I’m just saying.
I’ve posted this same scene at least three times; here, here and here. I considered not posting yet another, but I like it and so why not? It makes sense to repeat a composition over time to gauge subtle difference as your technique or gear changes.
This is the first time I used the GM lens for this scene, and so now I can take the time to notice that. I’m doing that with a few repeat scenes, and I’m enjoying the results. I usually save the GM lenses for commercial or portrait work, but I’m starting to use them for landscapes as well. Anyway, here is the latest version of the pier in Bradenton’s Riverwalk. Stay tuned for version 5.0 in about a year.
Something about the light at dusk, it can make a boring apartment building look like a million bucks.
I drive by these buildings all the time and never take a second look, but look at them now. They’re kind of attractive, now that I see them. My Instagram tagline is, “through photography, I see.” I guess this is proof of that.
I used a one-second exposure for the water on the bottom half which evens out the ripples. Usually, I use photoshop to get a similar effect but in this case, its straight out of camera (or SOOC as we say in the biz). I took this from a dock while walking my dog recently. He likes to come out here and survey the scene and sometimes I’ll bring my camera. So it was, in fact, Mr. Wiggles who selected this scene. I should probably change my tagline to, “through my dog, I see.”
Isn’t it funny how we anthropomorphize all things? Here are some defiant colors against the angry Mediterranean.
I do it all the time with animals, but between you and me, I think most animals have emotions, so it doesn’t seem like such a stretch. However, sometimes I do it for the weather or inanimate objects; then I’m surely projecting my own feelings into the world. The sea can’t really be angry, can it?
As we journeyed out into the North Atlantic, things got worse. There was a hurricane a long way off that roiled the ocean. The winds across the deck were seventy-five miles an hour, and the swells fifty feet high. At that time I looked out at sea from the comfort of a massive cruise ship and tried to imagine myself on a small ancient craft crossing the ocean in the midst of a storm. Admittedly I had feelings, but I’m pretty sure the sea had none at all. And that was maybe, just a tiny, bit, scary.
I don’t get a lot of opportunities to take pictures of the mountains. I think of that as landscape photography. However, in Florida, we use clouds as stand-ins for peaks. They are usually interesting enough to fill up the top half of a frame. Throw in a sunset and Bob’s or uncle.
There is something about a stand of palm trees that begs to be photographed. These are from a nature preserve surrounded by urban sprawl.
I have never been forward thinking enough to be passionate about green spaces and parks. But as I get a little wiser, I’m grateful to other people that are. This park is named after the late Tom Bennett who was a local resident. Apparently, he and his family were indeed passionate about green spaces, and I have them to thank for this photo.
I once had a colleague in Toronto who invested in land to be used as a wild preserve. She only wanted the property to be left to nature and not developed. That was a long time ago, and since then, Toronto has gone crazy with development. As I think back, I see that she was a visionary and, I wonder if she held out. For the sake of short-sighted folks like me, I hope she did.
This is looking up the Manatee River in summer. After a few minutes we got a thunderstorm for about twenty minutes, then a crazy sunset; every day like clockwork.
The one-second shutter speed makes the water smooth, like the calm before the storm. I’m nervous when out in these conditions, the air is thick, and it’s only a matter of time before lightning strikes. We get more lightning than anywhere on earth because of the geography. My heightened state of nerves battles it out with my need to get a good picture.
The thunder clouds always come down the river, from east to west. Often, if we’re at an outdoor restaurant along the water, we can watch the clouds heading towards us. The river is about a mile wide, so it has its own micro-climate. After the storm passes, we brush the water off the table and, enjoy the rest of the meal, just like clockwork.
My favorite thing about the trip across the Atlantic was the open sea. For over a week there was nothing but water and clouds.
When we booked the trip, I wasn’t sure what eight days at sea would be like. Now, I would do it again in a heartbeat. The entire time we did not see land, another boat, or a plane. It was an opportunity to detach from all land-based frames of reference.
On the final day before arriving at Port Canaveral, we began to see planes in the sky and seabirds. It was the first signs that home was not far off. It’s nice to back on the ground, but at the same time, it was nice to have a glimpse of a perspective where all the familiar references were not there.
This photo is created with the 2019 version of AuroraHDR. Skylum, the company that creates AuroraHDR, has outdone themselves this time.
That’s good for people like me that take a lot of bracketed shots. This is a three frame HDR that I processed with both Aurora and Luminar. Luminar is the other software from Skylum that is a lot like Lightroom, only easier to use and, in my opinion, better. In truth, I use a lot of different tools including Lightroom and Photoshop; it’s all good.
I ran into a guy today that showed me some jaw-dropping photos of Iceland he took with his phone. The colors and detail were so amazing that I thought they were processed; no, straight-out-of-camera. That just goes to prove that the processing is not everything. Placement, composition, a sense of balance can produce better photos than all the processing in the world. All this hocus-pocus is just icing on the cake, so to speak.
Here is a shot I took last year in Sarasota. It was one of those rushed shots that I was frantically trying to capture as the sun disappeared. The windblown palms added drama to the scene which meant that a three image HDR was out of the question. Nevertheless, I was able to get this with a single exposure from that fantastic Sony sensor on the A7RII.
I took this with a super wide angle 12mm lens. I don’t use it as much as I’d like, but this is an example of what it can do. In a lot of cases, it’s too wide for my needs. But still, it’s nice to have it in the kit.
One thing it does well is to include a lot of the sky. In this case, that’s what I wanted because of the clouds and colors. But at other times it can leave a lot of empty space. Anyway, I’m happy with how it turned out with the combination of the windblown palms, leading lines and dramatic clouds.