B&W Archives - Page 3 of 17 - Just Enough Focus

July 11, 2017July 11, 2017

Dystopian Dreamscape

This is adjacent to a marina at the Great Salt Lake. I took this as an afterthought and didn’t think much of it at the time. Only after I processed it in monochrome does it come across as a dystopian dreamscape. Surrounded my mountains it has an otherworldly quality to it.

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Dystopian Dreamscape just outside of Salt lake City

This is a furnace stack from a smelting plant just outside of Salt Lake City. It towers above the landscape and was the visible for many miles. It’s so big it creates an optical illusion of sorts. From afar it appears much closer than it is. Next to the surrounding hills it looks like something on Mars or the moon. The area is rich in minerals and home to some of the largest mines in the world; it’s little wonder the scales are so large.

Speaking of worlds, the cooper mine over the ridge is so large it can be seen from space. The tip of it can be seen from all over the Salt Lake City valley, but it’s in the background, not really a main feature. It’s easy to spot and I suppose the same holds true if you’re looking out the window from the ISS. Here is a picture of it from the NASA archives.

more monochrome images

When we go back to the moon or make it to Mars, we’ll be doing quite a bit of mining. The idea is to use the resources available to build, construct and sustain. Maybe in a few hundred years when someone sees this picture they’ll think it looks just like some places they saw on Mars while on vacation. You just never know.

June 14, 2017

By the Waters Edge

The other evening I was standing along Sarasota Bay and there were all types of birds by the waters edge. This egret was picking through grasses exposed by the low tide. Egrets are accustomed to humans and will come quite close without feeling threatened. However if you’re fishing it’s a different story altogether. They have no problem walking right up and stealing fish or bait right at your feet.

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This one thought I might be fishing and came to investigate. When he realized I didn’t have a net he lost interest. In this moment he seemed to lose interest and hop a few meters down the shore.

I love animals very much and tend to anthropomorphize them. For instance I would say this little fella is striking a pose, deciding on his next move. If they squawk I’ll attribute it to human emotions, as though they are complaining or mad about something. I do that with wild animals all the time and especially with my own pets. Sometimes if I talk to animals they’ll take an interest in me and look back quixotically. That’s because they’re not sure what to make of a crazy human like me. At least my dog understands me, but that’s another story.

more animals

I’m not so much of a wild life photographer, but I do like capturing birds along the shore, especially here in Florida. There are a lot of egrets and herons that make for good subjects with their graceful poses and antics. But real wildlife photographers are a different bred, they are patient and calculating, and will end up with spectacular shots of nature. Me, I’m more of an opportunist; I’ll capture the wildlife if I happen to be in the right spot at the right time.

June 7, 2017June 7, 2017

Examination of Society

Pictures from big cities like this are a mini examination of society. The scale shrinks individuals and we are left with dwellings, their architecture and proximity. That allows us to examine like an archeologist, learning about a society by studying its pathways and structures.

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I took this from Vancouver Lookout which is one of the must see attractions. Even though it’s mainly for tourists it didn’t deter me from spending a couple of hours here taking shots in all directions. This one in particular I took with a wide 12mm lens. It causes the buildings to appear splayed in different directions. It may not be realistic but it creates a sense of movement to the scene.

Examining these scenes teaches us about the inhabitants at a collective level. At a personal level they teach us nothing. We cannot know someone’s heart by which floor they exit the elevator. However we start to understand a person by looking into his or her eyes, the windows of the soul. Maybe there is a parallel in cityscape scenes; the windows of buildings act as portals into the soul of a city. A million windows lead to a million individuals that combined are the essence of a place.

more cityscape images

I am drawing a long bow, but it’s an idea, that what makes a scene like this interesting is our invisible connection to the people behind the windows. I’m sure there’s more to it, but it’s an idea I have and for now and I might just take that with a cup of coffee and call it a day.

June 1, 2017

Palace of Fine Arts

On a recent trip to San Francisco I got up early one morning and came here to the Palace of Fine Arts. As it was a Sunday I had the whole place to myself. That by itself is an experience to say nothing of the photographic possibilities. I imagined myself in an ancient Rome as though a ghost out of time.

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In this image I placed the camera near the floor and aimed up with a Laowa 12mm f/2.8 Zero-D lens. It’s a special lens because it keeps the horizon flat without distortion, which is where the Zero-D comes from. Perhaps this is what the cat sees as he prowls the palace grounds each night.

As I look at this it reminds me that I’ll be heading back to Europe soon. I never know what I’ll see but I suppose that’s true wherever I go. When I go out to take pictures I have an expectation in my mind. That’s good for certain types of photography but on others it just gets in the way. When travelling the trick is to see what’s in front of me; I might miss something if I’m preoccupied with something in my head.

That’s not to say I don’t have a lot of ideas of images floating around. But it takes presence of mind to pick out details or compositions in a new place. Otherwise it’s better to work in a studio where we can shape an image to match our idea.

I normally take two or three lenses with me when touring. Like in this case I had the wide angle in the bag and so I pulled it out. I might experiment with taking just one lens on an excursion. Back in the day of film many cameras had a 35mm focal length. There’s a degree of liberation that comes with that because you stop thinking about the lens choice and just work with what you have.

more black and white

If I had to choose just one lens I’d start with the 35mm; that’s a good field of view to work with. But I also like the 50mm and the 85mm. Just thinking about the choice makes me anxious. Isn’t that the craziest thing you ever heard?

May 25, 2017

Water Under the Bridge

I’m not sure where the term water under the bridge came from, but it’s one I often repeat in my head. If ever there was a metaphor for letting go this is it. It sums up our attempt to keep moving and not get defeated by stuff that happened.

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Events are like water; they just happen and we usually have no power to stop them. Water is the most powerful force on the planet. It carves continents, it sustains life and it’s a force that we cannot control. We are born into a place where have little control of things around us.

Water under the bridge is both an acknowledgement that we have no control and an opportunity to keep moving. I think what’s important is how we react rather than what happens to us. It reminds me of the other saying about the journey, not the destination. Life keeps moving and how we endure each day, and every moment in-between, is more important than what has happened or will be the destination.

That’s not to say we shouldn’t have goals or a direction in life. Rather, what defines us is how we live each day while working toward the goal, not the goal itself.

more minimalism

We all face the same choice. We may as well acknowledge the flowing water, cross the bridge, and move on through life.

May 23, 2017

Departure from Normal

Manipulating scenes like this is a departure from normal, it’s not real so our minds are free to play a little; we each read into it something different.

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When in Vancouver I will often pass through this station. I can never get enough photos in and around trains. Among other things they are studies in leading lines.
I sat at the end so I could look back as we pulled away.

I’ve created a mirror effect, which for me is a metaphor for a choice between two paths, one direction or the other. When we are children we have so much in common; as we mature we diverge in different ways depending on a million things.

We choose one path or another every single day, and often we spend time wondering if we made the right choice. Sometimes we make difficult choices and then wonder about them later. Life is setup in a way that forces us to make decisions; we have no choice but to make choices. Not choosing is still a choice. Maybe the lesson is not so much the decision but how we deal with it after the fact.

more abstract images from the gallery

This image brings all that to mind, probably because I spend more time than I should thinking about decisions I’ve made. This is my metaphor for rushing through life’s stations, making choices, looking back yet trying not to look back.

May 16, 2017

Random People in Scenes

I use random people in scenes all the time. Sometimes a person is positioned in such a way as to create a scene. Street photography is all about people in scenes. One technique is to create compositions where people are juxtaposed to nearby architecture or structures. A simple example is a person waking past an archway. Looking for a composition is like a game; you feel a sense of accomplishment when you capture one. I haven’t played but maybe it’s a little like Pokémon Go.

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I took this at Bayfront Park in Sarasota recently. The park is an island with a trail around it and these swings are spaced every fifty meters. I come here when I want to do a mixture of people and landscape photography; it has plenty of both. As I walked behind this lady I think she knew I was taking pictures because she glanced back. She didn’t seem to mind so I paused to get several more.

I use people in this way all the time. Of course it’s better to be coy about it, if people become aware of what your doing they may change their behavior. Lately I’ve taken to carrying only a small 35mm lens on my camera. That way it doesn’t stand out so much and I can almost pretend I’m a casual shutterbug. In reality I’m on an undercover mission.

images with random people

One time it backfired on me. I was trying to be nonchalant as I took a picture of a rundown garage in a gritty part of town. The people inside thought I was snooping on them and started yelling at me. It turned out okay but I should have asked first. Most people don’t mind if they know what you’re doing. And if they do mind, well, no biggie, it’s just a game.

May 3, 2017May 3, 2017

Seawall and Fishing Pier at Fort Desoto Park

This is the seawall and fishing pier at Fort Desoto Park in St Petersburg. We drove up here the other day to walk and watch the sunset. When we arrived we’d just missed a couple of large cruise ships passing out of Tampa Bay; all the ships pass this point.

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The cruise ships that leave out of Tampa are typically sailing to Mexico, the western Caribbean and now Cuba. Just a few weeks ago the first US based cruise ships departed for a port of call in Cuba. That was big news around here.

It takes about an hour of driving to get here from my home on the other side of the bay. I was talking to a neighbor who has a boat and he comes here in the afternoons to fish. I was surprised to find that out but I think it might actually be shorter to get here by boat.

This is a good place to fish and last year I saw a guy over by the pier catch a six-foot Tarpon. But you have to be careful because once hooked, the sharks like to come by to steal the catch. I’ve heard that Dolphins can do that as well. All’s fair in love and war, and I suppose for serious fishermen it’s a real war out there.

more monochrome images

I don’t have to worry about any of that because I get my fish from a menu. I am not in any way shape or form a fisherman. Sure, I’m probably missing out on a lot of fun, but I’ll stick to taking photos for the time being.

April 11, 2017April 11, 2017

Hotel Europe in Vancouver’s Gastown

This is Hotel Europe in Vancouver’s Gastown. Gastown is a once-rundown-but-now-trendy section of the city. The last time I was in this area I walked around in the evening.

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There is no end of things to see especially if you like photography. In fact, several years ago I was here with my wife when she booked a photowalk with Susanne at Vancouver Photowalks. I highly recommend it if you’re so inclined. She knows the city and you’re guaranteed to come home with some epic shots.

This is a heritage building built in 1909. There are a lot of restored buildings that give the area its character. The streets are made of bricks and there is an ancient clock operated by steam. You could eat in a different restaurant every night and do an epicurean tour of the world. Each time I come back this section of town just keeps getting better.

Normally I take a tripod with me at night but this time I was just out for a stroll, not really intending to take a lot of pictures. I ended up wishing for a tripod, but made due with a high ISO instead. This was taken handheld using ISO 5000. Even though I’ve had this Sony camera for a couple of years I’m still amazed at what it can do. Maybe one day tripods will become obsolete as well.

vancouver gallery

Anyway, if you’re in Vancouver and you want to see something a little different go to Gastown. Even better, arrange to go with Susanne from Vancouver Photowalks.

March 8, 2017March 8, 2017

Night Scenes Across the River

I shot this in December when the conditions were favorable for fog. It’s an opportunity to capture familiar scenes in a different light. Advection fog occurs when warm air passes over cool water causing evaporation. I live near the river so I notice it just by looking out the window. I headed out one evening to shoot night scenes across the river in Bradenton.

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If you notice, fog changes our perceptions. Sounds are slightly muffled and distances are cut short. It can be intimate or confining. It creates a sense of seclusion in a place that might normally seem open and exposed.

Like the transition from day into night, fog creates another type of transition from sharp to soft. With weather transitions, there is usually a bit of magic just after it occurs. It’s something new and is a transformation from clarity into a soft glow.

monochrome-ish shots

By using a high ISO I am able to capture these scenes at night without a tripod. Fog creates a visual playground for me as a photographer. It casts everything in a different light and invites fresh interpretations. The same can be said for inclement weather, however fog is the least troublesome to work in.