This image was a bit of a project to create. I stood on the South Pointe Pier facing Key Biscayne in South Beach. I took three pictures, each focused on a different point. The first was the railing, the next was the jetty and finally Key Biscayne off in the distance.
I combined the images into a composite using a technique known as focus stacking. After that, I kept working on it until ending up with an abstract rendering that is neither real or imagined; it’s somewhere in-between.
I could say something smart about layers, like how they are metaphors for something, but not today. The result is the product of a study in technique and abstraction. I had an idea when I took the shots, and I practiced various methods to get the image I wanted. Perhaps that’s the best way to describe it.
I’ve compiled a montage of a few photos as a study of the compositional element of reflections. I use reflections in many of my images and am intrigued by their potential for metaphor and allegory, which of course varies for each viewer.
This was taken one evening somewhere on the Adriatic on our way to Montenegro. When at sea you could stand on the balcony in the evenings and see these interplays of sun and cloud. Sometimes it’s nice when you have nothing more important to do than watch the scenery.
Minimalism in landscapes is a theme I continue to study and practice. It could be either a seascape or cityscape, both can fit into a minimalist approach. By placing the horizon low in the frame, it allows the sky to take center stage and creates a sense of space. Minimalism is created when space is the main character.
Anyway, when you are at sea your eyes have few options. There is nothing to look at but sea and sky with the line between them often indistinguishable. A few hours of visual deprivation will lead to heightened sensitivity to changes. It’s then you have a glimpse into how mariners operate, as much by sense as by training. Then when you finally see something like this, you have an appreciation that might have gone otherwise unnoticed.
Pictures are like metaphors. I think this is one of those, at least it seems that way to me. Point in a direction, keep marching, in the process define yourself. Which sounds a lot like life in general, only I get to wax eloquent because this is my blog.
I’ve taken dozens of shots from this pier in Bradenton Beach. Even though it’s same old thing I come back looking for more. As long as were on metaphors, shooting this pier is like stone soup. The sea is the broth, the pier is the stone, and everything else gives it flavor. I keep coming back to try new flavors. Maybe I’m on to something, or just hungry.
Nevertheless, the more I immerse into photography, the more I look for metaphors. It seems natural when going to the beach, at least for me. Always looking for meaning in non-descript scenery, it’s what I do.
This is inside the San Francisco Museum of Modern Art, aka SFMOMA. The last time I was in California I visited, seeing as many exhibits as I could. This is the central atrium with a skylight at the top. These types of shots are disorienting until you figure it out. That’s the whole point, a little mind puzzle.
I spent a lot of time at the photography exhibits as well as the abstract paintings. The photos were from film and taken over fifty years ago, documenting an era in LA that I found fascinating. The abstract paintings were just as intriguing, some with such extraordinary detail that it was hard to imagine the effort required. But then that’s the reason to go; to see new things and learn.
I visited each floor, finally arriving at the top where I walked across a bridge under the skylight, which is bigger than it appears here. There was a lot of stairs, a lot of walking and a lot of standing and observing. When I finally got to the top I took the elevator down and grabbed this image before leaving with a coffee and a head full of new ideas and inspirations.
I took this a couple years back on Sanibel Causeway, which connects the mainland to the small island of Sanibel. We have a lot of causeways and bridges in Florida because there are so many islands. When I first moved to Florida the unbelievable number of bridges was one of my first impressions.
Wherever there is a causeway you’ll find people standing at the waters edge with a fishing poll. In many ways this is a typical scene when driving around either coast.
The setting sun illuminated a large column behind the fisherman. I walked around and took a bunch of photos but within thirty minutes it had moved our way and we were covered in dark clouds. As I jumped in the car it started to rain and within a few minutes there was thunder, lighting and zero visibility. That’s a fairly common occurrence during the hot months.
This is a long exposure from a park that sits on the border between Sarasota and Manatee counties. It’s a new park so on a recent Sunday drive I stopped by to see it for myself. I’m facing towards the inter-coastal on Longboat Key.
You may ask, how is it possible to take a long exposure at midday? Glad you asked; I used a strong ND filter. ND stands for neutral density and it blocks the light. In fact I used two filters and together they REALLY block the light. So much so that I can keep the shutter open for a minute or two, something I can normally do only at night.
So why would I want to take a long exposure during the day? Another great question; because everything is gets smoothed out. Even water that has waves appears smooth, the same goes for clouds; they all appear smooth. It’s a cheap special effect you can achieve without a big Hollywood budget.
You can get pretty creative with photography if you have nothing better to do on a Sunday afternoon. As for me I rarely have anything better to do. Standing in an empty park taking long exposures in broad daylight is my idea of a good time. Can you think of anything better to do?
If you read this blog occasionally maybe you wonder why I write about images. It’s because it helps me to integrate with it on more than one level. After writing about an image it has it’s own story and it seems to take on a life of it’s own. Now when I go back to look at an image I remember it’s story.
This is St Petersburg Florida across Tampa Bay. At this time of year we get thunderstorms that clear in the evening around sunset. I took this right after the storms and about two minutes after at sun had set. The clouds are a peachy orange from the glow of that hour.
Most photographers post images without a word. Sometimes images are so strong they need no words. But, for whatever reason I take the time to write a story. It’s totally unnecessary but I do it anyway.
The urge to write is something I’ve had my whole life. My grandmother was a writer and maybe some of that rubbed off. Half the time I have no idea what I’ll write but it eventually takes shape. Once I write some thoughts I’ll revise, edit, and revise until it’s done; then the story and image are posted together.
Now having said all this about that, today’s images is created with post processing. I imagine the bay produces these reflections, but of course it does not. So to get the final result I took one part picture, one part imagination and a hand full of words and mixed them all together. This is what I ended up with.
Manipulating scenes like this is a departure from normal, it’s not real so our minds are free to play a little; we each read into it something different.
When in Vancouver I will often pass through this station. I can never get enough photos in and around trains. Among other things they are studies in leading lines.
I sat at the end so I could look back as we pulled away.
I’ve created a mirror effect, which for me is a metaphor for a choice between two paths, one direction or the other. When we are children we have so much in common; as we mature we diverge in different ways depending on a million things.
We choose one path or another every single day, and often we spend time wondering if we made the right choice. Sometimes we make difficult choices and then wonder about them later. Life is setup in a way that forces us to make decisions; we have no choice but to make choices. Not choosing is still a choice. Maybe the lesson is not so much the decision but how we deal with it after the fact.
This image brings all that to mind, probably because I spend more time than I should thinking about decisions I’ve made. This is my metaphor for rushing through life’s stations, making choices, looking back yet trying not to look back.
This image is based on the Vancouver terminal, or YVR as its also known. Each time I travel here I am intrigued by the construction. The architects created an exoskeleton with which they hung the functional necessities of the terminal. The form and function are indistinguishable from one another. I’ve noticed this elsewhere and it represents an evolution in how we build.
In the software industry we employ patterns to do basic tasks. Patterns are the analogs of load-bearing structures used in construction. Software has always drawn parallels from construction, and soon I believe it will occur the other direction.
We are evolving into beings that live as much in software as brick and mortar. The trend is accelerating and the boundaries between virtual and physical are becoming more tenuous each day.
The Matrix struck a chord because it explored merging of physical and software realities. I believe we are on some of the same trajectories proposed in the movie. In another generation virtual reality will be as commonplace as a cell phones are now.
When I see physical structures I think of their corollaries in software. Likewise when I build software I borrow construction techniques and terminology. Now opposite is beginning to occur with construction rendering which is an offshoot of 3D printing. We have begun to build physical structures with software as seen on this YouTube. We are now on the verge of yet another revolution in combining software and construction. The merging between software, virtual reality and construction and manufacturing are all but disappearing before our eyes.