Here is a picture from the other day at the pier in Venice, Florida. Isn’t it interesting how so many places are named after a city in Italy?
I suppose it’s no surprise; it just makes me wonder what we’ll name places on Mars should we ever begin to colonize there. If there are no bodies of water, Venice may not be high on the list. You never know.
The other day I visited the pier at the beach in Venice, Florida. It’s an excellent place to hang out at the end of the day.
I took this picture from the patio of Sharky’s, one of the best beach restaurants in the region. When guests come to town, this is where we go. From the terrace, you walk onto the pier to fish or look for dolphins. It’s a tough job, but somebody’s got to do it.
What caught my eye was the sunlight through the grass. At the time, I thought to focus on the less obvious subject. It’s the concept behind my website name. Sometimes, I focus on highlighting the underappreciated gems right in front of the more obvious choice. While I don’t always succeed, that’s the idea behind “Just Enough Focus” dot com.
When I see a bunch of shells on the beach, I want to hoard them like a pirate. At some point in history, these were money.
This photo is reprocessed from an earlier version here. The tools for post-processing are continually being updated, so lately I’ve been having a little fun going back to old photos to tease out a new look. I don’t recall what tools I used back in 2015, but this time, I used the latest version of Skylum’s Luminar.
Nevertheless, what got my attention in this scene is all of the shells in the foreground; they must have been deposited after a storm. You can go to a store and buy a bag of shells for ten bucks, or you could just go to the beach and pick them up yourself. Better yet, send me the money, and I’ll get them for you! (just kidding)
This is street photography, even though it’s in a park. The idea is to freeze a moment in time to preserve the essence of movement, place, and people. Street scenes are studies; they take something fluid and solidify to be examined in detail later. In scenes like this, I see things that were not apparent at the time. I think there is value in that, like maybe an appreciation for the multitude and beauty of things unnoticed.
Each time I come there is something to see. I always bring my camera looking for stories. Stories are little vignettes of life that, when we see, it sparks our imagination. In that way, the photo doesn’t have to be too complicated. I think this photo is an example of what I mean.
On most mornings I have a routine, doing the same things I did the morning before. Once in a while, I take photos instead.
I’m a creature of habit, and if I don’t put my keys in the same place, I’d spend half my life looking for them. Habits and routines go hand in hand and can be good, or not so good. But you get my drift.
It’s a little like having an autopilot in our car. It allows us to do one thing while doing another. Again, nothing wrong with that unless we forget where we are going.
I guess my point is that it might be a good idea to step outside our comfort zone now and again to see where we are. For me, that means getting out to take photos. For you, it would be something completely different, but just as important.
This also reminds me of an Ent of LOTR fame. Of course, we have Peter Jackson’s idea what they looked like; but before that, when I read the books, I imagined something like this. Maybe trees do have awareness, and we can communicate somehow. That would be a lot of fun, not scary at all. I’ll look for something more frightening.
Here is a shot I took last year in Sarasota. It was one of those rushed shots that I was frantically trying to capture as the sun disappeared. The windblown palms added drama to the scene which meant that a three image HDR was out of the question. Nevertheless, I was able to get this with a single exposure from that fantastic Sony sensor on the A7RII.
I took this with a super wide angle 12mm lens. I don’t use it as much as I’d like, but this is an example of what it can do. In a lot of cases, it’s too wide for my needs. But still, it’s nice to have it in the kit.
One thing it does well is to include a lot of the sky. In this case, that’s what I wanted because of the clouds and colors. But at other times it can leave a lot of empty space. Anyway, I’m happy with how it turned out with the combination of the windblown palms, leading lines and dramatic clouds.
Sarasota is growing, and the skyline changes about every six months or so. That means I need to get my behind down to this spot at least once a year to keep up. But I’m pretty sure nothing has changed in this one particular section.